Archive for November, 2008

How Do You Target An Audience For Your Book, Anyway?

Wednesday, November 26th, 2008

You’re told over and over again, during the process of writing, pitching and promoting your book, that you must determine your target audience.

You can no longer get away with the mindset that your book is for “everyone.” Your mentors, advisors and teachers all tell you that you must write for a specific audience. When the time comes to locate a publisher, you have to inform them as to the scope and extent of your target audience. And you must have that particular audience in mind when you start promoting your book.

How do you identify your target audience? It’s that group of individuals who would most likely purchase and read your book. It might be the parents, grandparents and educators of small children who live in a fatherless home. It could be men and women who want to know more about skin cancer treatments. It may be people who love historical fiction set in the pioneer days, parents who have lost a child, young adults, folks interested in reading war memoirs or hopeful authors who want to know how to successfully produce and promote a book, for example.

Sure, your book might have a peripheral audience&#8212those people who don’t fit your target demographic, but who will purchase your book on a whim or as a gift, for example. And most books also have a secondary audience&#8212those who read it for reasons, perhaps, unknown to the author and publisher. Some might pick up your novel featuring a pilot because they or someone they know is a pilot. Folks may buy your book on easy holiday meals because they don’t own a cookbook and they want to impress a new date in the kitchen or they’ve invited the inlaws over for Thanksgiving.

So you have a target audience, a secondary audience (which might actually have several layers) and a peripheral audience. At least, let’s hope that you do. If you give this concept a lot of thought and do the necessary research to determine your audience, you may decide that you don’t actually have a large enough audience to pursue your book project. That would be depressing. But wait!!

All may not be lost. Sure, maybe there is not a large enough audience for your book on how to dig fishing worms, tips for keeping cats out of aquariums, lessons in dissing your ex or the history of the modern day calendar, for example. But, all doesn’t have to be lost. Conduct new research to find out what topic, slant and focus might attract a large enough audience. In other words, adapt and revise. Go back to the drawing board. Consider writing a book on the best bait to use in certain fishing spots throughout the northwest, for example. Collect stories of quirky things that cats do or research tips for keeping things sane in a multi-pet home. Instead of a negative how-to for recently divorced couples, how about writing a survival guide for those singles living in your community. And as for the modern day calendar book&#8212gosh, this brings to mind all sorts of possibilities. History buffs would probably put out a few bucks for a more all-encompassing historical book. Give your book more depth and breadth and you may generate a decent target audience.

Now how do you determine your target audience? Let me count the ways.

1: Locate books like yours online and in the bookstores and see if you can identify their audiences. If you don’t believe that there is anything else out there like your book, then go to the section where your book would be in the bookstore and look at some of the books there. What books will be sitting next to yours on the shelf?

Now, study each of these books. Who does the author address on the back cover copy, with his title/subtitle and in the text? Visit the author’s website to see if you can get an idea of the audience for this book. Peek in on the blog&#8212who does the author speak to? Look at the comments in the forum. Check out the Frequently Asked Questions. Read several issues of their newsletter. See what other books this author recommends&#8212who is the audience for these books?

2: Visit websites related to the theme or genre of your book. What can you learn about the visitors to this site? They might comprise your audience.

3: Hang out at bookstores near the section where your book would be stocked and observe the people who are interested in this genre or topic. Talk to some of them. Find out what they hope to gain by reading the books in this section. What are they seeking? What is missing in the books they have been reading? Maybe you can provide this in your book.

4: Start a blog and/or newsletter focusing on the topic/genre of your book and get to know your readers.

5: Develop a website using the theme or genre of your book and monitor your visitors. Become involved in dialog with some of them. Listen to them. If you are in the process of writing your book, they will help you to appropriately focus it. If you’ve already produced the book, they will help you to plan your marketing strategy.

How do you target the appropriate audience for your book? By focusing, not on what you want to say, but what people want to hear&#8212by writing the book that people want to read, not by writing what you want to write in hopes that someone will want to read it. Think strategically, not emotionally, when planning a book. Look at your book as a commodity and create the type of product that is wanted/needed in the marketplace.

For additional assistance with all aspects of writing, producing and marketing your book (whether you are seeking a traditional publisher or plan to self-publish), read my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

Are you interested in jump-starting your publishing project, selling more books or supplementing your income through writing, sign up today for one of Patricia Fry’s on-demand, online courses. She teaches online courses on book promotion, self-publishing, article-writing and writing a book proposal. Learn more at:
http://www.matilijapress.com/courses.htm

Who Are You Writing For?

Sunday, November 23rd, 2008

When you started writing, you probably were interested only in writing for yourself. You were keeping a journal, writing a story for fun or jotting down your life story. Now that you want to share your writing&#8212you are writing to be read&#8212you need to start thinking of your audience.

This concept seems like a no-brainer. Of course, you are writing your short stories and articles to be read. Certainly, you are preparing your book for a particular audience. But is this your primary focus as you write and edit your book?
• Is your message clear?
• Are your sentences succinct and understandable?
• Does your storyline make sense?
• Are you addressing the concerns and desires of your audience?
I sometimes suggest to clients and students that they write so that someone from Mars can understand it.

If it is a how-to article or book, clarity is imperative. It’s not always easy to write instructions, for example. Keep in mind that just because you know what you’re talking about and your words make perfect sense to you, doesn’t necessarily mean that your audience will understand. That’s why I suggest that freelance writers and authors keep their audience in mind while they are writing and especially during the editing process. This is one excellent reason why it is important to have another set of eyes (preferably eyes that are well-trained in editing) to read your manuscript before publication. He or she will be able to point out any problem areas: muddy writing, confusing dialog, inconsistencies and so forth.

One manuscript I edited started out with a main character named Karen. About three-quarters of the way through, the name changed to Kelly. Ooops. And the author hadn’t even noticed. Well, she knew that she changed the name, but thought she had made all of the necessary changes. I’ve read published books where the author made changes in the name of the city or a dog, for example, and didn’t make all of the changes throughout.

Another author decided to eliminate almost all references in long sections of dialog to show who was speaking. Not only was there no indication of who was speaking, she didn’t even stay true to her characters styles of talking. As an editor, I was thoroughly confused. Just imagine how her readers would react to this.

Some of my nonfiction authors love to throw around pet titles/phrases and acronyms without explanation. Some authors assume that the reader is par with them in understanding the subject matter, so they attempt to communicate in innuendoes and hints. I tell these authors, this is no way to inform and teach your readers.

Probably where I see the largest measure of error in communication is in the book proposal and even the query letter. If an author is also a reader and is writing with the reader in mind, he or she will usually learn what it takes in order to capture the interest, attention and comprehension of a reader. Few authors, however, really understand what it takes to communicate with a publisher or an agent.

When you write your query letter or book proposal, imagine throughout that you are communicating directly to the publisher. Address his concerns, respond to his burning questions, give him every reason to be interested in your project. How? By getting into his head. What does he want to know? What does he care about?

I can tell you that most publishers do not care one iota that you, “New Writer,” have penned a children’s book or a historical novel or another how-to/self-help book for women. This is of no interest to him. He especially doesn’t care that your friends think this book is marvelous or even that it won an award from you local, Snakepit County library. No!

He cares only about his bottom line. He wants to know whether your book is a worthwhile, valid project and if it can make his company some money. This is the mindset you must address throughout the process of writing your book proposal. He doesn’t want fluff. He wants facts. He doesn’t want a weak overview, he wants a strong synopsis that makes a case for the validity and salability of this book. He doesn’t want your brother’s opinion of the book, he wants a strong market analysis that demonstrates how your book compares to others that have done well in the marketplace. He wants to know that you have a platform (a following, a way of attracting readers) and that you will aggressively promote this book

Don’t tell the publisher that you will be available to do book signings and so forth. Say that you will get out there and make promotion happen. Don’t let him see you as a meek author who just wants to sit in her cubbyhole and write. Create a picture in his mind of an energetic marketing-savvy author with lots of creative promotional ideas and the ability and willingness to follow through.

Do you see why I harp at my readers, clients and students to keep the reader in mind every step of the way no matter their audience? Think about it, when you write a personal letter, you have the recipient in mind the entire time. This is as it should be when you are writing a book (fiction or nonfiction) and when you are writing your book proposal. Envision your target audience (be it young adult readers, women, children or publishers) and write for that individual.

For more on how to write, publish and sell your book, including a section on self-editing, read my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

Online Writing Courses The Wave of the Economy

Thursday, November 20th, 2008

I have two recently published articles I’d like to tell you about. Over at Publishing Basics, you’ll find my article, How to Get Published in 2009 posted at
http://www.publishingbasics.com

Scroll down and you’ll see my picture along with those of some of my friends, Pete Masterson, Wendy Weiss, Brian Jud and, of course, Ron Pramschufer (site owner). I hope you enjoy the article.

Fran Silverman, publisher of “Book Promotion Newsletter” is featuring my piece on Seven Book Promotion Mistakes and How to Fix Them in her November 19, 2008 edition of her newsletter. Oops, Fran’s newsletter isn’t free, anymore. She charges a fee of $7.50/year. Is it worth it? Do you have a book to promote? If so, then I’d say, YES. Check out the Book Promotion Newsletter site at
http://www.bookpromotionnewsletter.com

I’m presently teaching all 4 of my online courses. Can you believe it? I understand that writers’ conferences (and conferences related to other subjects) are being canceled right and left because of low enrollment this year. It’s a shame. How will you get the information, resources and instruction you need in order to follow your writing dreams to publish and promote a book or supplement your income through writing? I suggest looking for opportunities closer to home. You may find writing/publishing workshops and courses offered locally. Contact your public library, arts council, writers’ group for information.

Also look to the internet. Sign up for an article-writing course, book promotion course, self-publishing course or book proposal workshop, for example. Here at Matilija Press, we offer courses in all of these topics. And if you have a request for a specific course, let us know. Perhaps we can either develop one (if it is within our expertise) or direct you to one.

Learn more about the courses we offer at http://www.matilijapress.com/courses.htm

Twelve Days of Christmas for Writers/Authors

Tuesday, November 18th, 2008

Check out Carol Denbow’s blog site, A Book Inside. She has written a great article called “The Twelve Days of Christmas for Writers, Poets, Authors and Book Lovers” in which she offers tons of resources and recommendations for anyone interested in books. She even mentions my book, The Right Way to Write, Publish and Sell Your Book.

This was posted November 12, 2008. I think everyone reading my blog will find her blog site relevant to your writing/reading interests.

http://abookinside.blogspot.com/2008/11/twelve-days-of-christmas-for-writers.html

Writers and Communication

Monday, November 17th, 2008

Ahhhh, communication… Humans definitely have the edge when it comes to succinct, concise, clear, lucid, on-target communication, right? After all, we have so many modes of communication available to us. We can text, fax, email, chat, blog, videotape, record and speak in real time via cell or computer from anywhere at any time. We can even talk face-to-face, although, this style of conversation seems to be going obsolete. So why haven’t our communication skills improved? Why are we still missing the mark in our attempts to share our thoughts, pass along instructions, make a point, teach and inform? I see our promotional attempts fail. Simple comments are misconstrued. Written or spoken information and instructions often lack clarity. Are you noticing this in your business and personal dealings?

Have you had misunderstandings with friends or colleagues even though you attempted to discuss the situation via email, through texting and even by phone? Are the information bites you receive from your managers and coworkers sometimes confusing? If you’re like many Americans, you probably even sometimes have trouble communicating successfully with loved ones and friends.

So what makes communication so difficult in this Communication Age? Several things contribute:

• We’re an international community. Not only do we communicate with people in other countries quite frequently, many of our colleagues, friends and neighbors speak English as their second language. For the past few years, about 1/4 of my clients were from other countries and they hired me to Americanize their book manuscripts before they approached publishers.

• As Americans, we are becoming more and more colloquial in our way of communicating. We take shortcuts in the way we speak and write and we just assume that others will get it. Many people neglect to use capitalization in their emails and text messages; some shorten words or use acronyms. It has become common and accepted to use U in place of you, R in place of are and so forth. I often receive emails and manuscripts from people who can’t write clear thoughts or clarify concepts. They have large vocabularies, they use an abundance of words, but they have trouble presenting a clear and concise sentence or thought.

• We’re lazy communicators. We are not taught the fine points of communication growing up (clarity and give and take) and many of us miss the mark when attempting to share something or learn something. We don’t know how to get our point across and we don’t know how to listen. For example, it is typical for us to read or hear an evaluation of our manuscript, and take away just one things&#8212usually something negative. How many times have you been guilty of this?

Let’s say that you receive a review of your book or a rejection letter from a magazine editor. The entire review or letter is quite complimentary. Oh my, the writer tells you what a brilliant piece this is, that it is well-written and clever. She goes on to say that this could be a major contribution to humanity and that there is only one thing she would criticize. She would prefer that the book or article was written in third person rather than first. So what are you going to focus on? Yup, that single, obviously one-person’s opinion critique.

• The Technology/Communication Age has brought with it a new brand of communication&#8212abbreviations. We are learning to speak in symbols and acronyms instead of real words, phrases and sentences. Only those trained in such language can understand these messages.

• Even with all of the opportunities for communication, some of us still tend to withhold. Is this a personality trait or, perhaps, flaw? There seem to be the communicators among us&#8212those who are constantly putting themselves out there verbally. These people are in perpetual communication with family members via cell and text. They may over-explain things to clients and colleagues and overload them with material and information. The constant communicator may be as ineffective as the non-communicator because no one, today, has the time or inclination to read such large volumes of continuous blather.

At the other end of the spectrum, of course, are the non-communicators. These people give as little as possible. I guess they don’t stay as connected to their means of communication as the communicator, for they do not respond to emails or phone calls even when they have requested something from you. The non-communicator may want to get a point across, pass along some information, get some support or collaborate on a project, but he or she provides such minimal data, that you aren’t clear as to what he or she wants. I get emails like this and it sometimes takes 2 or 3 attempts on my part to draw out of this person what they are trying to say, ask, share…

Do you see yourself in any of my examples? Where do you fit in? Where could you improve in your communication techniques or habits? I tend to be the over-communicator, myself. Those of you who know me well would probably agree. I strive to be more succinct in my communication. How about you? Can you see areas where you can improve in your communication skills?
If you’re interested in this topic, visit my website and read my articles on public speaking and communication. You might find this article useful: The 10 Steps to Becoming a Better Conversationalist.

http://www.matilijapress.com/articles/10stepstoconversation.htm

In the next blog entry, I may reveal what initiated this post.

What Authors and Freelance Writers Must Know

Saturday, November 15th, 2008

I frequently get suggestions from authors and freelance writers for blog subjects:

“I want to see more about promoting fiction.”
“What is the best book promotion idea?”
“How can I make money through my writing in this financial downturn?”
“What does a publisher really want in a book proposal package?”
“Do I have to write a book proposal?”

And I attempt to cover all of their requests and concerns in articles for magazines and newsletters, in my books as well as in this blog.

It’s fairly easy to be a writer&#8212to sit down at a computer or with a pad and pencil and pour your head or heart out through well chosen words. Many of you reading this have files and drawers and boxes of writings. Where writing becomes difficult is when you decide that you want to make something of it&#8212something more than the simple pleasures that the process of writing can bring. There comes a time in many writers’ lives when they want to start publishing what they write. And this is not advisable for all writers.

Who should not attempt to publish?

• Those who don’t actually write very well and have no interest in learning important techniques and skills.
• Those who can’t shift their mindset from artist to business person.

Writing is a creative endeavor&#8212a craft. Publishing is a business&#8212a highly competitive business. And it requires, not only the heart of a writer, but the head of at least a somewhat savvy, willing-to-learn and stretch businesswo/man.

A freelance writer must seek out opportunities for publication. She must pitch her ideas and be willing to alter her stories on request. She needs patience, for the periodicals industry does not operate on any logical or desired schedule. And she must be prepared for disappointment, because this business is fickle and, in this economy, even more so. As a freelance writer, you may be required to write on topics or use slants that you didn’t originally envision&#8212that is, if you want to become successful. You may think you are in charge&#8212that you are operating your own freelance business&#8212but, in reality, in order to succeed (or even survive) there’s a lot of call for flexibility.

A hopeful author, too, must be willing to bend. He deals with tons of rejection&#8212rejection by agents, publishers and even consumers. It’s no fun to sit at a book festival or a book signing, watching person after person walk past paying no attention to your marvelous book. But it is a reality of publishing and authorship. An author puts even more of himself into his book through emotion, energy and time. And rejection is even more painful. An author may put all of his eggs in one basket with the novel he’s spent the last 5 years perfecting or his recovery memoir or reference book. Everything depends on the success of this book. And the hopeful author is even
more at risk for failure.

What is the secret to publishing success? Give up the idea of doing things your way. It’s time to go into aerobic mode by being willing to change, bend and stretch. And it’s also vital to know
when it is appropriate to do so. My advise? Learn the basics of the “business” you plan to enter. If it is freelance article or story writing, read books on the subject, take online courses, attend conferences that offer workshops for freelance writers. For information on all of the above, visit my website at:
http://www.matilijapress.com

If you have a book to publish, again, read appropriate books starting with my book, The Right Way to Write, Publish and Sell Your Book. Join organizations related to publishing. Start by checking out SPAWN (Small Publishers, Artists and Writers Network)
http://www.spawn.org
Subscribe to newsletters related to publishing and book promotion (many of them are free), hire a consultant who can guide you through the maze, attend writers’ conferences and sign up for online courses. Learn more about opportunities in all of these areas at:
http://www.matilijapress.com/courses.htm

This Publishing Blog is 3 Years Old

Tuesday, November 11th, 2008

I started this blog three years ago this month. This is my 357th blog entry. I’ve averaged nearly 10 entries per month. Actually, I was posting closer to once a week at first. This year, I’ve added posts almost daily. My intent with this blog is to continue my mission to help educate and inform all of you who are interested in entering the competitive world of publishing. This includes authors, freelance writers and, to some degree, artists.

I do this by providing information, resources and guidance to hopeful, struggling and already successful freelance writers and authors.

I know how this blog site benefits some of you because you email me occasionally or leave comments at this site. But I’d like to know more about my readers, so I’ve devised a questionnaire. Please respond to the questions, copy them and paste them into an email to me at PLFry620@yahoo.com. Or leave your answers here at the blog site. This is your opportunity to get more of what you want/need. In order to provide it, I must know what it is. So respond, please:

1: Are you a freelance writer, editor or author (hopeful author)?
2: What is your topic/genre?
3: Describe your work as a freelance writer or editor.
4: If you are currently working on a book or have one or more published, describe it (them).
5: How long have you been writing for publication (or with publication in mind)?
6: What type of information do you seek through the blogs you visit?
7: What would you like to see more of in this blog?

How to get freelance work.
Freelance writing opportunities.
How to work with magazine editors.
The mechanics of writing an article or story.
How to locate and approach agents and publishers.
Additional resources and opportunities for writers and authors.
More book promotion ideas.
Tips and techniques involving producing a book.
Poetry and/or fiction markets and marketing techniques.
Other…

Thank you for your interest in this blog for all or part of these last 3 years. I hope that I can continue to give you what you most desire. But I need to know what that is. PLFry620@yahoo.com.

What Kind of Author Are You?

Monday, November 10th, 2008

It’s interesting how different people approach their book projects in different ways. While some are fanatical about following an exact protocol and doing it right, others just want to get their books out the easiest and fastest way possible. The former author has many questions, does tons of research, speaks with experts and makes educated decisions. The other author may grab up the first offer he gets from the first publisher he contacts and push his project on through as quickly as he can manage.

There are extremes at both ends of these two authors. For example, I’ve seen methodical authors succeed and I’ve also seen some of them hit overdrive and never stop searching and researching—never to achieve their ultimate goals. As for the let’s-make-it-happen-NOW author, some of them actually make the right decisions in haste, but numerous others learn more in retrospect than they ever did during the ideal learning period&#8212before they made any commitments.

While some hopeful authors have preconceived ideas about publishing and the process of producing a book, others don’t have a clue. Those who succeed are those who are willing to learn about the realities of publishing&#8212to educate themselves and then to bend, flex, stretch and adjust to those realities that make sense to their particular projects.

Dora, for example, felt guided to write her inspirational book. She adhered to strict writing hours and completed it fairly quickly. Fortunately, for her, she was also led to solicit help through the next phase of the process&#8212the big, wide world of publishing. She stumbled across me while doing a Google search, said she liked me from my photograph and also felt good about my qualifications and offerings. I was pleased to be asked to make her manuscript more readable by smoothing out her broken-English-way of writing. And I helped her to locate an appropriate POD publisher, which was ideal in her special circumstances.

James came to me with a bulldozer book. Do you remember me writing about bulldozer books in a former blog? To refresh your memory, this is a book designed to change minds. It might be a perfectly valid concept, but it is written in a way that demands change. And it is marketed to folks who probably don’t want to read it. Bulldozer books do not sell&#8212at least not to the audience the author initially has in mind. My role with James was to convince him to allow me to edit the anger and insistence out of the pages and to market it to an audience who actually cares. An author with a strong and serious mission in life is difficult to convince to shift gears, but, when you can get them to listen and bend and stretch a little, they will generally experience greater success in this industry.

Leigh has been working on her children’s chapter book for ten years. Her cousin finally convinced her to set a goal to finish it and talk to someone about publishing it. That year, she attended a writer’s conference in the northwest, where she met me. She emailed me numerous times, after that, and called on the phone. She had endless questions, which I answered as best I could. I provided her with numerous appropriate resources, links, reading material, etc. And she continued to ask questions&#8212sometimes the same questions she’d asked before.

She also bought my book, The Right Way to Write, Publish and Sell Your Book, as most of my clients and students do, but, as far as I know, she has still not finished her children’s chapter book. She is expending all of her energy and time toward dancing around the issue (of the book) rather than actually buckling down and finishing the book. In fact, the last time I spoke with Leigh, she was talking about writing her memoirs. She also wanted to write her grandfather’s war stories and she thought she would put together a how-to book for parents of diabetic children.

Here are 3 very different authors with 3 very different approaches to their projects:
• A motivated and willing author who gets the right kind of help and gets things done.
• A slightly too passionate author who wants to be in charge even if he’s wrong.
• An author who is stuck in time and space and unwilling to move off dead center.
Do you fit in any of these categories? How would you describe your way of approaching publishing? Is it serving you? Do you need more information? Resources? Knowledge? Do you need the eyes of an editor? Guidance in the area of publishing? Contacts?

Remember that I am currently offering online courses and I have a few openings. Sign up for the Article-Writing Course by November 13, 2008&#82124 days from now.
http://www.matilijapress.com/course_magarticles.htm

You have until November 17, 2008&#8212a week from today&#8212to sign up for the Book Promotion Workshop in process.
http://www.matilijapress.com/course_bookpromotion.htm

The Self-Publishing Workshop, where we will walk through the process of self-publishing your book, is also in process. You have until November 13, 2008 to sign up.
http://www.matilijapress.com/course_self-pub.htm

Questions? PLFry620@yahoo.com.

Burning Publishing Questions Answered

Sunday, November 9th, 2008

I’m preparing, this morning, for a consultation with an author duo. They’re driving a considerable distance to get my opinion and ideas on some of their burning publishing questions. I thought I’d share with you some of my responses to some of the questions they sent me.

Q: How do I get my book edited and how much does it cost?

A: Consider hiring an editor. Choose one who has been recommended or one that you are familiar with and trust. The cost is generally anywhere from $500 to $2,500 for 150-200-page book, depending on how much editing work is needed.

Note: This week, I was asked to evaluate a 220-page book manuscript. I read it and even did a little bit of editing, in a little over 10 hours. That’s around 22 pages/hour. In a previous blog entry, we discussed reading and editing rates of speed. It really varies, for an editor, depending on the shape of the manuscript. It is rare, however, that I receive one that I can just read for pleasure at 20 pages an hour or so. Generally, I can get through 4 or 5 pages an hour.

Q: I want to self-publish. How do I get my book printed and how much does it cost?

A: Send Request for Price Quotes to at least half dozen printing companies. Ask for samples of their work, find out what type of files they will need from you and choose your printing company according to quality of work, price and ease in working with them. (See my book, The Right Way to Write, Publish and Sell Your Book to learn how to devise a Request for Price Quote.) Your book might end up costing you $1.50 per book to print or $10.00 per book&#8212it depends on the scope of your book and how many you decide to have printed.

I recommend:
360 Digital Books
Linda Castner
lcastner@360inc.com
http://www.360digitalbooks.com
866-379-8767

Action Printing
Adam Kempf
akempf@actionprinting.com
920-907-7809

RJ Communications
Bob Powers
http://www.booksjustbooks.com
(They are a broker for printing companies)

For lists of printers:
http://www.gain.net
http://www.literarymarketplace.com

Q: What is a reasonable price for a book?

A: Look at books on your topic that are the same size as yours in bookstores. What do they sell for? Generally, for a 150-page paperback, $11.95 to $14.95. A 200+ page paperback, $17.95 to $21.95. And this depends also on what you pay for editing, page layout person, printing, etc.

Q: How many books can we sell?

A: First determine who is your target audience? How many people does this encompass? Where are you going to find them? How many do you think you can reach with your message, say in a year? If you plan to spend many hours promoting your book throughout the year locally and at many venues throughout the U.S., you might be able to sell thousands. Or you might want to test the waters with a short run of around 500 to 1,000 and see how it goes—find out how much time you have to promote, whether your audience is interested in your book, etc.

These authors also asked me how to market a book. While I typed out a list of 15 ways, plus 30 specific venues for them, I don’t want to take up that much space here in my blog or that much of your time reading it, this morning. I can suggest, however, that you read my book, The Right Way to Write, Publish and Sell Your Book. There are 3 chapters with oodles and gobs of promotional ideas. We are also starting a brand new Book Promotion Course tomorrow (Monday, November 10th, 2008). Learn more about the course at
http://www.matilijapress.com/course_bookpromotion.htm .

If you have a book to promote or you’re working on one, this course will put you way ahead of your competition in recognition and sales.

Order your copy of The Right Way to Write, Publish and Sell Your Book at
http://www.matilijapress.com/rightway.html

Build Your Author’s Platform by Writing for Magazines

Saturday, November 8th, 2008

What is a platform and why do you need one?
Maybe you don’t need a platform—let’s see:
• Are you working on a book?
• Are you a published author?

If your response was, “YES,” then you need a platform.

So what is a platform?
• Your following
• Your way of attracting readers
• Your level of fame or recognition
• Your expertise, credentials, skills related to your book topic or genre

You already have a platform if:
• You are widely known in your field.
• You are a celebrity.

You might continue building on that platform by:
• Public speaking
• Presenting workshops and seminars.
• Building and widely publicizing a website related to your topic/genre.
• Establishing a Newsletter and a Blog related to your topic/genre.
• Affiliating with sites, organizations, charities related to your topic/genre.
• Going out and Making News and then report it.

It’s a matter of becoming visible and known in your field or genre.

And an excellent way to do this, of course, is to write articles on your topic and submit stories in your genre—lots and lots of them.

Are you aware that you are responsible for promoting your book no matter what publishing option you choose? Whether you get an agent and land a traditional royalty publisher, go with a fee-based POD “self-publishing” company or self-publish (establish your own publishing company), you will be expected to promote your book.

Start way before you ever begin to write the book.
Most of you will ignore this advice. You just want to write your book.
Some of you have already written your book. And that’s okay, too.
Best case scenario! You will establish yourself as an expert in your subject, field or genre BEFORE your book is a book.

And once you’ve completed the book, you don’t get to stop. Now you need to shift your article-writing efforts into high, high gear. Why? You’re still building your platform, but now you’re also in promotion mode.

If you need help establishing yourself as an article writer&#8212or even learning how to write those first few articles, consider signing up TODAY for my online Article-Writing Course. You’ll learn how to:
• Come up with article ideas or stories based on your topic/genre.
• Locate and understand submission guidelines.
• Locate and approach appropriate magazines.
• Write a query letter.
• Write a promotional article.
• Submit your article or story.
• Read a magazine contract.

If you are attempting to enter into the fiercely competitive publishing field with virtually NO credentials, notoriety or celebrity&#8212if you are not widely known in your topic/genre&#8212 spend the $125 for this 6-week course NOW and jumpstart your book sales in 2009.

http://www.matilijapress.com/course_magarticles.htm

There’s a course in progress. November 13, 2008 is the deadline to join in on this Article Writing Course.