Archive for April, 2011

Four More Mistakes Authors Commonly Make

Saturday, April 9th, 2011

This is the continuation of the 7 Common Mistakes Authors Make

4: Many authors don’t understand publishing terms. Authors will say to me, “I’m self-publishing with ABC Publishing Company.” What they are actually doing is going with a pay-to-publish company. What are your primary publishing options?

Royalty Publisher
A traditional royalty publisher puts up the money for the production of your book and pays you royalties on books sold. These publishers are generally very selective in the books they publish

Self-publishing
Self-publishing means that you establish a publishing company (get a fictitious business name, purchase your own block of ISBNs, etc.). You get your book ready for publication, you hire a printing company, you are responsible for distribution and shipping and you reap all of the profits.

Pay-to-Publish Company
You pay the company to produce your book. Most of these companies will accept any manuscript—they are not generally discriminating. They each enter the publishing arena with very different publishing contracts. It pays to do plenty of research so you know exactly what you’re signing.

5: Newby authors don’t generally solicit advice from professionals until it is too late. Do NOT sign a contract with any publisher or purveyor of publishing services without hiring a literary or intellectual properties attorney. This should go without saying, yet thousands of authors each year bypass this important step.

I also recommend that inexperienced authors talk to other authors who have used the services they are considering. Contact organizations such as SPAWN (Small Publishers, Artists and Writers Network) and ask questions. http://www.spawn.org

6: Uninformed authors blindly sign up for unnecessary services. Some pay-to-publish companies state that they will get your books into bookstore databases and provide a return policy on your books for a fee of around $700-$800. Or they will get your book in Amazon.

I have two things to say about that. First, you can get your books listed in bookstore databases nationwide for free. All you have to do is fill out an Advance Book Information (ABI) form. Your book will be listed in Books in Print (BIP). This is one database that bookstores use to order books. If a customer asks for your book and it is listed in Books in Print, the bookstore can order it for that customer. And the listing in BIP is free. You can also arrange for your book to be sold through Amazon.

Secondly, the return policy that some publishing services are selling their authors is, in my opinion, a huge waste of money. This policy is no more a guarantee that booksellers will carry your book than a nickel guarantees the purchase of a candy bar.

7: Authors neglect to hire an editor.
Many authors, by the time they complete their manuscripts and self-edit it, they are more than ready to get it published. Some of them don’t feel they have the money to spend on a professional editor. Some expect to get a good enough editing job through their pay-to-publish company. Still others believe that they don’t need to hire an editor because traditional publishers have editors on staff.

One of the biggest mistakes a hopeful author can make is neglecting to hire a professional editor before approaching publishers of any type. News flash: publishers want to see professionally edited manuscripts.

If you want to enter into the world of publishing, learn something about the business. Study your options and the ramifications of your choices. Define your responsibilities as a published author. You may still make a few mistakes along the way—we all do, but knowledge will definitely save you money and heartache.

Questions: PLFry620@yahoo.com
http://www.matilijapress.com
http://www.patriciafry.com

7 Publishing Mistakes and How to Avoid Them

Friday, April 8th, 2011

It happens way too frequently. I’ll meet a disgruntled, disillusioned, almost bankrupt author who admits to making most of the mistakes listed below. He might have a wonderful book in hand, but little understanding of the publishing industry and even less marketing savvy. Typically, they learn too late that the time to ask questions and study options is BEFORE they begin to make publishing decisions.

First-time authors are eager to see their books in print. I know this. I’ve been there and I’ve made mistakes. As authors, we work long and hard on our projects. The last thing we want to deal with after finishing a manuscript is the learning curve. Rather than spend weeks, months or years searching for a publishing opportunity, we’d rather sign with the first “publisher” who extends a friendly hand.

I’m on a mission, folks—a mission to help hopeful authors become more well educated and informed about this industry so they will make more appropriate choices on behalf of their publishing projects.

Following are 7 mistakes that many new authors make—mistakes that can cost you large sums of money and dramatically diminish your opportunity for publishing success.

1: Inexperienced authors write a book as the first step. Why is this considered a mistake? If you aspire to have your book published and widely distributed, this may be the wrong approach. Whether you’re writing a how-to book, biography, self-help, romance novel, children’s story, mystery, memoir or dictionary, write a book proposal first.

In the process of writing a book proposal, you will:
• Learn if you have a viable book at all.
• Discover whether there is a market for this book.
• Determine your target audience.
• Ascertain the best way to promote your book.
• Be prepared to establish your platform.

Write a book proposal as a first step and you’re more apt to write the right book for the right audience. How better to snag a traditional royalty publisher than with a promising project?

2: Eager new authors often go with the first publishing opportunity they stumble across. You don’t make other business decisions this quickly. You research the possibilities and study your options. Many authors forget that publishing is a business. We get so attached to our projects and so eager to see our books in print that we act emotionally rather than logically.

Learn the difference between a traditional royalty publisher and a pay-to-publish company. You’ll find hundreds of traditional royalty publishers listed in Writer’s Market (available in the reference section of your library or for sale for about $30 in most bookstores. A new edition comes out each September).

Visit bookstores in search of books like yours. Find out who published these books and contact those publishers.

As an author, you have many options. Research them, understand them and scrutinize them in order to choose the one that is right for your project.

3: New authors believe that they don’t have a chance with a traditional royalty publisher. This is simply not true. If you have a viable project, you arm yourself with knowledge and you approach the publisher in a professional manner, you have a definite chance of landing a traditional royalty publisher.

Find publishers who produce books like yours. Study their Submission Guidelines. Follow these guidelines in approaching them with your project. If they request a query letter first, do NOT send your complete manuscript. If you don’t understand what goes into a query letter, study books and articles about writing a query letter.

There are hundreds of small to medium-sized publishers eager for good, marketable books. For example, everyone knows that poetry books are a hard sell. Yet, the 2010 edition of the Writer’s Market lists over 40 traditional royalty publishers who publish books of poetry. There are at least 125 publishers of mysteries and about the same number who produce historical novels. There are over 200 traditional royalty publishers that publish biographies and more than 175 who produce children’s books. Encouraging, isn’t it?

I’ll post the remaining four publishing mistakes in tomorrow’s blog. In the meantime, I hope you will take the time to digest the material here and please ask any questions you might have PLFry620@yahoo.com

http://www.matilijapress.com
http://www.patriciafry.com

Bookselling Opportunities

Thursday, April 7th, 2011

We’ve just about filled all of the spaces for authors in the SPAWN booth at the Los Angeles Times Festival of Books. If any of you reading this blog post today are authors with books to promote, you might want to join SPAWN ($65/year) and sign up with us to sell your book from our booth April 31, May 1, 2011.

Of course, the opportunity to sell books and get excellent exposure before 140,000 people in the SPAWN booth is not the only perk you get when you join SPAWN. SPAWN (Small Publishers, Artists and Writers Network) is a networking organization and resource center for anyone who is interested in or involved in publishing. http://www.spawn.org Contact me for more information at Patricia@spawn.org.

If you’re not sure what a book festival can do for you or how to present or represent your book(s) at a book festival, read my article, “How to Work a Book Festival So it Works for You” either in the current issue of Book Promotion Newsletter or here:
http://www.matilijapress.com/articles/promo_bookFestival.htm

You’ll find numerous articles for authors and freelance writers at any stage of their careers here:
http://www.matilijapress.com/articlespublishing.htm Check them out.

If you have any specific questions, contact me here PLFry620@yahoo.com.

http://www.matilijapress.com
http://www.patriciafry.com

An Author’s Blog Post for a Drizzly Wednesday

Wednesday, April 6th, 2011

Book Festivals and You
If you are planning to participate in a book festival this spring, be sure to read my article in the Book Promotion Newsletter this morning on “How to Work a Book Festival so it Works for You.” http://www.bookpromotionnewsletter.com

If you aren’t planning to take your book to a book festival, read it anyway and maybe you will be convinced to do so—it’s a great way to sell books and get exposure.


An Author With a Professional Attitude

Oh there is just so much going on here in the Patricia Fry and Matilija Press offices…

I am proud to say that I am working with a most savvy author. She is taking my book proposal course. Right off the bat—right out of the chute—she has recognized that the book she wanted to write may not be the most useful or potentially successful book she could write. Because of the material in the course, she realizes that her original idea isn’t such a good idea, after all. And she is now putting energies into researching the market to determine which direction she could and should take her book. Now this is a professional attitude.

No matter the direction she goes with her project, it is still going to be a niche book. But she now understands something about how to evaluate the potential for a book and is working hard to discover what is lacking in her niche and where she could bring the most value.

Patricia Fry’s Attitude About Editing
I’ve been asked to write something about how I got into editing for a book that will come out probably in the fall. I thought you might be interested in something I wrote for this piece. Here is one of my insights:

“I love editing. There’s a sense of satisfaction in calming chaotic sentences, creating a better flow in a story, giving thoughts and ideas more power, discovering the real meaning in a disorganized presentation and giving authors’ messages more clarity. I delight in helping the author shine.”

Learn more about me and my work here:
http://www.patriciafry.com

Check out my array of books and find tons of resources here:
http://www.matilijapress.com

The Little North Carolina Writers’ Club That Could

Tuesday, April 5th, 2011

I spent the weekend in North Carolina. I had the pleasure of attending the Carolinas Writers Conference in Wadesboro, which attracted somewhere around 150 writers.

Have members of your writers’ group ever thought about putting on something like this—an event that offers information for hopeful authors and supports literacy in your area? Maybe you don’t believe you could pull it off because you have no money in your treasury or because you lack wo/man power. Let me tell you that this successful, well-attended conference was organized by a writers group of ten members. They went out and got sponsors and were able to rent a conference hall, do some advertising, arrange for a little food, pay keynote speakers’ fees, compensate their workshop leaders and even take care of the cost of housing for out-of-town presenters.

Ten enthusiastic, hard-working men and women pulled off a highly successful program in a very small community and managed to help fellow writers to become more informed, meet other writers at all stages of their craft and, hopefully, make fewer mistakes along their publishing paths. And registration for these writers and hopeful authors was free.

It was a good group of people. The presentations and workshops were varied and valuable. There was even one young man of 16 who talked about his experiences as a published author. He published his first in a series of fantasy stories when he was 14.

Omar Tyree spoke eloquently about his publishing path and on behalf of literacy. Robert Macomber talked about authorship. There were workshop leaders speaking on how to become number one at Amazon, history writing, memoir writing and many other topics. I held the attention of a group totaling around 40 for nearly two hours as I spoke about steps to successful publishing. (By the time I had completed my talk, there were around 120 in the room.

Today, while sitting around at the court house with other members of the jury pool (yes, I’m doing jury duty today), among other things, I’ll be writing a note to the members of the small club who made a big difference for many hopeful authors in North Carolina over the weekend by providing them with the information, networking opportunities and resources they need in order to succeed. Thank you Karen, Beverly, Rufus, Sandy, Katherine, Dorothy and the other hard-working members.

If you would like to have a copy of the handout I present for my presentations, let me know: PLFry620@yahoo.com.

Also visit my websites, sign up for one of my online courses, buy a book (I wrote them for YOU), sign up for a FREE copy of 50 Reasons Why You Should Write That Book, check out my resources pages…

http://www.matilijapress.com
http://www.patriciafry.com

The Best Ways to Get Your Self-Published Book Into Print

Monday, April 4th, 2011

Good morning everyone. Today’s blog post is courtesy of Sue Collier. See her bio below.

You’ve written your manuscript and you’ve decided that self-publishing is your best option for getting into print. What’s your next step?

A Google search on “self-publishing” or “POD self-publishing” will bring up ads and websites for companies like iUniverse, AuthorHouse, Trafford, Xlibris, and Outskirts Press. Unfortunately, not one of those companies will enable you to actually “self” publish. All are vanity presses masquerading as self-publishers. Most serious self-publishers who plan to make a profit should steer clear. Why?

The main reason is that these companies are simply a “middleman” between you and the print-on-demand printer they use (usually Lightning Source). These companies mark up their printing costs, then pay you a small percentage of sales (they call it a “royalty). This also usually inflates the price of the book, often so much so it’s impossible to be competitive with other books in the same genre.
Something else most authors don’t realize—often until it’s too late—is that these companies are the publisher of record on their books. Hence, the books are not self-published. And once you’ve got the Outskirts Press—or others of their ilk—imprint on your book, it’s like the kiss of death in the publishing world. The books are generally expected to be poorly edited and are usually badly designed. Sales are dismal—less than 50 copies might be sold (and usually those are sold to the author).

To truly self-publish and to make the most profit from your book, you need to be the publisher of record. You can do that by buying your own block of ISBN (International Standard Book Number) from Bowker. Having your own ISBNs now makes it possible for you to go to a POD (or offset) printer directly—no middleman required. You’ll need to start up a publishing company—not nearly as complicated as it sounds—because Bowker (as well as Lightning Source—more on that later) works with publishers not authors.

Once you’ve got your publishing company name and ISBNs, then what? Your best bet is to find professionals to help you with the book production process so you can take the book to a printer yourself. Ask around to other authors who have truly self-published to see who they’ve used. You’ll definitely want to hire an editor to edit your book and a graphic artist to design your book cover; skimping on these two areas may mean a significantly lower quality book. Outfits such as Outskirts, AuthorHouse, and the like offer these services, but they are almost always poorly done. Books are often full of errors and covers tend to be your choice of a picture and a font (so another book could have your exact same cover with a different title). These books are pretty much unmarketable; even worse, they may put the author’s reputation at risk.

Once your book is ready for print (either ebook or paper book) I recommend either CreateSpace (owned by Amazon.com) or Lightning Source (owned by wholesale giant Ingram). Many self-publishers think they need to work with an outfit such as Lulu or Fast Pencil in order to get their books printed digitally (POD); that’s not true. Both CreateSpace and Lightning Source work directly with self-publishers—no middleman required. A 200-page book would cost $9.30 to manufacture at Fast Pencil; the same book costs only $3.50 at Lightning Source. Why spend almost $6 more per book?
I’ll be self-publishing Jump Start Your Books Sales, 2nd Edition, this summer, and my plan is to go to Lightning Source. Although they have higher setup fees than CreateSpace, they offer better distribution to the trade. If you only want to sell your books through Amazon and you plan to release just one title, CreateSpace might be your best bet.

Educate yourself on exactly what you are getting into before you sign any dotted lines. Make sure you understand the difference between subsidy publishing and true self-publishing before deciding on your best way to get your book into print.

Self-publishing expert SUE COLLIER is coauthor of The Complete Guide to Self-Publishing,5th Edition (Writer’s Digest Books, 2010) and the forthcoming Jump Start Your Books Sales, 2nd Edition (Communication Creativity, 2011). She has been working with authors and small presses for nearly two decades, providing writing, editing, production, and promotions work for hundreds of book projects. Visit her self-publishing blog at Self-Publishing Resources.

An Author’s Responsibilities

Friday, April 1st, 2011

I’m flying out to North Carolina today to the Carolina’s Writers’ Conference in Wadesboro. I will luck out—the weather, it appears—is the same there as it will be here this week—mid to high 70s during the day. So there will be no need to carry a heavy coat. Of course, there is often a chill inside during these events because of the air conditioning. So a jacket or sweater will be part of my ensemble.

I’m speaking tomorrow on how to take charge of your book’s success. I hope to instill in attendees the importance of heads-up attention to their projects throughout the writing process and beyond. I will talk about how to produce a viable product rather than simply a nice little book. I will urge them to study the publishing industry and to learn more about their project and how it will fit in with the competition by writing a book proposal.

I can only hope that the authors and hopeful authors will hear me when I say that publishing is not an extension of their writing—it is a fiercely competitive business and should be approached as such.

Here is my tip list reflecting an author’s responsibilities. I recommend that you take time with each tip so that you fully understand their significance.

1: Write the right book for the right audience.

2: Keep your audience in mind as you write.

3: Study the publishing industry so you know how to approach it with your project.

4: Write a book proposal. This is your business plan for your book.

5: Study your publishing options and choose the one that is best for you and for your book.

6: Establish your author’s platform and continue building on it.

7: Understand that you are responsible for promoting your book no matter which publishing option you choose. And that your book will sell for as long as you continue promoting it.

Each of these ideas could be expanded into articles—in some cases, complete books. If you would like more information about any one of these 7 points, let me know and I’ll design a blog post around that topic.

In the meantime, there will be no blog post here for the next two days. I will resume my daily blogging on Monday, April 4.