Archive for May, 2010

Giggles With Google

Friday, May 21st, 2010

This is kind of a silly title and not exactly descriptive, but I think it’s cute and fun. I actually did have fun with Google yesterday searching where my latest book is showing up.

As soon as you start promoting a book on the Internet, you can keep track of it by doing a Google search (or using Google Alerts). It’s good business practice to know where your title is being promoted and it is rather encouraging to find your book listed at a wide array of sites.

As many of you know, Catscapades, True Cat Tales, is my latest book—the one that is getting most of my promotional effort, energy and time, these days. So it’s the one I’m following—keeping tabs on. It was quite an interesting and satisfying Google search I conducted yesterday. I found 495 hits for “Catscapades” with my last name—Fry. I located 791 hits for just “Catscapades.” (Not all of these links were related to my Catscapades book, however.)

Many of the listings were expected—Amazon, my Matilija Press website, my Catscapades blog, Barnes and Noble, Twitter, Facebook and several sites and publications that did reviews or posted this as a recommended book. But there were also a few surprises—sites that I didn’t know where they had commented, featured or otherwise acknowledged this book.

This also gave me a chance to check for any discrepancies in representing this title. For example, I notified those sites that didn’t have a link to the Catscapades site, that didn’t have my name listed in the author list even though my book was featured and so forth.

I hope that you are keeping track of your book by using Google alerts http://www.google.com/alerts and by doing an occasional Google search. Then follow up with those site owners and reviewers who have done nothing with your book after a significant amount of time since they promised to do so or since they received a review copy.

It’s time consuming, that’s for sure, but well worth your effort to stay on top of your promotional game. And it’s really a cool feeling to find your book prominently displayed at site after site throughout the Internet. Set yourself up for some giggles today.

If you do a Google search and do not find your three-month old book listed at least 300 times or your year-old book listed at least 1,000 times, you may not be doing enough promotion.

My book, The Right Way to Write, Publish and Sell Your Book, when put in quotation marks—indicating a more refined search, results in 4,400 hits. My name brings up 1,550,000 results.

What does this mean? That I’ve been promoting my books and myself via the Internet. The results reflect my website, my blogs, Facebook, Twitter, etc. as well as my articles appearing at various sites and in various publications, my comments at other blog sites, interviews at other sites, book reviews, bookstores that carry my books, my memberships, my affiliation with SPAWN and so much more.

I’d like to hear the results of your Google search this week. You can comment here at this blog site.

What’s Your Book Promotion Style?

Thursday, May 20th, 2010

When you read about how one should pursue book promotion, do you sometimes feel a bit intimidated? Do some experts make the process sound way too complicated? Do we suggest ideas that you wouldn’t try in a million years? Are you just interested in finding your book promotion comfort zone?

If you have been reading this blog for any length of time, you are probably timid about responding to that question. You don’t want to admit to me that you are a book promotion slacker—that you aren’t aggressively marketing your book and that there are activities that you just can’t bring yourself to pursue.

While I sure try to encourage you to step outside the box, widen your horizons, stretch, expand your reach and so forth, I realize that some of you are going to settle into a book promotion style and pretty much stay there. Here are some of the styles I’ve observed and the potential downfall of each:

• The gung-ho promoter. This author is excited, energetic and full of promotion ideas right out of the chute. He signs up for every opportunity that comes along and follows every lead. He eats, drinks and sleeps promotion. This is admirable, as long as the energy and enthusiasm holds. Beware of burnout.

• The focused promoter. She envisions one avenue of promotion for her book and that is the one she pursues. It might be getting it in bookstores, soliciting reviews or doing a press release blast. This could work for a while. But it is important to know when to continue and when to shift gears and try something else.

• The scattered promoter. He tries a little of many promotional activities, but doesn’t stay with any of them long enough to experience much success.

• The organized promoter. This author has a marketing plan and is dedicated to sticking with it no matter what. Problems arise when opportunities come up and he is so committed to his plan that he doesn’t acknowledge or even recognize them.

In my opinion, the best approach to book promotion is from a place of knowledge. Educate yourself about the publishing industry and the process of book promotion before getting involved. I also urge authors to be flexible and creative. Be willing to try something new and be equally willing to back away from a promotional activity that isn’t generating results.

For a good lesson in book promotion—one that covers the basics—sign up for my online, on-demand Book Promotion course. http://www.matilijapress.com/course_bookpromotion.htm It’s like working one-on-one with me as your mentor for 6-weeks. The course is $200, and it could result in thousands in sales once you understand how to approach the process of book promotion.

What Does Exposure Mean to an Author?

Wednesday, May 19th, 2010

If you’re an author who spends any time at all studying the process of book promotion, you know the word exposure. You are being told that sales are not nearly as important as is exposure. You read that authors must strive to get, above all else, exposure. Experts advise you to seek ways to get exposure. What does this mean?

• What is exposure?
• How do you get exposure?
• What can exposure do for your book?

Suggesting that an author forget about sales and focus on exposure is sort of like asking someone who is super excited about his/her pending book debut to chill—be patient. Authors want/need sales. We want to cut to the chase and sell books, not just show it around to people. What many new authors don’t understand, however, is that exposure leads to sales.

It has been my observation that those authors who concentrate only on sales, usually fail. It has to do with expectations. As an illustration, here’s the story of two authors, Bill and Betty. Both authors reserve a booth at a fairly large book festival. Bill expects to sell two cartons of books, which will pay for the booth and travel expenses and net him around $500. He arrives at the book festival with his books, a cash box and high expectations.

Betty also hopes to sell books, but realizes that it takes more than just offering it for sale. She’ll be happy if she sells 15 or 25 books, talks to 100 potential customers about it, hands out 300 brochures and signs up at least 150 people for her free book drawing or e-newsletter. She realizes that she may just break even at the book festival. But, she creates a lovely display of her books, sets up a large poster behind her in the booth and looks forward to talking to scads of people. Which of these authors will most likely be disappointed at the end of the day? Yes, the one with the high, rather unreasonable expectations.

And which one will be most successful in his/her endeavor to sell books? The one with the most realistic approach. It’s unlikely that Bill will sell his quota of books, unless it is something quite special and unless he is a master salesman. It is my experience, however, that an author with unreasonable expectations and little understanding of how to display and represent his or her book will sometimes develop a rather negative attitude about half way into the event if books are not selling as well as he expected. As you can imagine, this will drive customers even further away.

Betty, on the other hand, has maintained a good attitude throughout the long day. When someone seems interested in her book, but doesn’t purchase it, she thanks them graciously and makes sure they walk away with a promotional piece (postcard, magnet or brochure, for example) and/or that they have signed up for the free drawing or e-newsletter.

Now Betty has a list of people who have once expressed an interest in her book. She can email her e-newsletter, which includes promo about her book each month, as well as information about the topic or genre of the book. She can contact the people on this list when she plans a book signing, wins a contest with the book or to remind them to consider purchasing this book for holiday giving, Mother’s Day or another special occasion.

While Bill allowed himself just one chance at selling books, Betty took the opportunity to create potential customers out of the people she met who were not ready to purchase her book
that day. Her connection with some of these people may eventually result in book sales as well invitations to speak or be a guest blogger, for example. These people might be more inclined to tell others about Betty’s book. Those who saw Bill’s book only once and who walked away without something to remind them of it, probably won’t think about it again.

Can you see the importance of exposure in book promotion? Does this illustration help you to understand the value in displaying your book, of course, but also making an impression on potential customers by sharing something about the book, asking about their experience or interest within the genre or topic of your book, handing out material to continually remind them of your book and staying in touch through your newsletter, occasional emails, blog posts, etc.

And don’t overlook the possibilities of connecting with some of these potential customers through your social media networks.

In book promotion, exposure should be your primary goal. And the more creative you can be in gaining exposure for your book the more sales you will make.

For more about writing, publishing and promoting your book, read my book, The Right Way to Write, Publish and Sell Your Book. http://www.matilijapress.com/rightway.html

It’s a good time to sign up for the online workshop of your choice. I provide the most amazing opportunity to work with me one-on-one—an opportunity that generally costs several times more if you were to hire me. Check them out at http://www.matilijapress.com/courses.htm

Book Promotion Means Research

Monday, May 17th, 2010

Do you Google yourself? It’s a good way to find out where your articles/stories are being published. Google the title of your book and find out where it is offered for sale, who is reviewing it and what they’re saying.

If you’re the publisher—the person who is doing most of the promoting—you know who is reviewing it. But there’s also a lot that you don’t know. For example, I did a search for Catscapades, True Cat Tales, this morning and discovered that Steve Dale’s column, where he mentions Catscapades, has been run in newspapers all over the US—not just the one where I originally saw the review. I also found Catscapades on sites where I didn’t know it was mentioned or featured. Some site owners just don’t get around to letting you know when your review is posted or your book is listed.

I also use Google Alerts to alert me to new listings or mentions of me or my books. Every morning, I receive a notice letting me know where my name or one of my books has popped up. Sometimes they miss new listings, however. And sometimes they report old, old ones. So it is still a good practice to do your own Google search from time to time. Sign up for Google Alerts here: http://www.google. com/alerts

A big part of book promotion is research. And you thought that, once your book was finished, the research was over. Not by a long shot. Now you need to locate potential outlets, review opportunities, etc. for your book. And you must check back fairly often to make sure your book is being reviewed—that people are doing what they promised to do for you.

If you dislike research, but you want to produce a book that is at least somewhat successful, you’d better learn to tolerate the process of research. Or hire someone who will do it for you. Research is ongoing for the author with a book to promote.

Catscapades, True Cat Tales is being featured on the Cool Cat Books page of Flippy’s Cat Site in Melbourne, Australia. Check it out at http://www.flippyscatpage.com/coolcatbooks.html

To order your copy of Catscapades, True Cat Tales go to http://www.matilijapress.com/catscapades.html

Book sales are up for my hallmark book, The Right Way to Write, Publish and Sell Your Book. See what everyone is so excited about: http://www.matilijapress.com/rightway.html

Summer is upon us. It’s a good time to sign up for an online course. Check out my array of online course:
http://www.matilijapress.com/courses.htm

Social Media Demystified in SPAWN Market Update

Sunday, May 16th, 2010

Everyone is doing some sort of social media experiment. Authors are flaunting their books and promoting their book signings. Freelance writers are attempting to make important contacts. We’re all involved in Facebook, LinkedIn, Twitter and/or some of the other dozens of what are known as social media sites. And we all have our reasons for doing so.

How’s it working for you? Are you realizing the results you had hoped for? Or are your efforts in the world of social media just becoming a time-consuming hobby? You’re meeting new people, but not exactly the right people. You’ve let a few people in who turned out not to be on the same wave length as you are, and you don’t know how to get rid of them and their daily posts on topics of no interest to you. We’ve all made mistakes in our associations with these sites.

This month in the SPAWN Market Update, we’ve interviewed Penny Leisch, self-taught expert on social media. I have to say that I learned more from this interview than I have in all of the reading and studying I’ve done on this topic. And this is just one reason why I urge you to join SPAWN.

SPAWN (Small Publishers, Artists and Writers Network) is not a social media organization, but we are a networking organization. We have a discussion group where authors, publishers, graphic artists, etc. can communicate. And one of the major advantages we offer members is the monthly SPAWN Market Update. Some of you may already subscribe to our FREE enewsletter, SPAWNews. This is separate from the SPAWN Market Update. The SPAWN Market Update is posted each first of the month in the member area of the SPAWN site for members only and it is jam-packed with what you need in order to succeed as a freelance writer or author.

For example, in the May issue, we provided a link to a site with a book review directory. No kidding. This directory lists magazines that publish book reviews. Now, if you have a book to promote, wouldn’t this be a great advantage? I also went to the trouble of researching other magazines that do book reviews and listing them, as well. We also let you in on the 25 top book festivals around. Very often, we include freelance writing job sites. This month, I list a site that includes a directory of job sites featuring writing jobs. This treasure could feature literally thousands of job opportunities. Now, as a freelance writer, how could anyone refuse to pay the $65/year membership in order to earn literally thousands through the leads we provide in the SPAWN Market Update? Doesn’t make sense to me.

Learn more about SPAWN membership here: http://www.spawn.org

And join before June 1 to be among the first to finally learn which of the social media sites are the best fit for you and your purpose and how you can maximize your social media experience.

Of course, all issues of the SPAWN Market Update are archived. Plan to spend at least 3 or 4 hours perusing back issues. I would print them out and then highlight those leads and links you would like to pursue. Each morning or evening (whenever you have some quiet time) spend an hour or so following leads.

Book promotion and locating freelance writing work are huge responsibilities. At SPAWN, we do our best to give you the leg up you need in order to experience the success you desire.

How to Use Other Experts to Promote Your Book

Saturday, May 15th, 2010

How do you know when you have “arrived” in your field or genre? For some, it is when they are quoted in someone else’s book or when their book is included among the recommended books or resources section in someone else’s book.

This has happened to me over the years on numerous occasions. And it is always a thrill and a privilege. Yet, I know authors who are timid about getting involved with other authors’ projects. Sure, it is important to check the author out, if you don’t know him/her, and to ask questions about their pending book. You don’t want to find yourself improperly represented, for heaven sakes.

Is it worthwhile to go to the trouble of writing a blurb, giving permission to have your book included or even writing a chapter for publication in another book? Absolutely. I’ve done it many times and it has always turned out to be a positive decision.

Generally, the other author either comes to me for permission or a quote or they will just include my book or one of my quotes and tell me about it later. Especially if you are a new author, you might have to look for opportunities to be included in books related to your topic or genre. For example, stay in close contact with your colleagues. Read their blog posts and articles. Do they mention that there is a book in the works? If so, contact them. Ask if you can send them your book for possible inclusion in their resources section or to be featured as a recommended book. Of course, maintain your own blog related to your topic, comment on other blogs and place articles on related topics in many appropriate magazines and newsletters. In other words, become known as an expert in your field.

There are basically two ways to become known in your field or genre—by being in the right place with the right information at the right time and by pushing the envelope. Go a step or two beyond just putting yourself out there. Engage in assertive marketing. Instead of waiting for key people to notice you, introduce yourself, show up where they are, comment at their blog sites, communicate personally with them. And be sure to ask for what you want.

What do you want? Presumably you want to reach your readership and one good way to do this is to connect with others who have the same or similar followers. Be proactive. Be creative.

For more about book promotion, read The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

For help with self-editing, writing your memoir, book promotion, self-publishing or building an article-writing business, check out my online courses:
http://www.matilijapress.com/courses.htm

Contact me for a free editorial evaluation for your manuscript in progress. PLFry620@yahoo.com.

Book Promotion for the Beginner

Friday, May 14th, 2010

We talk often about various aspects of book marketing here at this blog site. If you’ve followed this blog for any length of time, you know that I do my best to warn new authors about the huge job ahead—the work they will face AFTER their book is published. Promotion! Selling copies of their books.

I wrote my book, The Right Way to Write, Publish and Sell Your Book for two main reasons:

1. To help educate hopeful authors about the publishing industry before they get involved and make some of the most common (and costly) mistakes.

2. To help them to understand and accept the responsibilities that come after publication.

Way too many authors enter into publishing without a clue as to what comes next. Well, what comes next is that no matter which publishing option the author chooses, he or she is responsible for promoting his or her book.

Sure, a traditional publisher will do some promotion through channels he has available to him. But it’s highly unlikely that he’s going to send you on a book tour, create massive posters to display in bookstores, have your book placed on the front counter or center aisle of bookstores nationwide, schedule your appearance on Oprah and get your book reviewed in the New York Times.

You might pay your pay-to-publish (self-publishing) company for one of their promotional packages. I wish you wouldn’t. I have never heard that any of these have been at all successful for authors.

Rather, I would like to see you accept full responsibility for promoting your book—look at it as a job. Take it seriously. Pursue it daily. Here’s what you’ll need:

• Ideas and creativity.

• Leads—lots and lots of leads. When promoting my cat stories book, I seek out appropriate directories listing, for example, businesses that sell cat books, reviewers of animal-related books, sites that sell and/or recommend books for cat people, cat shows where I could have a booth and sell books, etc. You’ll also seek out single leads—it’s very time-consuming, but oh so necessary to the health of your book sales.

• Persistence.

• Tons of energy.

• A willingness to try new things—such as public speaking, negotiating with booksellers, hiring a publicist, etc.

• A sense of follow-through.

If you want to sell copies of your book beyond your family and friends, you are going to have to launch a serious promotions plan. And this brings us back to the beginning. Before ever writing this book, know who your audience is and where they are. Define the purpose of your book and make sure it is valid and not frivolous. Explore your path of promotion before ever writing the book—certainly before publishing it. And be very honest with yourself about what promotion entails.

Do yourself a favor, if you haven’t done so already. Join SPAWN (Small Publishers, Artists and Writers Network). You’ll have access to monthly tele-seminars with experts related to publishing and promotion. And you’ll have access to the monthly SPAWN Market Update as well as years of archived copies and this is where you’ll learn absolutely volumes about promoting your book. This newsletter is filled with ideas and resources for authors.
http://www.spawn.org

The only way to succeed as an author is to be highly proactive in the promotion of your book. There’s no other way. If you want individual help promoting your book, consider signing up for my online book promotion course.
http://www.matilijapress.com/course_bookpromotion.htm

What Are My Chances of Landing a Publisher?

Thursday, May 13th, 2010

I often get the question, “Is my writing strong enough for a publisher to pick it up?” or “Do you think I have a chance with a publisher?”

Here’s my typical response to questions like these:

That’s a hard call for anyone to make. I’ve seen strong writers with excellent projects rejected over and over again and weak writers with mediocre stories picked up by publishers. There is nothing wrong with going for the gold—with setting your sights high and approaching major publishers with your project. But I recommend that every hopeful author have a plan B and C and maybe even D. I even outline exactly how to do this in my book, The Right Way to Write, Publish and Sell Your Book. In fact, I’ve never seen a guide quite like the one I provide in this book.

The thing is that publishing has become highly competitive. More people than ever before are writing books and more are getting published through a variety of means. In 2008 there were over 560,000 books published, less than half of them through traditional publishers. That’s over 100,000 more than in 2007. And there are fewer people reading books. So once they are produced, distribution becomes a nightmare—it is a huge, all-consuming process. And this is true whether you self-publish, go with a pay-to-publish company or land a traditional publisher.

There are some types of books that are doing better in the marketplace (and being more readily accepted by publishers) than others. Romance is solid and steady and young adult fantasy is hot. Nonfiction books that fill a niche will also sell—the number of books depends on the size of the audience within that niche.

Good writing is important, but you still see books published by traditional publishers that are not well-written. I’ve also seen some excellent books rejected by publishers. Sometimes, you have to prove your book before a publisher will express an interest. In other words, you produce it, promote it like crazy and, once you have reached a high level of sales in a fairly short time (5,000 in 6 or 8 months, for example) you might more easily find a publisher. There’s still no guarantee.

Many of the authors whose projects are rejected by a few publishers give up too soon. Some very famous books were rejected over and over before being picked up by publishers. Most new authors do not realize the number of publishers out there. There are the big 6 publishing houses and then there are hundreds of medium to small publishers eager for a good project that is going to make them some money. (Check Writer’s Market for listings of publishers and go to bookstores, find books in your genre/topic and see who published them.)

But you have to consider this, as well—the quality of your writing isn’t all that a publisher is going to be interested in. He wants to know that you have a platform (a following—that people will want to read what you write) and that you will be active in promoting the book. I often recommend that fiction authors start submitting stories to appropriate magazines long before they are ready to approach a publisher. And I suggest that nonfiction authors publish articles on their topic in a variety of key publications. Then they can tell the publisher that their stories/articles have appeared in all of these magazines that are being read by their audiences, thus their name is being associated with this genre/topic. This is one way to establish a following.

Keep in mind that a traditional publisher is not necessarily the answer to every author’s prayers. A publisher can get your book into bookstores much more easily than you can on your own. But with the number of books out there—the competition—books, today, do not have a very long shelf life. If your book isn’t selling (if you aren’t out there promoting it and bringing readers into the bookstores to buy it), it will be yanked off of the shelves within a matter of months and your bookstore advantage is over.

Learn much more about understanding and navigating the publishing industry more successfully by reading my book, The Right Way to Write, Publish and Sell Your Book.
http://www.matilijapress.com/rightway.html

Tomorrow I’m going to discuss book promotion and what it entails. I know that many first-time authors go into publishing eager to do what it takes to succeed, without really understanding what it actually takes.

Author Services—Which Ones Should You Use?

Wednesday, May 12th, 2010

As authors, we are bombarded with offers to help us write, pitch, publish and promote our books. How do you know which services to pay for and when to go it alone?

Here’s how I feel about the various services:

If you need writing help, join a writers’ critique group, take a writing course through a local adult education program and/or work with a mentor. I also recommend to my clients that they read a lot of books in their genre of choice.

Most authors need an editor. I would even venture to say that every author needs that qualified extra set of eyes. Hire an editor with a reputation, with good references, with experience in your genre. Ask the editor for a free evaluation of your manuscript. I am an editor. I will provide a sample edit so my clients know my style and the type of corrections/suggestions I will make throughout their manuscripts. I consider myself a teaching editor. I do my best to help you strengthen your weak areas so your next project won’t require so much of the editor’s time. And, when hiring an editor, time is money. Contact me for your free sample edit: plfry620@yahoo.com.

(Note, I also teach an online course on how to self-edit—a great way to save on your final editing bill.)
http://www.matilijapress.com/course_self-editing.htm

Pitching your book. If you’re new at it, seek help writing your book proposal and your query letter before approaching an agent or publisher. I recommend that you work with someone at a personal level (rather than hiring a “company”)—someone who has experience writing book proposals for others in your topic/genre, if possible.

Choose a publishing option only after studying the publishing industry—once you know all of your options, the possible consequences of your choices and you understand your responsibilities as a published author. If you go the pay-to-publish or traditional publishing route, have a publishing attorney or literary attorney look at your contract before signing it.

Book promotion: There are many companies and individuals eager to take your money for promoting your book. The number of these services and the variety of their offerings are mind boggling. And I generally recommend that you avoid most of them. The exception is the course, workshop or individual who teaches you how to promote your own book. No one cares about your book as much as you do. No one knows it as well as you do. And no one can promote it as successfully as you can—all you need are the ideas, persistence and a sense of follow-through.

Economy Better for Writers

Tuesday, May 11th, 2010

It was the flu—or at least that’s what seemed to kick me in the stomach and knock me down yesterday. I hope at least some of you missed my daily blog post. I’m much better today, however, thanks to nurse Lily kitty. She was my hot water bottle all day long. When she wasn’t smashed up against me keeping me warm, she was sitting a few feet away staring (probably wondering why I wasn’t up feeding her and playing with her).

When I arrived back at my computer this morning, amidst the 150 emails (around 100 of them spam), I had a few inquiries about my editorial services. I’ve already presented an evaluation and estimate this morning. And someone who contacted me for a free evaluation some months ago has returned to have her manuscript edited. PLUS I’m doing the final edit for another client. I appreciate the work.

You’ve probably “read” me say that if we each pay someone for a service or product, the trickledown effect might help the economy. Just last week, I noticed that there were two houses in the neighborhood getting new roofs; one neighbor had hired a housecleaning service, another one had a gardening service for her yard, one had to have a plumber and I had a new stove delivered. I think is a nice little indication that the economy is struggling upward.

What about you? Do you see an increase in freelance writing jobs coming your way? Are you selling more books? And I have to ask this: Are you continuing to promote your work, your services and yourself with enthusiasm—with a positive mindset?

If your articles/stories are being rejected, perhaps I can help you revise them. If you’re close to completing your book manuscript, let me see if I can help you fine-tune it to a more perfect state. Contact me here: PLFry620@yahoo.com. I have some very happy clients. See some of the testimonials here: http://www.matilijapress.com/testimonials.html