Archive for June, 2009

Who Do You Write For?

Tuesday, June 30th, 2009

When you write a story, how-to or self-help piece or something instructional, who do you write it for? Of course, you’re going to say that it’s for your audience. Right answer! But is it really? You may address your audience using “you” a lot in your nonfiction works. You might believe that you are providing instruction or information for your audience. But are you really? How do you know if your writing attempt will truly engage, touch, teach and/or otherwise resonate with your audience?

I meet authors who are so into their fiction stories or memoirs that they forget completely about their audience. They remain in their own little world of thoughts, memories and fancy word combinations that they pay little attention to their reason for writing this in the first place—to engage members of an audience. They disregard their readers while trying to satisfy their own egos. They are more focused on their way with words than the readability, continuity and flow of their work.

The nonfiction author sometimes confuses the reader by providing too much of the wrong kind of data. A reader on overload doesn’t benefit much from the material he is trying to sift through. Authors often make simple instructions terribly complicated. It takes a knack to write clear instructions.

Many nonfiction authors have trouble organizing the material for their books. Some are not good researchers, so they omit important aspects of the topic they are trying to cover. Others simply don’t know how to appropriately and sensibly present the information. They don’t have a clear intention for their book.

All of these problems make for books that are not reader-friendly.

What is the solution? Number one: Think about your reader and then strive to speak to him/her, engage him/her and entertain, teach, inform him or her.

What are you writing today? Go to your desktop now and read through it. Who is it written for? If it is fiction, is it an enjoyable story or does it drag and seem a little dull? Go back and read a book or short story that really kept your interest. What makes this story different from yours? What can you do to improve the entertainment value of your story?

If it is nonfiction, is it crystal clear, well-organized and informative? Is it easy to read and follow? Have you provided a mix of text, bulleted sections, Q & A, anecdotes and a study program, for example? What, exactly, will your reader get from this book or article? What is your intention? What do you envision the reader walking away with: A new skill, a greater understanding on some topic, a fresh perspective? Do you believe that you have succeeded in providing this opportunity? If not, I suggest going back to the drawing board.

Patricia Fry is the author of 28 nonfiction books and a memoir. Her book, The Right Way to Write, Publish and Sell Your Book is designed for authors who are at any stage of writing, publishing or promoting their books. Read the profile for this useful book at http://www.matilijapress.com/rightway.html

Writing Contests: A Good Idea or Not?

Saturday, June 27th, 2009

I was one of three final judges in a memoir contest this week. That was an eye-opener. As I understand it, there were several dozen entries which were evaluated by a large group of volunteers. The final judging involved the ten best manuscripts.

Now I’ve judged several writing contests and I know a lot of writers who enter (and some who win) writing contests. But I have to say that, for the most part, I’m not impressed by the writing I have seen in most of the contests I’ve judged. Often, there are two entries that far outshine everything else. And there might be three manuscripts that vie for third place—the judges’ job, then, is to eliminate the worst of them.

While some judges focus mainly on the entertainment value and/or organization of the entries, others give points for continuity and flow. Still others take points away for misspelled and misused words. One judge I worked with recently, knocked off quite a few points for poor endings. Another one would not even read two of the manuscripts because she couldn’t get into the story in the first paragraph.

Why am I telling you this? Why would I want to burst your bubble when it comes to entering contests? Actually, I don’t want to discourage you from entering contests, if that’s what you enjoy doing. Writing contests are definitely plentiful. We publish dozens and dozens of contest announcements every year in SPAWNews http://www.spawn.org. And there are numerous directories of contests for writers, artists, poets, photographers, etc.

There are definite benefits to entering writing contests. Many writers become published only after they have spent many years practicing, studying and entering contests. Each win or honorable mention adds to their level of confidence. Some writers enter contests for the accolades—they want the recognition for their resumes. When you visit their websites or you study their bios, you might read, “Award Winning Writer,” or “Award Winning Author.”

This serves to give writers and authors added credibility. Heck, we can use all of the help we can get to stand out, right? You’ll notice on the home page of the SPAWN website that we brag about our Writer’s Digest designation as one of the top 101 websites for writers in 2006 and 2009. (It should also say 2003 and 2004 as we have had the designation for all four of these years. I’ll have to talk to our webmaster.)

Yes, recognition is good. But for you writers who enter contests in order to get some measure of validity for your work, I have a warning. You need to know that your manuscript may not be judged against others of any real quality. Your win might not be as prestigious as you would like to think. And it’s okay. There’s nothing wrong with feeling really great about winning a contest, enjoying the awards dinner, getting the pats on the back, etc. What I want to warn you about is getting too comfortable with your level of writing expertise.

Enter contests, sure. But still participate in a critique group. Continue to work with a mentor or an editor. Read works by excellent writers. And most of all continue to write.

There are some good books on writing. Especially, if you are interested in publishing what you write, be sure to read my book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html

Contact me for a free evaluation of your work. PLFry620@yahoo.com

Lessons For Authors

Thursday, June 25th, 2009

Isn’t it grand when you learn something new? I received a manuscript for evaluation recently. I told the author that I thought the manuscript was in pretty good shape, but that he really needed to remove the extra space between sentences.

He told me that he was aware of the new one-space rule, but wasn’t quite ready to buy into it. Even if he wanted to adhere to the rule, he wasn’t about to go back and make all of the changes to his manuscript. He asked if there was a quick and easy way to remove the extra spaces in one fell swoop.

I’ve wondered that, too. I told him my theory—that probably you can use the find and replace feature in Word to remove the extra space between sentences. I had never tested it out, but he decided to. He reported back that “it worked.”

I wanted to report this to you—my faithful blog visitors—but decided to test it out myself, first. So, this morning, I ran a test. Sure enough I discovered that, if you have a manuscript or a paragraph with two spaces between sentences (the old-fashioned way to type), and you want to remove one space, click on “Find and Replace.” Ask to Find “. ” and Replace with “. ” It works mighty slick.

When I attempted this fete with the question mark, however, I was not so lucky. While you may be able to automatically remove the extra space after a period, you will probably have to go in and remove the extra spaces after other punctuation (question marks and colons, for example) by hand.

Why is it now only one space between sentences when anyone over the age of 35 learned to type leaving two spaces at the end of any sentence? It’s because we’re in the age of technology. When we used typewriters, the letters we typed on a page each took up the same amount of space. So, in order to indicate the end of a sentence—to the reader and to the typesetter—we left two spaces at the end. Now, the letters we type on a page using a computer, each take up a different amount of space. Because of this, you can leave just one space between sentences and it is still obvious where the sentence ends.

There are still a lot of people who are unaware of this rule thus; you will see published books with rivers of white running through them. Take a look at some books in your library—those with “rivers” are pretty amateurish, don’t you think?

Professionalize your writing. Start by adhering to the one-space rule. Some people will tell me, “But I’ve been leaving two spaces for 40 years…20 years or whatever…” I say, “Talk to the hand,” because I’m not going to give you permission to be a slacker. Put on your big girl/boy pants, folks, and type the right way every time, all the time—on your manuscripts, in your emails, on your website and blog, when you leave messages at forums or participate in your discussion groups. Practice, practice, practice and soon it will become a habit. You can do it. You really should do it.

For more information about self-editing and some of the new rules created as a result of the technology age, read my book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/html

Those of you who have this book, I would love to hear what aspect of it resonated most with you. Which part of it has been most valuable to you so far? For most authors, this changes as their project develops. At first, they are excited about the self-editing section. Some really appreciate the chapters that help them to understand the whole publishing scene better. Others totally get into the huge book promotion section. And there are still some who follow the self-publishing chapters explicitly. PLFry620@yahoo.com.

Lily Update
For those of you who have been so caring and concerned about our little Lily kitten (see the June 22, 2009 entry), she is still recovering. She still sleeps a lot. She’s playing a little, but for only short periods of time. She still seems somewhat confused and her reflexes are slow. We can only hope that she heals completely and becomes the little flying dare devil she was before the accident. Of course, we will be buying her a suit of armor, parachute and helmet before we send her off on her own to play with the other household kitties.

Writing From a Broken Heart

Monday, June 22nd, 2009

I’ve been absent for a few days. I hope my useful, informative, insightful blog posts were missed. I haven’t felt much like working for several days. First, I had some sort of summer cold and was feeling more like crashing on the couch than blogging, editing or anything else pertaining to work. Ever feel like that?

Then came my birthday. I cancelled my birthday celebration because I didn’t want to infect my mother, aunt, sister, daughters or anyone else.

As some of you know, I love cats. This year, I started a new blog related to cats and came out with a book of true cat stories. http://www.matilijapress.com/catscapades.

I don’t think I have ever been without a cat or two or more. And recently, we invited a little barn kitten into our home, named her Lily and fell in love with her. She was born in a barn alongside 14 other kittens (to 3 mother cats).

Even though we inadvertently adopted her when she was only 6-week old, she was thriving—until the morning of my birthday. One of the older cats was evidently playing with Lily on the 3-foot carpeted cat tree when she knocked it over on top of the kitten. It was an awful scene. Despite the blood and obvious shock the kitten suffered, x-rays revealed no broken bones. The vet thought her jaw might be broken, thankfully, it was not.

After observing Lily for a few hours, the vet sent her home with us and we’ve been on kitten watch ever since. It is day 3 and she is still sleeping a LOT—hopefully because she is healing. She is eating (yeah) and drinking water.

Practically my whole focus has been on this precious, innocent kitten since Saturday as we do everything we can to keep her comfortable and to help her heal. That’s one reason why I have been remiss in keeping up my blog. But mostly, I have just been darn sad and haven’t felt like doing anything other than caring for the kitten.

It occurred to me this morning, though, as I contemplated my blog post for today, that everything in our lives has the potential to affect our writing. For example, I know writers who:

• Write in order to heal—they journal about their thoughts, problems, feelings. Some write their memoirs as a healing process.
• Write of their philosophies, experiences and adventures in order to teach and share.
• Write in order to change minds or, perhaps, the world.
• Write in order to learn more about who they are—in an attempt to find themselves.
• Write to relieve pain, guilt, fear, anxiety.
• Write to work through grief.

And sometimes it’s really hard or even impossible to sit down and write. When we’re really hurting or we’re focused on a problem in our lives, for example, our concentration is anywhere from zilch to really messed up.

I wonder, how do you handle your writing deadlines and obligations when there is “stuff” going on in your life? Have you ever used writing to work through a problem? Have you written about your troubles as a way to heal?

I’d like to write a blog on this topic. Perhaps your experiences will help others. So please join in with your stories.

Either use the Comments feature at this site or contact me at PLFry620@yahoo.com.

Do I Have to Do What My Editor Says?

Thursday, June 18th, 2009

Authors often contact me asking my opinion about their editors’ advice. “Do I have to follow her suggestions?” “She’s trying to change my voice, what shall I do?”

Some of my own clients question my recommendations. And that’s okay. I always tell them, “It’s your manuscript. You make the final decision.” Of course, I explain the reasons for my suggestions as I am a teaching editor. And I can only hope that they will do what is truly best for their book projects. I encourage them to lead with their heads, not their emotions.

I urge clients and other authors who resist an important editorial suggestion, to do some research. Read other books similar to yours to discover whether or not the suggestion makes sense. Just because a seasoned author uses a unique technique in his writing or the organization of the book, doesn’t mean that you can pull it off. I advise authors who want to try something clever, to study the masters and make sure that what they are attempting really works in their manuscripts.

Authors of fiction sometimes become jealously attached to what they consider their voice. I hear from authors, and work with some, who constantly complain that I (or their editor) am changing their voice. It is obvious that many of these people don’t know what their voice is. Most of them haven’t been consistent in presenting their voice and when the editor attempts to repair the damage, the author hollers, “You’ve changed my voice!”

I was once told, after a session of editing, that I didn’t understand a particular culture. Well, my editorial suggestions actually served to validate and strengthen the author’s attempt at representing the culture as she had wandered far off of the path. She had inadvertently inserted some dialog and phrases that were inappropriate to the ethnic group in that time period.

It’s easy to get out of character or to flub up on the integrity of your story. That’s one reason why you hire an editor. Her eyes are trained to notice these things. I also recommend, in some cases, that the author ask friends to read the story or the nonfiction book. While friends may not be able to help you with the intricacies of editorial work, they can:

• Give you their impression of your story or nonfiction book.
• Point out areas of confusion.
• Note where the story drags.
• Tell you where you’ve contradicted yourself.
• Find a mistake or two in spelling, etc.

Your job, then, is to embrace their comments and those editorial suggestions by your professional. Make the changes you agree with. And where you do not agree, step outside of yourself long enough to do some research on your own.

• Read similar books by other authors and honestly compare yours with these. Have you actually achieved your goal in your book? Or is your editor right, your writing isn’t advanced enough to attempt something too creative and unique?
• Get other opinions. Your editor could have a bias or isn’t qualified to edit a manuscript of this type. I always recommend hiring an editor who is knowledgeable about publishing and who is familiar with your genre/topic.

As you can see, there’s more to working with an editor than is obvious at first glance.

If you have a manuscript ready to go, contact me for a free editorial evaluation. I will look at 20 pages and report the types of errors and problems I see (if any). If you want me to evaluate whether I believe it is publishable or not, I charge $100 for 150-175 pages. My editing service is $50/hour. I can provide an estimate upon seeing your manuscript. PLFry620@yahoo.com

Yes, You Do Have Competition

Wednesday, June 17th, 2009

I recall a conversation I had with a hopeful author once at a writer’s conference. He sat on the edge of his seat, notebook open and pen poised in eager anticipation of my wise counsel. Upon receiving it, however, he slammed the book closed, tossed the pen on the table in front of him and slumped back in his chair.

What was the advice that this man so readily discarded?

He asked me how to find a publisher for his memoir which would also feature recipes. I told him about Writer’s Market and how to use the Book Publishers Subject Index toward the back of this directory—information that he eagerly noted. I also suggested that he locate books in bookstores and at Amazon.com similar to his and see who published these books. I said that he might be able to interest one of those publishers in his project.

That’s when he slammed his notebook closed. He said, “There are no books like mine.”

Well guess what? I did a brief Amazon.com search later and discovered dozens of memoirs with recipes. I learned that Scribner published one of them—Random House produced another.

Many first-time authors have trouble using the title search method to locate an appropriate publisher. They also have a problem finding books to use in their market analysis section of their book proposal. Why? Because they believe that their book is unique—there are no other books like theirs.

If this is true, they may be pitching a book that no one wants. Maybe there’s a reason why there’s nothing out there like it. But in most cases, there are plenty of similar books. The author simply doesn’t understand the similar book concept. Let me explain:

Certainly there are no books exactly like yours. No one else tells the story of your childhood, your fight with cancer or your trip around the world. But there are other life stories, other survival stories and other travel memoirs.

You may not find any books focusing on the dental features of tarantulas and other large spiders. But there are a variety of books on spiders. These are the books you need to be looking at in your search for an appropriate publisher.

Maybe your book features whipped cream snacks. But you don’t have to look for another book exactly like this in order to locate a publisher for your book. A publisher of books on appetizers, desserts or using milk in recipes might also be interested in publishing your book on whipped cream snacks.

Perhaps you consider your novel a romantic horror gothic adventure featuring pre-teen mutants. It’s doubtful that you’ll find another book within this exact realm, but a publisher of horror or science fiction books might be fascinated by yours.

You see, if a publisher does well with an even remotely similar book, he may be interested in another good book along the same lines—on the same topic and within the same genre.

But finding a publisher isn’t the only reason for researching books like yours. Consider the following:

• Did you know that you can sometimes locate an agent through books similar to yours? Just look on the acknowledgements pages of these books. Sometimes authors will publicly thank his or her agent.

• Check the popularity of books on your topic or genre. You may discover that recipe books with a theme are outselling straight cookbooks or that no one is buying adult gothic horror. It is a wise author who makes decisions based on in-depth research rather than raw emotions. Check sales through Amazon.com and other online bookstores. Do an internet search to locate sales information for these books.

• Learn something about promoting books like yours by studying author websites. You can still learn volumes about books produced by independent and small publishers through author websites. How are they promoting their book? Who do they perceive as their audience? You might even initiate a dialog with authors of these books and learn some inside secrets about what aspect of the book/story is most popular. What you can learn from authors of books similar to yours might just guide you in attaining greater success with your project.

• Locate books similar to yours for the market analysis section of your book proposal. The publisher wants to know what makes your book different/better. And you’d better know this BEFORE you start actually writing the book or you’re liable to write the wrong book for the wrong audience.

The next time you are tempted to downplay the importance of comparing your book idea with other books that are out there, stop and think about it for a moment. Do you really want to deprive yourself of the valuable information you can glean?

Patricia Fry is the author of 29 books, including “The Right Way to Write, Publish and Sell Your Book.” Check my array of books at http://www.matilijapress.com If you want to know more about writing a book proposal, consider taking my online, on-demand book proposal course. http://www.matilijapress.com/course_bookproposal.htm

Are You Getting Your Energy’s Worth?

Tuesday, June 16th, 2009

If you are a freelance writer or an author with one or more books to promote and you’re darn serious about succeeding, you lead a busy life.

As a freelance writer, you are always in promotion mode. You face frequent deadlines. Either you work with editors or you serve clients; and their needs don’t always coincide with the time you have available.

As an author, you are either researching and writing every chance you get or you’re in book promotion mode. I’m sure that you feel as though someone is stealing hours out of your days, lately. It’s really hard to get it all done.

But my question today is, “Are You Getting Your Energy’s Worth?” Is the payoff in satisfaction and/or success appropriate to the energy you expend? Or are you, wasting or misusing your efforts? I think this is a question we should ask ourselves every once in a while; because if we are not using our time and energy wisely, we won’t get the results we desire.

And what do you desire:

• having your book completed and edited by December of 2009?
• an increase in the number of books sold this year?
• a contract from a major publisher?
• more new editorial clients in 2009?
• a greater volume of your magazine articles/stories published?
• a higher rate of pay for freelance work—more money per article or story?
• a higher overall income in 2009?

Whatever your goal, you know that it is up to you to meet it, right? But are you taking the right steps, making the right moves and using your energy wisely? How do you know whether you are or not? Your answers to these 4 questions might offer some insight.

1. Do you have realistic priorities with regard to the work necessary in meeting your goals? In other words, do you set aside an appropriate amount of time and expend the right level of energy in which to do the research, writing or promotion necessary to make some strides and move ahead?

2. Are you doing more of what has worked in the past while also trying some of the new things that have come to your attention?

3. Are you always on the lookout for new ideas, resources, recommendations and opportunities?

4. Do you take advantage of the opportunities that come before you?

One area where many authors and freelance writers fall down is that they subscribe to a newsletter and/or join a club or organization and then neglect to use the materials and opportunities afforded them through this channel.

• Determine which organizations have the most value in your particular quest and which benefits are most useful—set aside time to pursue these. It might be a member forum or discussion group, a monthly podcast or a book proposal or article-writing course, for example.

• Select the publications that contain the type of information and resources you need most and take time to study them each week/month.

• Collect tips and resources and make sure that you follow-up on those that could move your project or career forward.

The thing is, if you give the same amount of energy and time to your career or project as you always have, you can expect the same result. If you want a different result—more client work, more money coming in from article work, increased book sales, for example—you must expend a different amount of energy using different methods.

How many of you reading this blog regularly have already purchased my book, The Right Way to Write, Publish and Sell Your Book? I’d like to know how it has helped you along your publishing path. PLFry620@yahoo.com (Right Way Book) in the subject line. To those hopeful authors who haven’t read it yet, order yours today. You won’t regret it: http://www.matilijapress.com/rightway.html

Innovative Creativity for Writers and Authors

Saturday, June 13th, 2009

We all know that when the world around us begins to change, we must alter some of our plans, ideas and goals in order to conform or to fit in, so that our lives continue working.

You may notice that those who cling to their dreams rigidly, without any sort of flexibility, even in changing times, rarely realize those dreams. It is the realist who perceives his world rationally, and who is adaptable, innovative and not attached to his plan, who will succeed in difficult times.

So you want to be well-known as a science fiction writer, or you want to make a living writing for teen magazines, or you dream of having your book published and making a bundle… Maybe you’ve experienced a lucrative few years within this realm, only to have your income cut drastically in recent months. Now what?

Some writers are waiting it out. “Things are bound to return to normal.”

Others are reaching out and branching out, but staying true to their original dreams.

But those who seem to be “making it” are creating new scenarios for their career lives. They’re tapping into latent skills and talents in order to generate work. They are using what they have in new ways. They are building on what they’ve previously established. And some are venturing into completely different fields within the realm of writing and publishing.

If you want to “make it” in your area of writing passion, here are some tips that might help:

• Do more of what you were already doing: more promoting, more writing, approaching more magazines or publishers, for example.

• Add a new dimension to your approach—write articles on new topics, find new ways to promote your book, consider a different angle for your book that isn’t grabbing a publisher’s attention.

• Reach out for more help: join appropriate organizations and groups and participate, take a class, read a book, hire an editor, find a mentor.

I had lunch with a writer friend, yesterday. With a smile on her face and an uplifting tone to her voice, she told me that the magazines she was relying on to sustain her lifestyle as a freelance writer, were using fewer and fewer of her articles. She said that the magazines are growing thin and that most of the articles, now, are staff written. This is the case all over magazine-dom. So my friend, instead of grumbling, complaining and scowling (a scowl would not look nice on that pretty face), she started thinking. She realized that she had something of value that, perhaps, she could capitalize on. For the last several years, she has run a nonprofit organization.

Like so many other innately successful people, rather than allowing this economy to get her down—rather than fighting a losing battle attempting to keep on keeping on in an industry that has all but died (albeit, temporarily)—she has decided to use what she has. She has come up with a worthwhile project related to her organization through which she can generate a salary.

What changes are you making in your approach to your freelance writing business or in promoting your book? If the same-ole, same-ole is no longer working for you, isn’t it a good time to branch out, reach out, become creative? Drum up some courage and steer your career or your book project in a more reasonable direction—one that will more likely lead to your success.

Here are 3 resources that might help you in becoming comfortable and successful in your new direction:

• Join SPAWN (Small Publishers, Artists and Writers Network) http://www.spawn.org

• Order Patricia Fry’s book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html

• Sign up for one of Patricia Fry’s online courses: Book Promotion Workshop, Book Proposal Workshop, Article Writing Course or Self-Publishing Course. http://www.matilijapress.com/courses.htm

I’d love to hear your stories of innovation and creativity within your writing/publishing career as a result of these lean times. PLFry620@yahoo. Or leave a comment here.

Become Alert to the Writing/Publishing Info You Need

Friday, June 12th, 2009

Speaking of schedules, as we sort of were for the last few days, what is your blogging schedule?

Do you have a blog through which you promote your writing business or your book? Do you visit other blog sites in your quest to continue learning about writing, publishing and/or book promotion? How do you manage your time when it comes to these activities?

For many people—maybe most—a regular schedule works best. When you land on your computer each early morning, for example—after checking your email and before you start your editing/writing work or book promotion project for the day—sit down and write your blog or check out other blog sites.

Or maybe you’re one of the many who has a day job. Bummer. So, when you sit down in the late afternoon or evening to check your email or work on your book or short story, for example, this might be a good time to also add to your blog and/or pursue the information in other blogs.

It should take you 15 to 45 minutes to write your thoughtful blog, depending on the scope and length of it and the amount of research you need to do.

As for visiting other blog sites, if you don’t have the time to read all of the great blog posts you want to read during your time allotment, print out those within your realm of interest and read them when you are relaxing in front of the TV with the family, waiting for a child to finish his soccer game or on your lunch hour at work, for example.

Some people file good blog posts according to topic so they can refer back to them when they need that particular information. Your file labels might read, “Publishers,” “Book Promotion Ideas,” “Writing Tips/Self-Editing,” “Distributors,” and so forth. When you have a question or need a resource within that topic realm, you’ll have the information at your fingertips.

How do you know which blog posts you want to read? Most of us have favorite blog sites where we find consistently excellent information of the type we crave. Visit these favorites daily or weekly.

An “alerts” service will find other blogs for you on the topics of your interest. I subscribe to Google Alerts http://www.google.com/alerts

There’s also Alerts.com at http://www.alerts.com. And you’ll find alert programs in specific areas of interest, travel, recall, weather and others.

Once a day, once a week or as it happens (depending on my choice), Google sends me links to articles, press releases and, of course, blog sites where the topics of my interest are being featured. This is also a good way to keep tabs on who is talking about you on the Internet and what they’re saying. Just use your name as the Google Alert “Topic.”

As we all know, the Internet offers an overwhelming amount and array of information and resources. When you locate the information sources you trust, it’s good practice to glom onto them. And let the source know, from time to time, that he or she is being read, that their material and efforts are appreciated. If you do this, the blogs you enjoy and learn from will just keep getting better.

How do you let them know? Chime in on their “comments” feature appearing at the end of the blog.

If you want additional information on this topic and hundreds and hundreds of other topics related to writing, publishing and book promotion, order my book, The Right Way to Write, Publish and Sell Your Book. http:/www.matilijapress.com/rightway.html

And if you want to know more about writing articles for magazines or writing a book proposal, we’re discounting my online courses on these topics through SPAWN. Learn more about this opportunity by contacting me: PLFry620@yahoo.com

Time-Management For Writers

Thursday, June 11th, 2009

Writers generally have one of two dilemmas. They can’t find the time or inclination to work the number of hours they must in order to make a living or they can’t stop writing.

The former writer isn’t very well disciplined. He isn’t motivated to put in the time it takes to create success. Perhaps he doesn’t actually enjoy the process of writing; he does it because he thinks it is a money-making proposition. Or, maybe he just isn’t a self-starter and finds it difficult to come up with topics to write about. You’ll find this writer doing more talking about writing than actual writing work.

The other writer has trouble taking breaks. She knows that the more time she puts in, most likely, the better results she’ll experience—bigger paychecks, more exposure and name recognition, for example.

We’ve talked about setting goals, disciplining oneself to write, creating schedules, using a bribery/rewards system, relying on “buddies” to help establish a good routine and so forth. But what about those of you who have the other problem—those who can’t seem to stop writing?

I tend to be in that category—although, I’m getting better. I have established a fairly solid work schedule. I start working around 5 every morning (pretty much 7 days a week) and I generally leave my office for the last time each day around 3 or 4 in the afternoon. One or two days a week (generally on weekends), I’ll handle household chores, gardening tasks or work on a creative project for a few hours.

I take days off occasionally when there is a family outing planned with my grown daughters, my mother, my adult grandchildren and/or friends, for example. I accept luncheon invitations every few weeks or so. I get out and walk for an hour every day. And I take an occasional trip. I’d say that I happily put in a 50 hour week. And I have been supporting myself through my writing for the past 20 years or so. But no longer do I fret and beat myself up when I take time away from work.

If you are trying to make a living through your writing, be kind to yourself.
• Give yourself much-deserved breaks, otherwise it will show up negatively in your work—possibly in the way you relate to editors or clients.
• Vary your writing-related activities so you aren’t likely to suffer burnout.
• Change your work environment from time to time—discuss a project with a client over lunch along the seashore, do a book signing in another state, attend or be a presenter at a writers’ conference on the other side of the U.S.
• Make your office space more pleasant. Bring in bouquets of flowers, hang your own amazing photographs, plaster the walls with your awards and photos of your loved ones or decorate using your favorite art, colors or subject. This might be wild animals, collies, airplanes, roses, horses, architecture or tractors, for example.
• Recognize the signs of burnout and take steps to ward it off—take a walk or a hike, go to a local coffee shop and chat with the locals, take a yoga class 3 times a week or plant a garden and tend it regularly.

If you are a serious writer or author who is bent on using your skills to earn a living or supplement your income, it’s going to take more than talent. You’re going to need a measure of organizational savvy, the ability to pace yourself, energy, a sense of stick-to-itiveness and a huge helping of patience along with an understanding of your physical, emotional and mental requirements and the courage and determination to honor these.

Few people realize what it actually takes to be a full-time writer. And that’s generally because they don’t view writing as a business. Anyone who goes into business, in order to succeed, must be either multi-talented in handling all of the aspects of the business (bookkeeping, customer service, manufacturing, sales, research, dealing with sales reps, etc.), or they need to hire competent employees. A writing business has similar requirements. In order to succeed, one must be able to write, have a good work ethic, deal effectively with people, be able to meet deadlines, understand something about and be willing to keep accurate records and know how to pace him/herself, for example.

Are you running a business related to writing or publishing? Or are you interested in starting such a business? Just as you would with any business you were contemplating, be sure that you look beyond the fun aspect of writing, into the comprehensive business aspects of a writing or publishing business. It takes more than an interest in or talent for writing—much more. That’s why I also urge you to read my book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html