Archive for the ‘Book Proposals’ Category

Who is Your Target Audience?

Wednesday, November 3rd, 2010

Are you still confused about who comprises your target audience?

If you have tackled your book proposal or if you have attempted to write an over-the-top effective query letter, you’ve had to address the question—who is the audience for your book?

Most first-time authors want to say, “Everyone!” They can reason that everyone is a potential reader for their book. There are:

• Those who are interested in the genre/topic.

• Your friends, family, colleagues, coworkers, neighbors, fellow worshipers, grocer, hairdresser and so forth.

• Curiosity seekers.

• Students assigned to read something on this topic.

• People who might find the book on a seat in an airport and read it because they have nothing else to do.

• Researchers.

• Those who received it in a gift basket they bought at a silent auction.

• Patients in waiting rooms.

Okay, if your book is in print long enough and if you continue to promote it wide enough, someone from each of these categories may, indeed, read (or purchase) this book. But this is not your target audience.

Let’s examine the word “target.” It indicates something you aim for, direct toward, pursue. When you refer to your target audience, this is the most reasonable group of readers for your book—those who would most likely want to read your particular book. And this is the audience you should be thinking about while you write the book, it is the audience you will market the book to and it is the audience your potential publisher wants to hear about.

Who is most likely to read your fantasy romance novel, your horror novel or your young adult adventure novel? The answer is obvious—those who typically read books in these genres. Your job, when determining your target audience for the publisher, for your own information and/or while devising your marketing plan, is to find out how many readers this group comprises and how to locate and approach them.

For your book on photographing pets, your primary audience is made up of adoring pet owners who enjoy photography.

Sure, most books have target audiences and fringe audiences. Your fringe audience for the pet photography book might be people purchasing the book as a gift, animal activists who want to improve the quality of their pet adoption photos, a journalist who writes about animals and wants to include photos in their story packages, and so forth.

Now maybe you can finally see the value in knowing your true target audience. The thing is, you have to promote this book. You’re not going to spend your time marketing it to journalists—that group is not large enough. You won’t promote it to people as a gift item—that means doing random marketing to everyone in hopes of locating a potential customer or two. NO! You are going to be promoting to your most logical audience—those who need/want your book.

Think about this: If you go with the premise that your book is for everyone and begin a wide sweep of marketing, you’re actually going to miss your best opportunities for sales. While you’re out there trying to capture the attention of everyone, your true readers may never find out about your book.

Are you writing a book? Have you determined your target audience? Have you ever targeted the wrong audience and had to change your total marketing strategies and direction? I’d like to hear your story.

http://www.matilijapress.com
http://www.patriciafry.com

Why a Book Proposal—Why Now?

Saturday, September 25th, 2010

In order to determine the potential for a product, you develop a business plan. The book proposal is a business plan for a book.

Even before writing a book, there are certain things that you need to know. And this is true whether you’re writing a memoir, novel, children’s storybook, chapbook, historical, how-to, self-help or coffee table book. If you are seeking some measure of success with your book project, you must find out:

• Is there a market for this book?
• Who is your audience and how will you reach them?
• What titles compete with yours?
• How does your book differ from others on this topic?
• Who is your target audience and how can you reach them?
• What are your publishing options?
• What are the possible consequences of your publishing choices?
• What are your responsibilities as a published author?
• How will you promote your book once it is published?

A well designed book proposal will answer these important questions. It will also help you to determine:

• How realistic is your vision for this book?
• What is the best way to organize your book?
• How can you make it more salable?

Establish Your Platform Before Writing the Book
Your platform is your following—your way of attracting readers. Here’s what I recommend you do before bringing out your book.

• Start writing articles or nonfiction stories for national magazines.

• Become columnist or regular contributor to a website, newsletter or magazine related to your topic.

• Seek an endorsement for your book or support for your project from a well-known national organization.

• Establish and nurture connections with high profile people in your field.

• Borrow, buy and/or build a mailing list.

• Build a website and start a blog related to your book. Offer something of value and promote, promote, promote.

• Establish a social media presence.

• Take a class or read several good books about promotion in general and book promotion in particular.

• Become familiar with appropriate talk TV and radio shows nationwide and how to land interviews.

• Do something newsworthy.

Keep in mind that a book proposal is for you—to help you determine whether your book is a good idea or not. And then, if you plan to seek a traditional publisher for your project, you will be required to write a book proposal for him.

A Nonfiction Book Proposal should include:
Cover letter
Title page
Table of contents
Synopsis or overview
Marketing section (Who is your target audience?)
Promotional ideas (Include your platform.)
Market Analysis or comparison of competitive works.
About the author (What makes you the best person to write this book?)
Chapter outline
Sample chapters
Samples of illustrations, photographs, etc.

A Fiction Book Proposal should include?
Cover letter
Synopsis or overview
Promotional plan
About the author

For much more about writing a book proposal, order my book, The Right Way to Write, Publish and Sell Your Book http://www.matilijapress.com/rightway.html or How to Write a Successful Book Proposal in 8 Days or Less, http://www.matilijapress.com/bookproposal.html

Or sign up for my online, on demand book proposal course: http://www.matilijapress.com/course_bookproposal.htm

Your Book Proposal as a Learning Experience

Saturday, August 28th, 2010

Do you typically seek help for the most important aspects of your book project? Editing, writing a book proposal and marketing?

Nothing is as valuable to a new author who is seeking even minor success, as the assistance of a seasoned publishing professional who will guide you through the process.

Your publishing success depends on you. You must,
• Create a worthwhile product that is needed/wanted.
• Make the right choices on behalf of your project.

Depending on your choice of professionals and what you are willing to pay for, a book editor, book shepherd, professional mentor, etc. can potentially edit your manuscript and even teach you some important lessons in how to revise your own text. He or she can instruct you in writing a more powerful book proposal, show you how to navigate the publishing industry, assist you in creating a marketing plan and advise you in actively pursuing the appropriate promotional activities. It is your job to learn as much as you can through the guidance of your editor/mentor.

It does you no good to pay for help developing a book proposal, for example, and not take advantage of the learning experience. You may plan never to write another book and feel that you do not need to fully understand the concept of creating a strong marketing section, fleshing out the chapter summaries, etc. But even if you don’t produce another book in the future, what you learn from the book proposal process can go a long way toward your understanding of the whole book promotion process and mindset. What you learn through the book proposal process can assist you greatly in your marketing endeavors.

It’s sort of like when I quit smoking many years ago. I didn’t think I could do it. But when I did, I realized that I was strong enough to overcome any habit I chose to stop. I gained a huge new boost of confidence in my abilities and I certainly acquired some tools I could use in many situations over time.

Getting through your first book proposal is sort of like overcoming any other obstacle, block or challenge. But if you don’t get professional help with it, you may miss out on major learning opportunities. And if you don’t pay attention to what the professional is trying to teach you, you will lose out on something of value that could ultimately affect the success of your book.

Visit me at my websites. Sign up for a free book:
http://www.patriciafry.com
http://www.matilijapress.com

How My Book Proposal Saved the Day

Friday, August 6th, 2010

Thank heavens for the book proposal. One of mine saved me hours of time and a lot of stress this week. How?

Well, I think you know that one of my books has been accepted by a publisher. I’ll tell you more about that as we get further into the process. I can say, however, that I signed the contract last week. Yesterday, I received a 3-page Author Questionnaire from the marketing department and a note stating their deadline.

Yikes! I’m leaving on vacation TODAY. I had a lot to do yesterday. But I knew I had to give that questionnaire my attention and attempt to complete it before leaving. I began studying the questions and then it dawned on me that my book proposal said it all. Most of the questions they were asking are addressed in my book proposal. I was so thankful that I had written a detailed proposal—which, of course, was instrumental in my landing the publishing contract to begin with. What I didn’t understand, though, was why the proposal, with all of this pertinent information about me, my platform, my connections, my marketing ideas, etc. hadn’t been passed along to the marketing department.

Another bit of information requested in the questionnaire related to magazines where we might get the new book reviewed. The marketing department wondered if I knew of a few. I referred to my binder where I list around 60 writing/publishing-related magazines and newsletters and their contact information and quickly compiled a list for them.

Within an hour or so, that 3-page questionnaire had grown to 16 pages!

This is a good lesson for us all as it demonstrates the value of putting and keeping our ducks in a row when it comes to our book projects.

Do you have a book in the works? Whether you will be approaching traditional publishers, self-publishing or going with a pay-to-publish company, it will behoove you to write a detailed book proposal. First, it will show you whether or not you actually have a book at all. It will help you to determine how you will promote it. It will point out where you are lacking in your platform and, perhaps, prompt you to start building on it.

Of course, your book proposal could be the reason a publisher accepts your book for publication.

And, as I was reminded yesterday, it can also become a very good resource for filling out that all-important Author’s Questionnaire from your publisher.

I’m traveling this week and may not post to this blog every day, but I will try to post a few times while I’m away.

Passion and Focus—the Author’s Dilemma

Wednesday, August 4th, 2010

I’ve edited quite a few book proposals lately, and am noticing a common thread among authors. They are so passionate about their projects that they tend to lose their focus when attempting to pitch their books to agents or publishers.

Sometimes an author is so in love with the concept of her book and the way she presents it that they can’t appropriately pitch it. She sees it as a classic piece of literature—a fabulous story that must be told or a meaningful book needed by many. Of course, the publisher is more interested in the economics of the project. He looks at it as a product. He needs to know if this book is worth his investment in time and money. While the author views her manuscript as a work of art, the publisher sees it from a commercial point of view. And, authors, this is what you must understand while compiling your book proposal—even your query letter.

The query letter and the ultimate book proposal are the means through which you communicate with the publishers of your choice. In preparing these, you must think more like a publisher (an investor) than an author who is passionate about her project. Save the flowery description of your inspiration for your writers’ group. Reserve the comments from your mom, sister, husband and friends for your Facebook page or your diary. Omit, altogether, your wildest dreams of a movie contract with Julia Roberts playing the lead.

The publisher wants to know what this book is about, how it differs from other books like it on the market, who the target audience is and how large it is, what is your platform (your following, your connections) and how do you plan to promote this book. He is interested in his bottom line: “Will this book make me some money?”

Get help with your book proposal from an industry professional before sending it out to an agent or a publisher. I can’t tell you how many proposals I see that simply miss the mark. Authors sometimes spend weeks or months perfecting their proposals only to have them fail where it counts—with the publisher. When I get a proposal from an author, typically, I change only one aspect of it—a major aspect. I tone down the passion and help the author to focus on the publisher’s concerns.

And I know how hard this is for most passionate authors. They become so attached to their passion for their projects that they simply can’t shift gears and think like a businessman/woman.

If you are struggling with a book proposal, you might find help and guidance through my online book promotion workshop. Learn more about it here:
http://www.matilijapress.com/course_bookpromotion.htm

Or contact me directly: PLFry620@yahoo.com.

Parts of the Book Proposal

Friday, July 30th, 2010

For Nonfiction:
• Cover letter. (Generally one page.)

• Title page. (One page—include projected word count.)

• Table of contents for the proposal itself.

• Synopsis or overview of the book. (One and a half to four pages.)

• Marketing section. (Who is your target audience and how many people does this group comprise.) Two to four paragraphs.

• Promotional ideas (How do you suggest this book be promoted and what will you do to promote it?) Two to six paragraphs.

• Details about your platform (How widespread is your following—people who know you as an expert in your field or as an author? What are some of your connections related to this topic?) Use as much space as it takes. Impress the publishers.

• Market analysis or comparison of competitive works. Compare your manuscript with five or six similar books. (One or one two pages.)

• About the author (What makes you the best person to write this book?) One to three paragraphs. (Be sure to add your list of published books and books in the works.)

• Chapter summaries. Approximately 100-400 words per chapter.

• Sample chapters (if requested). Generally the first two chapters and the most impactful chapter.

• Samples of illustrations, photographs, etc. (if appropriate).

For Fiction:
• Cover letter
• Title page
• Promotional plan, including your platform.
• About the author.
• Sample chapters, if requested, or first 100 pages.

For more about writing a book proposal, sign up for my online book proposal course:
http://www.matilijapress.com/course_bookpromotion.htm

And/or order my book, The Right Way to Write, Publish and Sell Your Book or How to Write a Successful Book Proposal in 8 Days or Less. http://www.matilijapress.com

Mistakes to Avoid in Your Book Proposal

Friday, March 26th, 2010

Most authors are intimidated by the thought of preparing a book proposal. Many of them bypass this opportunity all together. Others struggle through the process hating (and pretty much feeling confused) by the whole procedure.

If you’re an author or you’re gearing up to become one, you may have already tackled the book proposal, at least to the best of your ability. Some of you are still shaking in your boots just thinking about writing one. And you wonder, why bother? You might reason, “A book proposal is for a publisher; why do I need one if I’m going to self-publish?”

The reality is that a well-researched book proposal will give you the information you need to make the best decisions on behalf of your project. When you decide to become published, you are no longer just a writer existing in creative mode for the pleasure you derive from it. You have shifted to a place worlds away and you will not survive in this world unless you adjust and adapt. Now, you must shift from writer to potentially published author—from the pleasure of creating to serious business mode. And the book proposal will help with this process.

You’ve heard it before, a book proposal is your business plan for your book. It will help you to determine whether you have a valid product at all and how to effectively market the thing. There are scads of books, courses and articles on writing a book proposal. I offer several myself. But here are a few things that you might not know about writing a book proposal. If you want to benefit from your book proposal so that you can land a traditional publisher or realize your dream of succeeding in the marketplace with your book, do not make the following mistakes:

1: Inexperienced authors tend to write awkward, lengthy, ineffective story or manuscript summaries. Some would-be authors try to tease publishers by keeping aspects of the story secret. The synopsis should describe your manuscript succinctly and clearly without rambling or withholding. Some experts say that if you can’t describe your story or your nonfiction book in one or two sentences, you may need to rethink your project. A synopsis should run between 1.5 to 3 pages.

2: The competition section is not designed to be a book bashing. Herein, you are only required to locate books similar to yours and seriously examine them. You need to know whether your book, as planned, is actually needed and why? If you discover several books similar to yours and your audience is relatively small, you may need to consider changing aspects of your project so that it does fill a need among a large enough audience.

3: Don’t skimp on chapter summaries (the chapter outline). This section is designed to help you (as the author) and the publisher to see how the book flows, whether it is well organized or not, what is missing, which chapters are too full and need to be split, etc. It takes some skill to encapsulate the material in each chapter, but this is an extremely worthwhile exercise for the author and a most welcome addition to any book proposal for the publisher.

4: Few authors know how to think like a publisher. And this is an important practice even if you don’t plan to approach publishers. If you self-publish (establish your own publishing company) or go with a pay-to-publish company, you become either totally or in essence the publisher. You need to consider your bottom line. If you want a successful publishing experience—you want your book to sell and to make a difference—you must be clear as to who your audience is, how extensive they are and the best way to reach them. Is there a large enough audience to warrant producing this book? Do you know how you will reach them? These are important questions you must explore through your book proposal. Use honesty here—NOT wishful thinking.

5: Authors tend to slough off the importance of their own credentials. Part of the book proposal involves YOU. Who are you? Do you have a platform—a following, a way of reaching your particular audience? Or have you been sitting in your writing room for years producing this manuscript with no thought as to why anyone would read what you have written? If you are paying close attention, a book proposal could teach you that you need to start now establishing a platform. The truth is, and many authors will not accept this until it is too late, your book will probably not be available in bookstores nationwide. People will have no way of finding your book or learning about it unless you lead the charge. You are responsible for promoting and selling your own book. You are the primary marketing agent for your book. Think long and hard about this as you prepare to enter the highly competitive world of bookselling.

For more about writing a book proposal, establishing a platform, promoting your book and so much more, read the book I wrote expressly for you: The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html

Sign up today for my online, on demand Book Proposal Workshop. http://www.matilijapress.com/course_bookproposal.htm

Listen to What Publishers Want and then Follow What You Know

Wednesday, February 24th, 2010

I’m in the process of writing a book proposal. As you may know, I’m the author of a book called How to Write a Successful Book Proposal in 8 Days or Less. I based this book on my 8-week article-writing course. How do you write a book proposal in 8 days when it is designed to take 8 weeks? You do the lessons daily instead of weekly!

I have been working on my book proposal for a few days and should complete it today. Yeah! See you truly can write a book proposal in 8 days or less.

The book is, Over 100 Good Ideas for Promoting Your Book. You may be familiar with the book I produced in 2000, Over 75 Good Ideas for Promoting Your Book. I’m revising that book. And I’ve decided to seek a traditional publisher so the book will receive greater exposure and added potential for sales. So far, I have had one rejection letter.

My pitch for this book—what makes it unique—is that it is not a huge, intimidating tome. It is brief, compact, succinct, well-organized yet fully packed with ideas, resources and anecdotes. The response to my query letter reminded me that publishers aren’t so interested in what the public wants as they are “how much money can I make.” I teach and preach that publishing is a business and that you must approach publishers with an excellent business idea that will make them some money. But still, there is a mindset within the publishing industry that isn’t easy for an author (even an author/publisher like me) to grasp.

The first publisher to respond wrote a very nice note of explanation as to why they were not interested in publishing my book. They don’t want it for the very reason I thought they would! Because it is small and non-intimidating. They want books that they can price at around the $19.95 mark. They want those mega-books that intimidate authors. Also, this publisher said that they don’t sell many books on book promotion, anyway.

I guess this sort of follows my observation about many of the authors who are just coming into the publishing fold. They want to do things their way and they don’t want to be distracted or side-tracked by the facts of the matter. In other words, they aren’t studying what others write about book promotion. They don’t want to know how to promote their books. They have some ideas about getting exposure for their books—ideas that fit within their comfort zone—and they aren’t interested in complicating their world by learning about book promotion.

Hmmm. It’s looking more and more as if I will be publishing this book through my own publishing company, Matilija Press. I will complete my book proposal and send it out to the carefully researched publishers on my list. I’ll wait to hear back from them and then I’ll make my decision. I know that the first edition of this book is popular with authors everywhere I go. It is the one Amazon orders the most—often in bulk. It sells best at my website. And more people purchase this little 72-page book than any of my more substantial publishing-related books.

Maybe this publisher is dead wrong. Maybe authors would purchase more books on book promotion if they could find books like mine—books that are jam-packed with ideas, resources and anecdotes, but that are not huge and overwhelming.

We all have the opportunity to learn within this changing publishing industry daily. And I just learned that just because a publisher won’t accept your project doesn’t necessarily mean it is not worth publishing.

Catscapades
In the meantime, orders are filtering in for my new print version of Catscapades, True Cat Tales. Most people are purchasing multiple copies. It will make an absolutely marvelous gift. Think Easter! And Mother’s Day! I’ve got many of the birthdays on my list covered for the next year, as well.

I met two cat ladies over the weekend. One has seven cats and the other has five. They shared stories with me that may appear in the sequel to Catscapades, True Cat Tales in a few years. I’ve been visiting cat blogs and websites and meeting some of the people within the cat community. Several of them want to review the book when it arrives from the printer. Yeah!

Order your copy before March 15, 2010 and I’ll pay the shipping. I’ll also tuck in a free gift—something you can use every day for years! http://www.matilijapress.com/catscapades.html

New Article-Writing course starts today. It’s not too late to sign up. $125 for 6-weeks of lectures, assignments and my personal attention to your project.
http://www.matilijapress.com/course_magarticles.htm

First-Aid Available For Struggling Authors

Thursday, January 28th, 2010

As I said in a recent blog post, I am rewriting my book, Over 75 Good Ideas for Promoting Your Book. It will now be Over 100 Good Ideas for Promoting Your Book.

You may wonder if there are more ways to promote a book now than there was in 2000, when I first produced that book, or is it that I’m aware of more of them. I have to say, it’s a little of both. I can tell you for certain that this book will include book promotion activities that you have not, yet, tried. I can also promise that there will be book promotion activities that, if pursued, will definitely help you to sell more books.

The answer to your book’s success lies in this book—but it is up to you to recognize it, commit to it, implement it and follow through with it. Without appropriate and committed action on your part, your book will not succeed in the marketplace.

But don’t wait for this book to come out. If you have a book that is struggling and on the verge of failing—if your book just isn’t gaining the respect and interest you had hoped from your target audience—you may need to read my first-aid book for authors. The Author’s Repair Kit helps authors to breathe new life into their struggling books. Check this ebook out at
http://www.matilijapress.com/author_repairkit.html

I can tell you that there is nothing else out there like this book. This book features a concept that no one else has come up with and it is credible. If you are willing to take a new, perhaps more realistic, look at your book based on the concepts and techniques in this ebook, you could move it off dead center and into the mainstream of selling activity.

Order The Author’s Repair Kit NOW and your book may be ready for the Valentine’s Day sales frenzy. Read this book to discover if you are promoting to the right audience. If not, it will help you to find your true target audience and it will guide you in approaching them.

If you neglected to write a book proposal before turning your book over to the first pay-to-publish company that expressed an interest or if you just gave your book proposal a lick and a promise, here’s your opportunity to right any wrongs you may have perpetuated on behalf of your book.

You may read my book, The Author’s Repair Kit, and learn that you have made a lot of good choices, but you just need to change some of your promotional ways. If you can increase the sales of your book even by 10 percent this year, the $5.95 you paid for this information and these concepts would be well worth it, right?

Order your copy of The Author’s Repair Kit today. By this evening, you’ll have a pretty clear idea of what you need to do in order to create the measure of success you desire with your book.

http://www.matilijapress.com/author_repairkit.html

If you’re in the process of writing a book—you have a manuscript completed or nearly completed, send it to me for a quick FREE evaluation. Email me to discuss this offer: PLFry620@yahoo.com.

Seven Steps Successful Authors MUST Take BEFORE Writing a Book

Tuesday, December 29th, 2009

(Today I am demonstrating a tip sheet. Create your own and send them to appropriate magazines, newsletters and also newspapers nationwide. Editors love informative, useful filler pieces. They use them to fill small spaces left over once the meaty articles and ads are set.)

1: Study the publishing industry so you understand your options, the possible ramifications of your choices and your responsibility as a published author.

2: Define your purpose for writing this book. Make sure it is valid, not frivolous.

3: Determine your target audience. Who is most likely to read this book and how many people does this comprise?

4: Ascertain whether this book is needed/desired. Is there a market for this book?

5: Consider your platform—your following, your connections, your way of attracting readers. Why are you the person to write this book and who is going to care about reading it?

6: Create a marketing plan. How will you get word out about your book?

7: Find ways to build promotion into your book while you’re writing it.

Patricia Fry is the author of 29 books, most of them related to writing and publishing. For much, much more on every aspect of this tips sheet, read Patricia Fry’s book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

(This is tip sheet comprises 130 words—perfect for, perhaps, newspapers, senior publications, authors’ newsletters/magazines and so forth.)

If you are thinking about or you’re in the process of writing a book, be sure to sign up for my 8-week online Book Proposal workshop starting January 5, 2010. I send you a lecture and assignment each week and you do the work. By the end of week 8, you should have a pretty well formed and edited book proposal. It’s like working one-on-one with me on your book proposal, only it costs you a fraction of my hourly fee. Learn more here:
http://www.matilijapress.com/course

If you have a book in hand and you need some direction with promotion? Sign up for my Book Promotion course, starting January 12, 2010
http://www.matilijapress.com/course_bookpromotion.htm

SPAWN members get $25 off. http://www.spawn.org