Archive for the ‘Book Proposals’ Category

Need Help Writing Your Book Proposal?

Wednesday, March 30th, 2011

I’ve started a new Book Proposal Course today. It will be held every Wednesday for 8 weeks and you don’t even have to get out of your jammies to attend. This is an online course on how to write a more successful book proposal. There is still time to sign up. Go to http://www.matilijapress.com/course_bookproposal.htm

Why write a book proposal? If you hope to land a traditional royalty publisher for your fiction or nonfiction book, it is likely that you will need a book proposal. But the main reason to write one BEFORE you write your nonfiction book and BEFORE you complete your novel or children’s book is for YOU. A book proposal will tell you whether or not you have a viable product as well as who your true audience is and how to reach them. You will learn something about your platform and how to build on it—strengthen it. You will be required to create a marketing plan, so you’ll know how to proceed with book promotion once your book is a book.

Let me walk you through the book proposal process. This could make the difference between success and failure.

One of my book proposal students discovered through the course that she was writing the wrong book for the wrong audience. She changed her focus in midstream and ended up landing a book contract with Houghton-Mifflin. Not too shabby, right?

If you’ve written a good book proposal, but you need help recognizing and building on your platform, sign up for my brand new course, “Establish Your Author’s Platform.” http://www.matilijapress.com/course_platform.htm

8 Things You Can Learn From Your Book Proposal

Thursday, March 24th, 2011

Most first-time authors, see the book proposal process as intimidating—an unpleasant task that you’d rather avoid. However, you’ll have a much greater chance of publishing success if you look at your book proposal as a learning experience.

Whether you decide to develop a book proposal by yourself or you hire a professional to help you, there are enormous opportunities in the process.

So what can you learn from your book proposal?

1: Do you have a viable product? The research you do for your proposal will help you to determine whether or not this book is actually a good idea or simply a frivolous fantasy.

2: What is your competition? In order to determine whether you have a book at all, you need to check out other books on this topic/in this genre. What’s out there? This information is important now—in determining whether you should come out with this book at this time. And it is important later to help guide you along your book promotion path.

3: Who comprises your primary and secondary audiences? Is there anyone out there waiting for this book to hit the market? Who needs it? Who wants it? How widespread is your audience? Where will you find them? Understanding your customer is primary to planning your marketing strategy and, if you don’t think that this is one of the most important aspects of producing a book, then you really have a lot to learn about publishing.

4: What’s it going to take to promote this book? Once you have established your potential audience, and you know where they are, you can begin thinking about promotion. What is the best way to approach your particular audience? How do they purchase books? Where do they buy them? In order to succeed as an author, you must go where your customers are and make the book available according to their comfort zone, not yours.

5: What do you have to offer toward the process of promoting your book? What are your strongest marketing skills—public speaking? Writing ad copy? Doing cold calls? Arranging for presentations, book signings and book reviews? Take inventory and note all of the qualities and personal assets that you could use in promoting your book.

6: What skills do you need to improve in order to successfully promote your book? Start planning your strategy for strengthening these important skills.

7: What does a publisher truly want/need to know about your project? Most new authors, when left to their own devises, give potential publishers a bland report about their book and call it a book proposal. Your job is to convince the publisher that your book has value, that it is marketable, that you are credible in your field or genre, that you are more than qualified and willing to promote it—that your project is a good investment for the publisher. And you don’t do this by making a statement, rather by presenting a complete and fascinating book proposal.

8: How do you summarize your story or nonfiction book? Another weakness that most new authors share is the ability to describe their book succinctly and, even, accurately. Working through the book proposal process, particularly if you are working with a professional, will help you to improve in this area.

Yes, an author can learn volumes about the publishing industry, the project and him or herself through the book proposal process. It’s just a matter of doing the work with an open mind.

If you’d like help with your book proposal, sign up for my online, on-demand Book Proposal Course. http://www.matilijapress.com/course_bookproposal.htm

Are You Writing a Bulldozer Book?

Thursday, February 3rd, 2011

There are many reasons why a book doesn’t sell. Here are a few:
• The author doesn’t promote it.
• The cover isn’t appealing.
• The author isn’t well-known in this topic or genre.
• There’s no audience for a book on this topic.
• It’s a bulldozer book.

What is a bulldozer book? It’s one designed to change minds. The author’s intent is to push his or her opinions or beliefs onto the reader. He hopes to influence people to change a habit, make new choices, adjust an aspect of their lives.

Doesn’t this describe the self-help book? Well, not exactly. A self-help book generally offers information and instructions in a gentle, but authoritative way. The author of a successful self-help book researches his topic, his audience and the competition and writes a book that is needed/wanted. And then he or she promotes it to an appropriate audience.

The authors of bulldozer books see people getting fat on fast foods, they observe more sin than they can tolerate, they have a real adversity to smoking or they’re sick of hearing about cruelty to children, for example. This author has a beef with a segment of the population—a bone to pick. He’s on a mission. And so he writes a book designed to transform fast food junkies into vegetarians. He pens a book on how sinners can find God. He produces a stop-smoking book for the hardcore smoker. Or he writes a book on parenting for druggies.

There’s nothing wrong with wanting to make the world a better place or for trying to help someone take better care of him or herself or their families. Where authors of bulldozer books fail is in their approach and in identifying their target audiences.

Over the years, I’ve certainly gone on writing missions of my own. I wanted to help save children from abusive parents and animals from cruel situations. I wrote articles designed to teach parenting skills and proper, humane pet care. And I attempted to get them published in magazines that I thought would be read by my proposed audience—those people who needed to hear my message. The gatekeepers to those audiences, however—the editors—kept my articles from my targeted readership. The truth is, the readers weren’t interested in learning better ways and they wouldn’t have read my words of wisdom, anyway.

Now herein is the reason why bulldozer books fail. Members of the targeted audience aren’t interested in making changes. If they were, they would go in search of a general how-to or self-help book on the topic. They are not typically going to buy a book that is trying to force feed them your perspective—your truth.

Your book, which is designed to shame the lazy, unfriendly homeowner into cleaning up his yard and be more helpful to his neighbors, is not going to be welcomed by this audience. Your book intended to change the hearts of animal abusers, will go unnoticed, at least by this segment of readers. However, this is not to say that you shouldn’t write that book.

• Write it for children—gently and appropriately showing them the way to be responsible or how to care for animals.
• Change the focus so that it will actually attract the audience you want to reach—you can catch more flies with honey than with vinegar.
• Go ahead and write it and then promote it to an audience who cares.

Some stalled bulldozer books can be transformed into brisk selling books simply by changing the target audience. The book’s message might be reasonable, useful and valuable, it’s just that you’re pitching it to the wrong audience. It’s okay to preach to the choir. Instead of promoting your book, “Stop Dog Fighting, Now,” to dog fighters, pitch it to a public who wants to know what measures they can take to stop this barbaric practice. Rather than pushing your healthy eating book on fast-food addicts who love their lifestyle, make it available to folks who enjoy healthy eating and who crave more tips, hints and resources.

I suggest that hopeful authors ask themselves two questions before producing a book: Why do I want to write this book—Reason? And what is the purpose of this book? Respond truthfully and thoughtfully to these two questions and you will be less likely to write a bulldozer book. Another way to avoid inadvertently (or purposely) writing a bulldozer book, is to always write a book proposal as a first step.

If you did not write a book proposal and/or if you feel as though you are promoting your book to the wrong audience, read my ebook, The Author’s Repair Kit, Heal Your Publishing Mistakes and Breathe New Life Into Your Book. http://www.matilijapress.com/author_repairkit.html

Get Reviews BEFORE Approaching Publishers

Wednesday, February 2nd, 2011

What do you have to show potential publishers? What is your special kind of leverage when you are approaching a publisher with your book project? Do you have a dynamite book proposal? What are the most valuable aspects of your proposal?

Have you ever thought of adding book reviews—getting your book reviewed before it is a book?

We often collect testimonials from professionals within the topic of our books to include in our proposals. But have you considered soliciting actual reviews to help sell your manuscript to an agent or publisher? Here are some ideas:

• Contact experts and professionals in your field (the topic of the book) and ask if they would read your complete manuscript and write a 100-500-word review.

• Ask a few individuals from your perceived audience if they would read the book and comment.

• Offer guidelines for the expert and other readers to follow in writing the review—a list of questions, for example. I suggest this because not everyone is comfortable when confronted with the task of writing a book review.

• If you would like to include five reviews from experts, professionals and end users, solicit a dozen or more. Not everyone will respond.

It is possible that there will be some slightly negative feedback or some suggestions you will want to incorporate into your book before sending it off to a publisher. I finished my revision for my publisher this week—but someone brought up a question yesterday on a topic I want to include in the book. So I’m back at the drawing board. My deadline is more than a month away, but I will finalize the book within the next few days and send it in early.

Have any of you added reviews from professionals and/or end users with your book proposals? What were the results?

Looking For a Book

Are any of you familiar with “Start Your Own Self-Publishing Business” by Entrepreneur Magazine? I heard yesterday that there is an extensive interview with me in this book. I would be curious to see it and also to review the book for SPAWNews. I found the book on Amazon.com, but I would like to contact the publisher and get a review copy. So far, my search keeps dead-ending. Do any of you have an idea about how I can obtain a review copy of this book? PLFry620@yahoo.com.

Report on Free Online Book Proposal Course

Sunday, January 30th, 2011

I’m teaching my Book Proposal course for free. We just finished class number five out of eight. And boy are the students getting a lot out of the classes. The comments and the gratitude coming from them is heartwarming. Those who are keeping up are making great strides in their book proposals and in the development of their projects.

Some of these authors will seek agent representation. Some have publishers in mind for their projects. And others just want to maintain control of their projects and self-publish. But everyone is discovering how important a book proposal is to the author. These authors are learning volumes about their projects—things that didn’t even occur to them when they decided to write their books—things that will assure them greater success no matter which publishing option they choose.

I’m not teaching these things as much as they are discovering them through the process of writing the book proposal. For example, one student emailed me yesterday and said, “Writing the Market Analysis accomplished a couple of things: It helped me refocus on my title. The new one better represents what the book is about. Next, seeing what is out there helped me to expand what I’ll include (in my book). All in all this assignment was insightful and very helpful. I feel stronger about and more committed to my book. Also, it was fun!”

Another student said this about the lesson on targeting your audience, “This was tough, but I now understand the value of knowing who I am targeting with my book. Thank you for teaching this great course.”

One student was having trouble defining her book—she was struggling with her synopsis until I asked her (and the rest of the students) to write a one or two sentence description. She struggled with that, too—just couldn’t come up with a succinct one or two liner describing her book. That’s when she realized that she hadn’t actually defined the scope and focus of her book in her mind. And she knew she could not approach a publisher until she had. She was resistant, at first, to my suggestions that she do more research into what’s out there and what she could offer. But she’s glad she did. She was finally able to write a fairly good synopsis (or overview) of her book. It just needs a bit of tweaking and it will be good to go. In the meantime, she says, “Thank you. I had no idea I was so off base with my book. You really helped me to find my focus.”

I teach 6 different on-demand, online courses. On-demand means that you can sign up at any time and choose which day of the week you’d like to receive your lecture and assignment throughout the 6 or 8 week course. These courses are an incredible value because you also get my personal feedback with each lesson.

Do you need help with your book proposal? Are you struggling to promote your book? Would you like to start a freelance article-writing business? Do you want to self-publish your book—establish your own publishing company? Learn more about the courses we offer at http://www.matilijapress.com/courses.htm Questions? PLFry620@yahoo.com

Learn From Your Book Proposal

Tuesday, January 25th, 2011

Yesterday, I experienced one of those perfectly orchestrated days that somehow went awry. You know, you plan your day, but things happen that change your plans dramatically. Yesterday, it was a sudden death in the family. So a nice outing with my mom to visit her sister at a nursing home where she was rehabilitating from a broken hip, turned out to be a day of waiting by the phone for word from my cousins at the hospital. Then there were phone calls that had to be made. The family began to gather at my mom’s to console her. It was a long day that certainly did not go as planned

This can happen in your writing, as well. You might have a perfectly good story or nonfiction book in mind (or written), only to have something occur that causes you to take your project in a different direction. As we’ve discussed recently, your book proposal can be that impetus for change. And that’s the reason why you do want to write one.

Through the process of writing a book proposal, you might discover that your idea is too narrow and your audience too small. You might realize that your young adult novel is really more fitting for middle-grade readers. You may determine that you don’t actually have a handle on the focus or scope of your book or that there are already numbers of books with the same message and in the same style as the one you propose. Some authors discover, through the book proposal process, that their idea is not valid. If they continue the process, however, they often find their way to a more viable one. And sometimes, writing a book proposal helps you to realize that you just aren’t ready to become an author. You have no platform. You have no interest in promoting a book. At this juncture, you will either give up your idea, come out with a pamphlet to promote at your website and give out to friends and family or you will go to work preparing yourself to become a bona fide author with what it takes to succeed.

Take the chance—take the steps necessary to test drive your project by writing a complete and well-researched book proposal before taking your “plan” to completion. Become vulnerable. Follow the path through the book proposal process. It’s the only way you can be sure that you’re on the right track with your book project.

Resources to use in the book proposal process:
The Right Way to Write, Publish and Sell Your Book by Patricia Fry
http://www.matilijapress.com/rightway.html

Write the Perfect Book Proposal: 10 That Sold and Why by Jeff Herman and Deborah Levine Herman, (John Wiley and Sons, Inc., 2nd edition, 2001)

Take Patricia Fry’s online Book Proposal course
http://www.matilijapress.com/course_bookproposal.htm

If you need help with the book proposal you have already written, contact me or your project is ready for editing. Check out Patricia Fry’s services at http://www.patriciafry.com

Don’t Try to Create a Make Believe Audience for Your Book

Saturday, January 15th, 2011

I suggest that you always write a book proposal before writing your book. At least develop a book proposal before you start shopping your manuscript around or decide to self-publish or pay someone to publish it.

An important part of the book proposal is the process of targeting your audience. And I’m finding that more and more authors are trying to create an audience for their books instead of targeting the most reasonable audience. Rather than determining who would most likely read their books, they are inventing the audience of their dreams and listing this as their target audience.

If you are writing a book proposal, take a look at where you identify your target audience. Be truthful, now—are these likely readers for your book or are you using wishful thinking? While you might want to entice people who have never attended a car race to read your book on insider secrets of car racing, this is NOT your target audience. Everyone who drives cars, who likes movies with fast car scenes or who has ever attended a jalopy race is not your target audience. Your audience comprises people who follow car racing or who are involved in some way. Sure, you might get some curiosity seekers to purchase your book for themselves or as a gift, but these folks are so remote that you would not even list them on your book proposal as a possible audience for your book.

Think long and hard about who makes up the audience for your book. Be realistic. Make sure those on your list are legitimate—folks who would probably, if they had a chance, purchase your book or put it on their wish list. A realistic look at your target audience early on is one of your best tools for publishing success. If you are honest and true in your evaluation, you might discern that your book doesn’t actually have a very large audience. This is not when you start making up potential audience members, this is when you begin to reevaluate your book. Is your niche too small? Are you trying to make the focus too narrow?

There is nothing wrong with a niche book—there is a huge need for them and those with the right stuff will sell to your niche market. But that’s all you can expect. I have actually worked with authors who believe that their obvious niche book could make it to the big time. But that’s another blog post.

My message today is in the form of a warning. Do yourself a huge favor by understanding what is meant by the term target audience and by being realistic when you determine yours. These are the people who want a book like yours—who typically read books like this, who are seeking the information in your book and can’t find it anywhere else, who, if they knew about this book, would definitely (or even probably) buy it. This is your target audience. Sure, others may come out of the woodwork and decide to read your book, but these are not the people you are writing it for—they are not part of your target audience.

If you want to create a larger or a different audience for your book, do it by changing something about your book project—expand on the concept of your book to include a wider audience, use my technique (in The Right Way to Write, Publish and Sell Your Book) to build a larger audience base, bring in aspects and features that will attract additional segments of readers.

For more about targeting your audience and many, many other aspects of publishing and authorship, be sure to purchase my book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html

Get your FREE ebooklet, 50 Reasons Why You Should Write That Book: http://www.patriciafry.com

Query Letter Versus Cover Letter

Wednesday, December 29th, 2010

Today, I want to discuss query letters and cover letters and explain the basic differences.

Query Letter
The query letter is your sales pitch. You send a query letter to a publisher first in order to inform him about your wonderful book and to pique his interest in seeing it. Here is where you introduce yourself, describe your book, explain who your audience is and offer evidence of your ability/willingness to promote this book. The query letter is your foot-in-the-door. It is your first opportunity to make a good first impression with the publisher of your choice.

I advise authors not to come on to strong in their query letters, but do present your project with confidence. You want to appear professional and confident not pleading and desperate.

And be sure to identify your query letter as a query letter. Say in the beginning, for example, “I’d like to introduce my book, Parenting the Second Time Around, a guide for grandparents who are raising grandchildren.” Or say, “Please consider publishing my book on….”

Cover Letter
The cover letter accompanies your book proposal package or your manuscript. You will write a different cover letter for your proposal than you will for your manuscript. The cover letter is generally a reminder to the publisher that he requested to see your proposal or your manuscript and you also want to remind him of what your project is about.

Of course, there are instances when you will send a book proposal first (if that’s what the submission guidelines call for). Then your cover letter is strictly an introduction to your proposal and not a reminder that the publisher requested it.

In the case of a cover letter for a requested proposal, you might start by saying, “Thank you for asking to see my book proposal for Who Let the Dogs Out?—Who Will Put Them Back?” or write, “Per your request, I have enclosed my book proposal for my novel, Sweet Sixteen. As you may recall, this is the story of…”

The cover letter won’t be as detailed as the query letter because it is backed up either by a full-blown proposal or a manuscript. But you still want to give an introduction that will entice the publisher to stop what he was doing, to choose your package over all others, to wave of interruptions and focus on your proposal.

Questions? PLFry620@yahoo.com.

http://www.patriciafry.com
http://www.matilijapress.com

Why Write a Book Proposal?

Tuesday, December 7th, 2010

As you know, I’m offering my online book proposal course FREE to the first 10 people who sign up with me: PLFry620@yahoo.com. Learn more about this course here: http://www.matilijapress.com/course_bookproposal.htm

If you are thinking about writing a book, you are in the process of writing a book or you have completed a book manuscript, you really should write a book proposal. Why?
Probably the best thing about writing a book proposal is that during the process, you’ll find out if you truly have a book at all. There are at least six major things you can learn about your project as you go through the steps of developing a book proposal. You will learn:

• how to focus on your subject
• how to describe your book to others
• how to organize your material
• whether you have a salable idea or not
• how to sell your idea
• who your readers are
• about your competition

Today, we are focusing on the nonfiction book proposal. While publishers and agents sometimes request proposals for novels, they are not quite the same. The proposal for a novel might have only the title page, a synopsis and an author bio, including your platform.

Here’s what goes into a nonfiction book proposal:

Cover Letter. Write a formal letter on your letterhead that identifies your package as a book proposal

Title Page. Like a title page in a book.

Synopsis or Overview. The synopsis is the meat of your book proposal. This is where you describe your story or the theme and purpose of your book. If you can’t write a one or two-page synopsis, you’d better rethink your idea.

Promotional Ideas. Today, publishers need to know that the author is willing to help promote his or her book. If you’re affiliated with a large organization related to your book topic, say so. If you are a skilled public speaker, mention that. What are your connections? You should have plenty of ideas about who will buy this book and how it should be marketed. Share these ideas with potential publishers.

Market Analysis. For this section, you will research books similar to yours and explain how yours will differ. What makes your book stand out from the rest?

About the Author. Here, you will offer your bio. Include your writing experience, education and platform as well as your involvement and/or expertise related to your proposed book.

Give the publisher every reason to be interested in you and to trust you as the author of this book.

Chapter Outline. Here’s where you really find out if you have a book. List each chapter by title and briefly describe the proposed content. If you can’t outline 8 or 10 chapters, you probably don’t have a book.

Sample Chapters. Often, but not always, the proposal includes sample chapters.

A book proposal is a necessity in today’s publishing climate. So you might as well bite the bullet and decide to write one for your manuscript. Once you’ve broken through the mystery of your first book proposal, you’ll be surprised how easily the others will go together and how vital this proposal is to your project. And here is your opportunity to have personal guidance through your first book proposal. Read more about the free offer in the December 6, 2010 blog post.

To learn more about me visit:
http://www.matilijapress.com
http://www.patriciafry.com

FREE Book Proposal Course

Monday, December 6th, 2010

Okay, you spoke up and told me that, of all my online courses, you need the Book Proposal Course most. So I’m offering it as a gift to my loyal blog followers.

We’ll start the 8-week course Monday, December 27 and it will run until February 15. Here’s how it works:

It’s as easy as emailing a friend, but much more rewarding and beneficial to the success of your book. It’s like going to school in the comfort of your home. You will receive weekly lectures and assignments that you can work on at your convenience throughout the week. Your instructor will respond to your questions and provide limited individual feedback. Plan to participate fully and you could complete a successful book proposal for submission to a publisher by the end of the 8 week course.

In the process of taking one of my online courses, you will have the opportunity to work with me one-on-one toward the completion of your project. While my input and feedback during the free series of classes will be somewhat limited, here’s what each student can expect:

• One email with comments, feedback, critique and suggestions after each weekly assignment.

• Response to only one or two additional questions weekly.

• A written evaluation of your complete book proposal, if submitted within two weeks of the last class.

• If you require additional assistance, critique, editing, I’ll drop my fee to $40/hour for those who completed the course.

If you are interested in taking this complimentary course during this time-frame, please do not sign up at my website. Contact me personally with questions or to sign up. PLFry620@yahoo.com.

The course will be limited to ten students, so make your reservations today.

To learn more about this course and what it involves, please visit http://www.matilijapress.com/course_bookproposal.htm