Archive for September, 2009

Resources For Freelance Writers and Authors

Wednesday, September 30th, 2009

I came across some links you might find useful. You may be aware of some and others might be new. In fact, I may have shared some of these with you before. This makes a good case for spending time checking out my blog archives. There are interesting, useful, educational, entertaining tidbits in each and every one.

If you have trouble coming up with something to write about, check out these two sites. Not only will you find potential and timely topics to write articles about, these sites can help you to promote your books. How? Find out what holidays (some traditional, some bizarre) are coming up and use some of them in your book promotion. For example, if your book features teachers, you’ll want to promote it during National Educator’s week. Let’s say that your story focuses on a dog rescue facility, see if you can find holidays that relate to pets and use them to promote your book. Here are two links listing holidays in all categories:

http://www.holidayinsights.com
http://www.brownielocks.com

Send your press releases to newspapers on these major lists:

http://www.newspapers.com
http://www.newspaperlinks.com
http://www.thepaperboy.com

There are hundreds—maybe thousands—of newsletters out there. Here’s a couple of newsletter directories that might help in your promotional efforts:

http://www.newsletteraccess.com
http://www.ezinehub.com

Use these magazine databases (fee required) to locate appropriate publications for your articles whether you are a career freelancer or promoting a book.

http://www.writersmarket.com
http://www.woodenhorsepub.com

Send your book to libraries.

http://www.ala.org
http://www.librarydirectory.com
http://www.travelinlibrarian.info/libdir

Would love to hear how these resources helped you out this week.

And be sure to check out my website for tons of additional resources:
http://www.matilijapress.com

Join SPAWN for constant resources updates.
http://www.spawn.org

How to Trust Your Way to Writing/Bookselling Success

Tuesday, September 29th, 2009

This is the blog post I prepared for you yesterday. But I guess the timing wasn’t right for you to see it as I could not get on my blog site most of the day. When I realized my blog site was finally available, I was at a colleagues home trying to help her with her new blog. And I never got back to mine. So I apologize for remaining silent yesterday–it was not because I wanted to. And I hope that you get something of value from this rather off-the-wall concept for promoting your books and yourself.
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Promotion, for most authors and freelance writers, is not an exact science. It’s sometimes difficult to know when to hit the pavement and when to step back. Why would I suggest that anyone, who is in promotion mode, ever step back? There are several reasons and they have more to do with timing, economic fears and perspective than technique or the true economic climate.

When fear drives our promotional efforts, we may tend to panic. You might lament, “What if I don’t get enough work (or sell enough books) to pay the bills?” If we market from a fearful place, can we be effective? I’ve watched authors at book festivals get so frustrated and disappointed in their book sales and so fearful that they won’t make a profit, that they begin to approach potential customers with a slightly aggressive attitude. They practically challenge people to buy their book and visibly dis them when they don’t.

Freelance writers sometimes become so frightened that they might fail and lose their preferred lifestyle, that they begin submitting indiscriminately. Rather than taking steps to better their chances of success, they jump in the way of the success they desire.

I sometimes wear myself out trying to attract clients who need editing services or help with their publishing project. I spend every free hour working on my platform—building it higher and higher and higher. As most of you know, this means that I am submitting writing/publishing-related articles to appropriate magazines, going out and speaking to authors, attending book festivals, commenting at other blogs, contacting former clients and so forth. And this is all good.

But there comes a time when I become spent. Perhaps you know what I mean. You feel as though you are doing a lot for no purpose. You are not getting the results you desire. At that point, it’s easy to do one of two things—give up or get angry. You either walk away in defeat or develop an intense dislike for all of those idiots who won’t buy your book, publish your articles or hire you to edit their manuscripts. And what do either of these scenarios do for your bottom line? Absolutely nothing.

There is another way. And it has worked for me numerous times. It’s called “stepping back.” It’s a change in attitude or perspective. I find that when I get out of “fear mode” and curb my sense of panic, I begin to trust the universe. When I am able to be sincere in my gratitude, I give thanks for the wonderful clients I’ve had and for always receiving just the right project at the right time.

When I stop forcing things—insisting that I get what I want, when I want it and in the way I want it presented—the universe hands me exactly what I need and just at the right time.

Sometimes, we get the best results when we get out of the way and allow the universe to respond to our requests. Now this does not mean that we should give up on promotion. Not at all. Instead, do the promotion and send each piece of it off with gratitude. Express appreciation to the universe for your many blessings and for the opportunity to pursue this avenue of promotion. Bless the press release, article or review copy of your book as it leaves your possession and trust that it will bring you many more blessings.

Ewwwww, that’s kind of “out there” for some of you, isn’t it? But hey, don’t discard it too quickly. I can tell you that it has worked many times for me. I’ve also seen this practice work for women who are seeking a man. No kidding. But you can’t use this technique if you don’t believe in it. If your gratitude and trust aren’t genuine, it probably won’t work for you.

If you’re making the effort to get word out about your products or services, but you’re not attracting sales or clients, you are probably getting in the way of the natural flow by being attached to your expectations.

Have you ever experienced what I am attempting to describe here? Maybe you recall a time when you just relaxed and quit trying to force something to happen—stopped focusing intently on one result and just let go of your perceived control. What happened? Did you realize some amazing success?

This would be a good time for you to comment here at my blog site. We could all use a little help and support even that which appears to come from outer space.

What’s the Point of Your Book?

Sunday, September 27th, 2009

Although we sometimes talk about the point of your story or the purpose of your book, that isn’t what I mean here today.

My question, “what’s the point of your book?” refers to how you view your book project.

What do you expect from your book? Do you expect that it will earn you some money? What if it doesn’t? If you knew that it wouldn’t make a profit, would you write it and produce it anyway?

I’ve had an email conversation over the weekend with an author who seems to be concerned only with profiting financially from his book project. Sure, it’s wise to consider the cost of producing a book, to understand your role in promoting it and to be planning your marketing strategy. It makes sense to think like a businessperson—to crunch the numbers and explore your options. Why continue with a product that isn’t likely to turn a profit?

Now there’s the question. And that’s what I mean when I ask, “What’s the point of your book?”

Sure, publishing is a business and moving forward with a book that probably won’t do well is not a good business decision. But are there other reasons for writing and even publishing a book? Certainly, there are.

As much as I teach and preach the importance of going into publishing wearing your business hat, I realize that producing a book is quite emotional for some authors. I try to convince you to curb your emotions if you plan to approach publishing as a business. But what if you do not have a business head? What if you have no intentions of heavily promoting your book? What if you don’t care if your book becomes a blockbuster? What if your project is emotionally driven and not financially driven? It happens and it is okay. But you must come to terms with your true objectives and purpose for your book.

There are reasons other than money to write and produce a book. People, who can afford to, might publish a book purely to feed their egos. That’s okay with me. Maybe you just want the experience of holding your published book, sharing it with others, knowing that your book made people laugh (or cry). Perhaps you simply want to pass your legacy down through the generations. For some, it is the joy of writing that moves them to publish.

It’s all good. The opportunities are in your favor. But, if you go into publishing from an emotional place, with no intention of promoting your book outside of what’s comfortable for you, and you expect to create a bestseller or at least make a large profit, then you’re being unrealistic.

I suggested to a client recently that she separate the emotional pull of her project from the business aspects and determine which was stronger. She so wanted this book published, but she was fighting my recommendations to write a book proposal, devise a marketing plan, etc. Once she realized that the point of producing her book was for her own personal pleasure—that she just wanted to prove she could do it—we both relaxed. And she found more joy in the process.

We forgot about the book proposal and the marketing plan. I dropped my suggestion that she approach medium-size publishers and I steered her toward a reputable, inexpensive Pay-to-Publish company. She ordered 2 dozen books and took great pleasure in wrapping them as gifts for her loved ones that Christmas.

What is the point of your book? Why are you writing it? What do you hope that you will accomplish with it? Why is this important for you? Once you have this sorted out, then re-examine your options and re-evaluate some of your choices.

You’ve heard/read my constant rants that, if you are going to publish a book, you’d darned well better follow the proven, reasonable business protocol. Well, for some, that is hogwash! Some of you have no interest in promoting a book, selling boxes and boxes of them, getting involved with booksellers, distributors, etc. And that’s okay. Just know that your approach to publishing will look much different than that of someone who enters into it from a business standpoint. And understand that you will probably not make a profit.

For more on all aspects of publishing, read my writing/publishing-related books. http://www.matilijapress.com

Have you visited the new SPAWN website?
http://www.spawn.org
Sign up for our free monthly newsletter and download the free ebook: Promote Yourself: 25 Ways to Promote Yourself Whether You’re an Artist, Author of Small Publisher.

Book Promotion Requires a Personal Touch

Saturday, September 26th, 2009

How many of you promote your books based on your comfort zone rather than what actually sells books? Maybe you haven’t figured out, yet, which promotional method or activity works best in selling your particular book. But are you giving each one a good try? And are you trying new ones out?

Or are you doing what so many authors do—market “my way” instead of the way that will actually sell your books?

What is the best way to sell copies of your particular book? Do you know? Are you still experimenting?

Have you visited the sites of other authors who have books in your book’s category or genre? You especially want to check out the sites of authors who seem to be most successful. If you spend some time at these sites, you will get an idea about how they’re marketing their books. You’ll get some clues as to which methods are working best for them (those they are featuring on their site and blogging about, for example).

When I explore the promotional activities of the most successful professionals in my books’ category (writing and publishing), I discover that they are all making personal appearances. They are offering a lot of information for free. They have incorporated additional ways to make money from their “brand” through seminars, tele-seminars, by offering services and by developing add-on items to offer for sale. And they make sure they are putting themselves in front of their public constantly, through writing articles, soliciting interviews and so forth.

Not one of my colleagues, who is selling books, is avoiding personal contact with his/her readers. None of them are settling in and settling on the status quo. They are all out meeting people, getting involved and attempting to provide their public with more of what they want/need. They’re seeking out new venues for their presentations, creating new programs, writing new books and developing new services and other offerings.

And authors whose novels are selling well are also reaching out to their audiences in many creative ways. They’re offering more than the next novelist (a free chapter, a discount, a bookmark, an autographed copy, contests, games, tee shirts, the opportunity to get involved in their sequel…)

We all need to remember that marketing/promotion—while definitely considered aspects of business—require a personal touch in order to be successful. As consumers, we want to feel as though the products we’re being offered are in response to our own needs. We respond to ads and commercials that seem to be speaking directly to us and that address our needs and desires. We want to know that the product (or book) will benefit us in some way. It is the author’s job to convince his/her audience that the book is worth reading—that it has information they need, that it will make them think, that it will entertain, thrill, frighten, excite or educate them in some way.

Readers first need to be aware of the book (that’s where the bells, whistles and exposure come in). Then they must believe that it was written for them (the personal touch). And they want to know that they will benefit from reading this book and how.

Folks, selling books is not just writing a good book, letting a Pay-to-Publish company quickly slam it together for you and then sending out a gazillion press releases to an un-targeted list. Start this weekend giving your promotional efforts the personal touch and see what happens.

I’m writing an article on this subject and would love to include some of your stories. Send them to me at PLFry620@yahoo.com or leave them as a comment here.

How to Build Your Readership

Friday, September 25th, 2009

How many of you have (or at one time, had) these sentiments:

“I do not want to be a bookseller. I am an author. I wrote a book. I want to do more writing—I do not want to be distracted by the annoying, humiliating practice of book promotion.”

I’ve also heard authors say: “I will do XYZ, in order to promote my book, but you’ll never catch me doing ABC.”

Just this week, a first-time author told me that she would send out press releases by the millions, but she would not give presentations or interviews, nor would she write articles, keep a blog or anything else.

Think about what happens when your press release reaches its destination. Some of them have gone to bad addresses. Many of them (when sent through a service or your “pay-to-publish” company) are not well-targeted. And when your promo piece does arrive on the doorstep of a potentially appropriate publication, it is very, very often discarded.

Why? You are an unknown author, your book topic doesn’t relate to the audience, there is nothing really that interesting in the press release to warrant publishing it.

Press releases can be effective marketing tools, especially if they are well-written, timely and pertinent and when they are reinforced by the personal touch. Imagine this—that press release to the newspaper in a neighboring city announcing publication of your historical novel, children’s book or memoir will get more notice if you’ve also been speaking to local groups in that area, doing radio/TV interviews and had one of your stories published in a regional magazine, for example. That’s how you get exposure and exposure is the way to sell books.

Now imagine the press release going out to that newspaper and even being published without the extra publicity. How many people do you think will notice it and respond to it by purchasing the book?

You’ve heard/read me preach/teach about platform. I suggest that, if you are working on a book, you establish a platform (your following, your way of attracting readers). You should make every effort to build a readership before you even produce that book.

Many of you are writing your memoirs. You know that celebrity memoirs generally sell well. Why is that? Because they are known. People buy their books out of curiosity (is anyone curious about your life?), because they like the celebrity (how many people out there know and like you?).

Thousands (maybe millions) of readers purchase novels by James Patterson and Danielle Steel. Why? Because they know these authors and like their work. These authors have proven themselves.

You may not ever get the volume of sales that these authors do, but you can increase your potential sales by becoming known in your genre. How? Submit stories in this genre to appropriate magazines, newsletters and websites. Your potential readers are bound to notice them. If they like your stories and they have the opportunity to read many of them, the more apt they are to purchase any books you produce (that is, if they know about them).

If you are writing a nonfiction book, you’ll generate more sales for that book if you can establish yourself as an expert in your field. People buy my publishing-related books because:

• They are familiar with my name as an author and publishing professional.
• They know me as a leader in SPAWN (Small Publishers, Artists and Writers Network).
• They have seen multitudes of my articles for years published in the writing/publishing magazines and newsletters they read.
• They’ve attended my presentations in venues throughout the U.S. (FL, CA, MA, WA, WI, HI, TX…)
• They’ve seen my name associated with conferences nationwide.
• They’ve heard me on the radio, doing podcasts on the web, etc.
• They’ve read some of my many interviews online and in print.
• They’ve noticed all of the 5-star reviews of my books at Amazon.
• They follow my publishing blog.

What does it take to sell books? You must find ways to be noticed by your audience. And how hard can this be if you are, indeed, an expert or professional in your field? You should be doing all of the things I list here and more throughout the course of your day.

And if you write fiction, it makes sense that you would have scads of short stories filed away or in your head. Polish them up and submit them. It also follows that you would be involved in organizations and sites related to the genre of your book.

Avoid the huge mistake that so many authors make—holing up in your writing room until you’ve perfected your book and then expecting to promote it through impersonal press releases only.

For more about book promotion, you really must read my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html.

To learn more about article/story-writing, sign up for my on-demand, online course on article-writing.
http://www.matilijarpess.com/course_magarticles.htm

I’m thinking about doing something new—licensing my online courses. If you or someone you know would be interested in teaching these courses (on book promotion, writing a book proposal, self-publishing and article-writing), let me know. PLFry620@yahoo.com

A Killer Author’s Website Featuring a True Crime

Thursday, September 24th, 2009

A website is a website is a website, right? Not anymore. No longer, do you necessarily land on a website and see a welcome page, then click your way around to visit other rather humdrum smatterings of information or promo. Not in Jane Howatt’s world.

Jane is a writer. She is currently working on a book featuring the most amazing life experience. I believe the title is going to be The Killer, the Cop and Me. This is the theme of her new website—a website like none I’ve seen before.

If you are looking for a great marketing tool, you’ve got to experience this website. If you love true crime stories, be sure to visit this site today and learn about this pending book. It’s likely that you will remember the high profile case she writes about—that she was actually involved in!

How can a typical housewife—a doctor’s wife—become involved in a savage serial murder case? You won’t believe how it happened. Man is this gal gutsy!!

Visit the site of The Killer, the Cop and Me at
http://www.thekillerthecopandme.com.

Read her new blog and leave a comment. I’d also like to have you comment here about her site. Do you like it? Did you feel as though you were entering some danger zone? Were you absolutely intrigued? How do you like the sound effects? Howatt’s website is definitely more than a website. It is an experience that you won’t soon forget.

Do you have a website that reflects the tone, focus, style, topic, genre of your book or your writing business? How do you attract visitors? Do you feel that you are getting more activity at your site or less? Why is that?

I think I am getting more interest in my own website, lately:
http://www.matilijapress.com.

And that’s probably because there are more people looking for information about writing and publishing. Would-be writers and authors are trying to supplement their incomes through writing. Unemployed folks have the time to web surf and are gleaning as much info as they can from others in order to build their own freelance business or appropriately approach the world of publishing.

Writers and authors will find a lot of free stuff at my website—a HUGE resource list (which I updated this year) by the way, numerous articles on writing and publishing, this blog and, of course, books for nearly every writer and author at every stage of their passion or career.

When Editors Fail to Respond to the Writer

Wednesday, September 23rd, 2009

A colleague/friend/SPAWN member suggested this blog subject. It is a real irritation, frustration and insult when our professional submissions are dissed (disrespected and dismissed) by magazine editors or publishers. It really is. I lived in the world of “no response” for many years as a freelance article writer.

Actually, it wasn’t always this way. When I started my freelance article-writing career in 1973, pretty much all of my query letters and article submissions were acknowledged. There was communication. Sure, many of the letters I received (all by mail then), were rejections. But, at least I knew the status of my queries and submissions. I was free to move on to the next potential opportunity.

But throughout the next 30+ years, I began to see this courtesy become less and less of a priority to editors.

My friend said, “I know that everyone is inundated, but even a form letter, which takes five seconds, is better than nothing. It amazes me the number of submissions from which I never hear anything.” She says that that number far outweighs those for which she does receive a response. Her message to editors is, “Be professional and be considerate. A response is part of the process, and if you cannot respond, then post ‘no unsolicited submissions.’”

It’s especially maddening when the magazine has a “no simultaneous submissions” policy. You send your query or article to them. They neglect to respond—ever—and where does that leave you? Down at the unemployment office, right?

It’s not fair! It’s not a nice way for staff to treat the people who help keep their magazine operating. If they can’t handle the work, they need to hire more people—bring in some interns. Unfortunately, business doesn’t always work in response to the needs of their contributors, contractors, even their public.

What can freelance writers do to change this downward spiraling trend of disrespect? I know what some of them are doing. They’re reacting with rudeness. They’re ignoring basic rules of professionalism. They’re stooping to the level of the editors they dislike most.

Instead, why don’t we maintain (and even upgrade) our level of professionalism and gravitate toward those magazines with staff who are trained to and expected to treat their contributors with the respect we deserve.

How about if we compile a list of those magazines? Send me the names of the publications you have found agreeable to work with and the names of the editors you enjoy working with. I’ll post them here at the blog and in the SPAWN Market Update.

Speaking of SPAWN: our September newsletter finally went out yesterday. If you are a member or a subscriber and IF you clicked the message to subscribe, you received your September newsletter yesterday afternoon. If you are a subscriber or member who did NOT receive your newsletter or you would like to be a subscriber or member, let me know and I’ll send you the new instructions. It’s a one-time “click” and you are subscribed. Patricia@spawn.org

It’s a good time to come aboard SPAWN. Not only are we drumming up new benefits for members—things they really want, according to their responses to questions in our online survey—but the newsletter (which is free to anyone who subscribes) is changing before our eyes. Oh yes, it is going to become even more useful and valuable. For one thing, we’re taking out the many events, conferences, contests, etc. and putting them on a separate page on the website. We’ll update these listings monthly. And we’ll add more resources and articles of interest to writers, authors, publishers, artists and other creative professionals to the newsletter.

Check out SPAWN (Small Publishers, Artists and Writers Network) at:
http://www.spawn.org

Visit my website, another site brimming with information, resources, books for sale and tons of articles. http://www.matilijapress.com

The ISBN

Tuesday, September 22nd, 2009

Two of my articles appear in publications this week. My piece on shifting your writing into high gear in order to survive the economic downturn is in the October 2009 edition of the Freelance Writer’s Report (print version). If you’re a freelance writer, you really must subscribe to this newsletter. I’ve been subscribing for years.
http://www.writers-editors.com

Ron Pramschufer features my piece on successfully dealing with competition in his September 2009 edition of Publishing Basics. Read it at http://www.publishingbasics.com/current.

Also in this edition of Publishing Basics, you’ll find articles by Brian Judd and Peter Bowerman—both professionals whom I have had the pleasure of meeting.

While you’re checking out Ron’s publication, be sure to read his MOST informative FAQ page related to the ISBN. I’m pretty sure that if you have a question about the ISBN—no matter how off the wall it is—Ron has an answer for you on this page. Use the link above to find the newsletter and then click on the FAQ for ISBN link on the first page of the newsletter.

For those of you who are interested in buying just one ISBN, Ron Pramschufer is an agent for Bowker and is authorized to sell single numbers. He charges $99.

For years, I’ve been advising against purchasing just one ISBN. Why? Because publishers, like myself, were selling them. Since, when we purchase a block of them, our publishing companies are tied to those particular numbers, any books with our ISBN would be tied to our publishing company, as well. It can make things rather sticky when trying to place books in bookstores, get a distributor, etc.

But now, finally, you can purchase just one ISBN from Ron at Publishing Basics as well as from RR Bowker.

This is, of course, for those authors who wish to self-publish in the traditional way—by establishing his/her own publishing company. If you go with a “pay-to-publish” company, they will provide the ISBN in their name. If you land a traditional royalty publisher, they will use their ISBN to identify your book within the industry.

For more about self-publishing (including a handy timeline), locating and approaching a traditional publisher and when to choose a pay-to-publish company, read my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

This book does not tell you how to write, publish and market your book. It gives you your options and helps you to sort out the pros and cons so you can make the right decision for you and for your project.

Pay-to-Publish; is it the Right Choice For You?

Monday, September 21st, 2009

This weekend, while composing an article for a publishing newsletter, I referred to the fee-based self-publishing process as “pay-to-publish.” What do you think? Does this describe it?

I may have told you that a “colleague” lambasted me and others who use the term “self-publishing” when referring to AuthorHouse, Infinity, Dog Ear Press, etc. They used to be known as POD Publishers. That didn’t stick because POD stands for print on demand and these companies weren’t the only ones using this technology.

Pretty soon, you heard the “POD” author crowd saying that they had “self-published” with such and such POD publisher. And these companies were using this term to lure authors. Perhaps this was designed to make the author feel as though he/she had more control over their projects. At any rate, this has been a sore spot with self-published authors (those who established their own publishing companies to produce their books) ever since. Me included.

Sure, I began referring to these companies as “self-publishing” companies—in order to be understood. But I always use quotation marks indicating that this is the common term; not my choice of terms.

After receiving the accusatory note from the gentleman, I promptly responded. I said that I couldn’t agree more with him that “self-publishing” does not aptly describe what they do—how they work. And I challenged him to help me come up with a suitable term to describe them. I never heard from him again.

Either he wasn’t up to the challenge or he had a block on his email so my response did not reach him.

Yesterday, however, the phrase “pay-to-publish” came to me. What do you think? Could we call them pay-to-publish companies? How does this description/title strike you?

If you have never established your own publishing company, you probably don’t care if these companies are known as “self-publishing” companies. Maybe you like the idea that, when you “publish” with one of these companies, you are known as a self-published author. But what did you do to rate the title other than write a book and plunk down some money? You don’t even own the ISBN. You don’t actually have a company. And, for some of you, there are obstacles to promoting your book.

I’ve spoken with authors who can’t afford to have booths at book festival, contract with distributors or negotiate with independent booksellers because they have to pay so much to purchase their own books from their pay-to-publish companies.

Some of these companies are still using the term, “co-publisher.” This seems succinct. The author strikes an agreement with a publisher whereby the author puts up the money and the publisher produces the book. I worked with a co-publisher once in the 1990s. I had researched and written a book for a local private school and we worked with a co-publishing company to produce it. The purpose was not to go public with this book and try to sell millions of copies. The director of the school wanted the book primarily as a thank you to donors and an enticement for parents of potential new students.

I have also worked with individuals to produce their memoirs to be distributed to family members and a few friends, only.

And this is what I believe the primary function of co-publishers and pay-to-publish companies should be—to produce promotional books for organizations and companies, to publish short-runs of business books quickly and to help individuals realize their dreams of publishing a few copies of their life stories.

In my opinion, there are just too many potential obstacles for authors who want wide-spread recognition for their books when they go with a pay-to-publish outfit. Of course, each of these companies offers a different contract and varied levels of customer service. But I tell the hopeful authors I meet, that they will have more freedom to promote their books if they establish their own publishing company.

Many of those authors say, “But I just don’t have the energy or good health to start my own publishing company.” I can understand that. A lot of writers pen their memoirs or write a novel long after retirement. Then, I feel, it is my job to convince these authors that they really can’t set their sights on high sales because the only way they’re going to attract readers, whether they self-publish or go with a pay-to-publish company, is to participate heavily in promoting their books.

I spoke with an elderly author a few weeks ago who has spent tons of money on magazine advertising for her “pay-to-publish” book. She has sent out press releases, she says, in the millions. And still sales are pitiful. Why? She doesn’t have a name that will attract readers—she’s unknown. I suggested that she make some personal appearances, write articles/stories for appropriate magazines and newsletters, have a web presence. People are more apt to buy a book when they know the author and have, perhaps, heard her tell her story. Then her emailing and mailing campaign might result in more sales.

It all boils down to the fact that most authors are still uninformed about the publishing industry, their options, the possible consequences of their choices and their responsibilities as a published author. Unfortunately, when they finish writing a book, they quickly and easily find one or more companies eager to publish for money and they don’t look beyond the representative’s promises. They imagine readers clamoring to buy their books. They visualize dollar signs. But they don’t have a clue as to how to go from point A (getting their book in print) and point B (attracting readers).

Please, if you are a first-time or struggling author or you know someone who is, purchase my book today. I wrote it expressly for YOU! You’ll see what I mean as soon as you start reading it. I’ve been writing for publication for over 35 years. I have produced 29 books through a variety of companies, including my own Matilija Press. I have met hundreds of authors who have failed and I know what mistakes they have made. These authors inspired this book.

Order The Right Way to Write, Publish and Sell Your Book today at
http://www.matilijapress.com/rightway.html

A recent customers said, “It’s like having a mentor–a publishing coach–in a book.”

How to Land a Traditional Publisher

Sunday, September 20th, 2009

How much is it going to cost me? This is a question I get often from potential clients who are seeking an editor for their manuscripts. Sure, it’s a legitimate question. But it’s not a question I can respond to with any accuracy until I see the project.

I explained to someone this morning that, for a well-written manuscript of 150 pages, I may charge only $500. But if the manuscript covers 300 pages and needs a lot of work, my fee might be around $3,000 or more.

That’s why I always ask to see at least a portion of the manuscript before we discuss my fee. Saying that I charge $50/hour doesn’t mean much to a hopeful author. Most don’t see what I see when I take a look at their manuscripts. Many of them don’t know where the problems exist, nor are they aware of the bad habits that show up in their stories. If they knew, they wouldn’t need an editor.

Some authors are saving themselves money by not hiring an editor before showing their manuscripts around to publishers or before seeking out a “self-publishing” company. In too many cases, they have cut corners in the wrong place. The publishers they approach are well aware that the manuscript is not ready and they reject it.

Yes, publishers do have editors on staff. And yes, if your manuscript is accepted, these editors will work on your manuscript before it goes to publication. But NO, you do not send a manuscript that is in need of fine-tuning to any traditional royalty publisher. He wants to see it in its final, finished, finely tuned, completely edited state.

I keep reminding authors of the fiercely competitive publishing climate we’re facing now. And I ask them to consider things from a publisher’s viewpoint. If you were a publisher and you received three good manuscripts, but you only had the finances/space to publish one of them, how would you choose? A biased author would say, “I’d choose mine, of course.” But that’s definitely not the correct answer. Here’s how most publishers would make the decision. They would choose:

• The manuscript that needs the least amount of work.
• The author with the best platform and marketing plan.
• The project with the most sales potential.

The last point is awfully difficult to predict—which is why some of the most successful books out there were rejected many times over before finding a publisher. But a publisher will certainly consider the content of the book. If one book reflects a topic or genre that’s wildly popular at the moment, he’s going to lean toward that one.

As for the point in the middle, I told a new author this morning that no matter what publishing option you choose, the author is responsible for promoting his or her book. Even the traditional publishers expect their authors to participate heavily in promoting their books. If the author has a platform (a following, a way of attracting readers) all the better. In fact, I sometimes suggest to budding authors that they put a hold on their marvelous book idea and concentrate on building their platform—credibility in their book’s topic, a reputation, a following, a desire for this book—before approaching a publisher.

Now about the competition for authors: as I said, it is fierce. But I wonder if this might be a good time for authors to approach appropriate publishers. Let me accentuate the word, APPROPRIATE. Many publishers specialize. Make sure that you are approaching the right publisher for your project. I’ve done a lot of writing about how to locate the right publisher. If you need a refresher course, leave a comment and I’ll write a blog on the topic.

In the meantime, here’s the point I want to make today: I wonder if your chances of landing that appropriate publisher are greater today. Why would I suggest this? Because so many hundreds of authors are signing with fee-based, “self-publishing” companies, there can’t be as many of them in line at the traditional publishing houses waiting to be noticed.

I would imagine that these publishers are producing fewer books, too, because there are so many books flooding the market. But they are still publishing books. Why not yours?

This may just be the best time ever to present your excellent, professionally edited project to the appropriate publisher of your choice. Make sure that you have all of your ducks in a row. To reiterate:

• Build a platform.
• Write a book that is needed/wanted.
• Perfect the manuscript to a standard of excellence.
• Be persistent and patient when dealing with appropriate publishers.

To help you to better understand the publishing industry and how to navigate it, read my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

For an evaluation of your manuscript, contact Patricia Fry at PLFry620@yahoo.com