Archive for August, 2012

Guest Blogging for Authors

Friday, August 31st, 2012

I’ve been asked to contribute regular posts to the BookBaby blog. So watch for my posts at http://www.bookbaby.com

Do you have one or more books to promote? Do you address, inform, educate and entertain your audience through your own well-targeted blog? Do you comment at other related blogs? And do you seek out guest blog opportunities? Whether your book is fiction or nonfiction, or a print or ebook, you should be doing all of the above in order to increase your exposure, thus sales.

How do you know whether or not your blog posts are being read? Yesterday, just since my post appeared at BookBaby, I have received 9 new requests for the free ebooklet I offer at my site. This means that 9 new people have visited my site, are aware of who I am, and know about my books for authors. This also means that, since they must sign up for my ebooklet, I have added 9 names of potential customers to my growing list of around 1,000.

If you haven’t done so, try it. If you have tried it and it didn’t work out for you, come at it from a different angle. Maybe you aren’t clear, yet, about who your target audience is, for example.

I’m going to talk more about this in tomorrow’s post.

To learn more about my books, visit: http://www.matilijapress.com (You can tour this site now on your mobile phone.

To sign up for my FREE ebooklet: 50 Ways to Promote Your Ebook and to learn more about my editorial services, visit:
http://www.patriciafry.com

Information for Authors

Thursday, August 30th, 2012

Good morning. Did you miss me yesterday? I had jury duty. While I was off doing my civic duty (I didn’t get chosen to sit on a jury), a lot was going on in the Matilija Press and SPAWN office.
My guest blog was posted at Book Baby. Here it is:
http://blog.bookbaby.com/2012/08/personality-sells-ebooks

Also, Pubslush is featuring SPAWN (Small Publishers, Artists and Writers Network) at their site. Check it out here:
http://blog.pubslush.com/post/30452945180/workshop-wednesday-spawn

Here’s one of my thoughts as I work on my first ever novel. I can see that there will be a whole lot of back tracking to make sure I’ve been consistent and that everything works. For someone who has spent a good portion of her life writing nonfiction, it is an interesting process working with lies (fiction)—making things up. You know how someone who lies has trouble maintaining his/her story. It seems to be that way when writing fiction. You have to remember what you lied about so you don’t get crossed up. But you still have to make it believable. I think what I’ll struggle with most is devising this story so it isn’t predictable.

I’m really enjoying the process. I’ve always enjoyed my work. But I think I sit at my computer with a smile on my face more, lately.

I still have time to edit your manuscript. Bring it to me when you are ready.
http://www.patriciafry.com

I still have books to sell—many of them useful to your writing and publishing projects.
http://www.matilijapress.com

What Will You Name it?

Tuesday, August 28th, 2012

Some authors come up with titles for their books without much trouble. Sometimes we have a title in mind even before we write the book—a title we are attached to for one reason or another. Other times, we struggle with a title up until the day the book finally goes to the printer—changing it, fretting over it, changing it back…

As time goes on and we promote the book, we learn whether or not we did right by our book title. Here are some tips for coming up with an appropriate title that will help to sell the nonfiction book it is attached to.

1: Your title should pique the interest of the audience. If it is designed for people who want to learn how to bake cupcakes, you’d better make that clear in the title. Using titles such as, “The Baker’s Way” or “Back Home Again,” or “Night Shade” or “Not for Breakfast” might have meaning for you—but if I’m looking for a book on how to bake and frost cupcakes, I’m probably not going to pursue these titles.

2: Your title should speak to the audience. Are they looking for a book to help them solve a problem, learn a technique, make a change, etc? Make sure that the reader knows at first glance that your book will meet their requirements and expectations. “Cupcake-Baking Tips for the Kitchen Klutz” or “Bake and Frost Your Cupcakes Expertly” might appeal to someone who has had cupcake failures or who just want to know more about making great cupcakes.

3: I advise authors to address their audience personally. Use titles such as “Become a Master Cupcake Baker” or “You, Too, Can Win the Cupcake Wars” in order to make your title resonate with your audience. You want the title to evoke emotion. You want the potential reader to say, “I can do this—with the help of this book, I can do this.” If the title is playful, the author who wants a light read with a little humor throughout will give this book a second look.

So take a look at your title for your nonfiction book today and determine whether it evokes emotion, speaks to your audience, tells immediately what the book is about. Or is it generic and mundane—one of those titles that would keep a book from being noticed?

Find many more tips and techniques for preparing your book in my book, Publish Your Book, Proven Strategies and Resources for the Enterprising Author. It’s available at Amazon.com and most other online and downtown bookstores.
http://www.matilijapress.com
http://www.patriciafry.com

Let Your Editor Help You Become a Better Writer

Monday, August 27th, 2012

Do you stress and strain over every word you write? Are your sentences sometimes difficult to form? Do you have trouble writing what you think you want to say? Do your paragraphs seem a little rough when you reread them? Or do you firmly believe that, because you have worked so hard on your manuscript, it is well-written and ready to publish?

If you are a new writer—you’ve never written anything more detailed than an office memo, letters/emails and maybe even the church bulletin—you probably need an editor.

I’ve met only a handful of first-time authors who could appropriately organize and write a meaningful book of any merit without extensive help from a qualified editor.

You may not even know that you are misspelling words or using the wrong words—such as “then” in place of “than” or “too” in place of “to,” for example. You may think that your run-on sentences give your story clarity. You may really like the way you’ve over-described characters and scenes. You may not actually have a clue as to how confusing your writing is until someone shows you the difference.

And what an opportunity to learn! I love it when my clients come to me with a new project reflecting what I previously taught them. Wow! To see writers break old habits, grow in the way they create scenes, improve their ability to portray characters, write better transitions and just write with more consistency and skill, makes my day. And it definitely better positions these authors in this fiercely competitive book-selling market.

If you plan to write a book—and why not, everyone is—start saving up your money or set some aside for an experienced book editor. You’ll be doing yourself and America’s literary health a huge favor.
As an editor, I sometimes get manuscripts after the writer’s friend, a retired college professor or a coworker edits it for free. And I can tell you, I’m immediately aware that this was a total waste of everyone’s time.

My suggestion? If you don’t have the money to pay a decent book manuscript editor, don’t even consider publishing your book. Go ahead and write it if you want, but keep it to yourself. If you dream of being published—it’s truly important to you—then put on your big girl/guy pants and find a way to hire an experienced editor. This step can make the difference between a successful or a failed book.
How do you choose a good editor? Choose someone

• with years, instead of weeks, of experience as a writer, author and editor.
• who comes highly recommended.
• with good references—yes ask for references.
• whose style and work you like—yes, ask for a sample of what they intend doing for you.

And choose someone who knows something about the publishing and bookselling industry. You’ll get so much more for your money.

I may not be the right editor for every project, but I’d like to take a look at yours. Did you hear? I’m dropping my hourly rate to my 2000 rate—$40 instead of $50/hour. This means that it might cost you under $1,200 for me to edit your 200-page manuscript. If you land a publisher, get a review in Library Journal and/or New York Times and/or have your book accepted by a major bookseller, for example, it is well worth the investment, isn’t it?

Email me for a free manuscript evaluation: PLFry620@yahoo.com.

5 More Publishing Mistakes to Avoid

Saturday, August 25th, 2012

Yesterday we explored five publishing mistakes and how to avoid them. Today, we’ll cover five more.

1: Authors neglect to study the publishing industry. To understand the importance of this task and to learn where to go to get the information you need, check out my blog posts for August 23, 2012.

2: Authors decide not to hire an editor. Many authors, by the time they complete their manuscripts and self-edit it, they are more than ready to get it published. Some of them don’t feel they have the money to spend on a professional editor. Some expect to get a good enough editing job through their pay-to-publish company. Still others believe that they don’t need to hire an editor because traditional publishers have editors on staff.

One of the biggest mistakes a hopeful author can make is neglecting to hire a professional editor before approaching publishers of any type. News flash: publishers want to see professionally edited manuscripts.

If you want to enter into the world of publishing, learn something about the business. Study your options and the ramifications of your choices. Define your responsibilities as a published author. You may still make a few mistakes along the way—we all do, but knowledge will definitely save you money and heartache.

3: Uninformed authors blindly sign up for unnecessary services. Some pay-to-publish companies state that they will get your books into bookstore databases and provide a return policy on your books for a fee of around $700-$800.

I have two things to say about that. First, you can get your books listed in bookstore databases nationwide for free. All you have to do is fill out an Advance Book Information (ABI) form. Your book will be listed in Books in Print (BIP). This is one database that bookstores use to order books. If a customer asks for your book and it is listed in Books in Print, the bookstore can order it for that customer. And the listing in BIP is free.

Secondly, the return policy that some publishing services are selling their authors is, in my opinion, a huge waste of money. This policy is no more a guarantee that booksellers will carry your book than a nickel guarantees the purchase of a candy bar.
Authors neglect to consult with professionals.

4: Authors rush into making decisions. Patience is of major importance for an author who expects a high monetary return on his or her efforts. Rush through any of the processes related to your publishing project and you could miss an important step. Take your time. Make sure you understand the process and are making all of the right decisions in the right order.

5: Authors don’t consider book promotion until their book is published. Every book, in order to sell it, must be promoted and promotion is the author’s job. Authors should be thinking about and planning for book promotion when they start the writing/publishing process. Once the book is a book, it will take a great deal of energy and time to pursue the amount of promotion that will sell those books. And this is something that many authors neglect to consider.

Read books such as those I wrote especially for you—Publish Your Book, Proven Strategies and Resources for the Enterprising Author and Promote Your Book, Over 250 Proven Tips and Techniques for the Enterprising Author. They are available at Amazon.com and other online and downtown bookstores.
http://www.matilijapress.com
http://www.patriciafry.com

5 Publishing Mistakes And How to Avoid Them

Friday, August 24th, 2012

It happens fairly often. I meet disgruntled, disillusioned, almost bankrupt authors who admit to making most of the mistakes listed below. They might have wonderful books in hands, but little understanding of the publishing industry and even less marketing savvy. They learn too late that the time to ask questions and study options is BEFORE you begin to make publishing decisions.

First-time authors are eager to see their books in print. I know this. I’ve been there and I’ve made mistakes. As authors, we work long and hard on our projects. The last thing we want to deal with after finishing a manuscript is the learning curve. Rather than spend weeks, months or years searching for a publishing opportunity, we’d rather sign with the first “publisher” who extends a friendly hand.

I’m on a mission, folks—a mission to help hopeful authors become more well educated and informed about this industry so they will make more appropriate choices on behalf of their publishing projects.

Following are 5 mistakes that many new authors make—mistakes that can cost you large sums of money and dramatically diminish your opportunity for publishing success.

1: Inexperienced authors write a book as the first step. Why is this considered a mistake? If you aspire to have your book published and widely distributed, this may be the wrong approach. Whether you’re writing a how-to book, biography, self-help, romance novel, children’s story, mystery, memoir or dictionary, write a book proposal first.

In the process of writing a book proposal, you will:
• Learn if you have a viable book at all.
• Discover whether there is a market for this book.
• Determine your target audience.
• Ascertain the best way to promote your book.
• Be prepared to establish your platform.

Write a book proposal as a first step and you’re more apt to write the right book for the right audience. How better to snag a traditional royalty publisher than with a promising project?

2: Eager new authors often go with the first publishing opportunity they stumble across. You don’t make other business decisions this quickly. You research the possibilities and study your options. Many authors forget that publishing is a business. We get so attached to our projects and so eager to see our books in print that we act emotionally rather than logically.

Learn the difference between a traditional royalty publisher and a pay-to-publish service. You’ll find hundreds of traditional royalty publishers listed in Writer’s Market (available in the reference section of your library or for sale for about $30 in most bookstores. A new edition comes out each September).

Visit bookstores in search of books like yours. Find out who published these books and contact those publishers.

As an author, you have many options. Research them, understand them and scrutinize them in order to choose the one that is right for your project.

3: New authors believe that they don’t have a chance with a traditional royalty publisher. This is simply not true. If you have a viable project, you arm yourself with knowledge and you approach the publisher in a professional manner, you have a definite chance of landing a traditional royalty publisher.

Find publishers who produce books like yours. Study their Submission Guidelines. Follow these guidelines in approaching them with your project. If they request a query letter first, do NOT send your complete manuscript. If you don’t understand what goes into a query letter, study books and articles about writing a query letter. Hire someone to help you get it right.

There are hundreds of small to medium-sized publishers eager for good, marketable books. For example, everyone knows that poetry books are a hard sell. Yet, Writer’s Market lists over 40 traditional royalty publishers who publish books of poetry. There are at least 125 publishers of mysteries and about the same number who produce historical novels. There are over 200 traditional royalty publishers that publish biographies and more than 175 who produce children’s books. Encouraging, isn’t it?

4: Many authors don’t understand publishing terms. Authors will say to me, “I’m self-publishing with ABC Publishing Company.” What they are actually doing is going with a pay-to-publish company. What are your primary publishing options?

Royalty Publisher
A traditional royalty publisher puts up the money for the production of your book and pays you royalties on books sold. These publishers are generally very selective in the books they publish

Self-publishing

Self-publishing means that you establish a publishing company (get a fictitious business name, purchase your own block of ISBNs, etc.). You get your book ready for publication, you hire a printing company, you are responsible for distribution and shipping and you reap all of the profits.

Pay-to-Publish Company
You pay the company to produce your book. Most of these companies will accept any manuscript—they are not generally discriminating. They each enter the publishing arena with very different publishing contracts. It pays to do plenty of research so you know exactly what you’re signing.

5: Newby authors don’t generally solicit advice from professionals until it is too late. Do NOT sign a contract with any publisher or purveyor of publishing services without hiring a literary or intellectual properties attorney. This should go without saying, yet thousands of authors each year bypass this important step.

I also recommend that inexperienced authors talk to other authors who have used the services they are considering. Contact organizations such as SPAWN (Small Publishers, Artists and Writers Network) http://www.spawn.org, Independent Book Publishers Association (IBPA) and Small Publishers of North America (SPAN). Ask questions.

Further, you should read books such as the one I wrote especially for you—Publish Your Book, Proven Strategies and Resources for the Enterprising Author. It’s available at Amazon.com and other online and downtown bookstores.
http://www.matilijapress.com
http://www.patriciafry.com

Tomorrow, we will explore another 5 publishing mistakes and how to avoid them.

How to Study the Publishing Industry

Thursday, August 23rd, 2012

You keep hearing (reading) me and others nag and advise on the importance of studying the publishing industry. Do you really need a whole bunch of information about the industry when all you want to do is produce one book as quickly and easily as possible? Absolutely, unless you have a death wish for your book.

Nearly 80 percent of books produced these days sell fewer than 100 copies total. Now what do you think is different about the 20-some percent of authors who are selling anywhere from 1,000 to a million or more copies of their books? They were more well-prepared to enter the world of publishing. They are making better decisions on behalf of their books. They are actively promoting their books.

And how did they know these things were necessary? You guessed it! In most cases, they learned something about the publishing industry before getting involved.

Sure, there is the rare (and generally well-publicized) circumstance where an unaware author falls into an amazingly successful situation. There are what appear to be the occasional overnight success. For most of us, however, we must pay our dues. And if we want some measure of success as a published author, it’s imperative that we do our homework.

How does one adequately study the publishing industry?
• Read books by publishing professionals. Let me suggest my latest book, Publish Your Book. It’s at Amazon.com and most other online and downtown bookstore. Also read other books by me (Patricia Fry) as well as Mark Levine, Brian Jud, Dan Poynter, Marilyn Ross, Penny Sansevieri and others

• Subscribe to newsletters, magazines and enewsletters related to the publishing industry. Here are my faves:
Publishing Basic
http://www.publishingbasics.com

Book Marketing Matters
http://www.bookmarketing.com

Book Promotion Newsletter
http://www.bookpromotionnewsletter.com

SPAWNews
Free for anyone
http://www.spawn.org

SPAWN Market Update
Membership in SPAWN required
Join SPAWN at: http://www.spawn.org

• Join writers groups that lean heavily toward book publishing and marketing. Also join online groups such as SPAWN (Small Publishers, Artists and Writers Network) http://www.spawn.org

• Attend writers’ conferences. At least attend one—two is even better, if you can manage it. Do an Internet search using keywords, “writers’ conference” and “your city.” Also use the following conference directories to find those that are appropriate. Note: A writers’ retreat is different from a writers’ (or authors’) conference. Check the workshop list and presenters to make sure of the conference’s focus.
http://writing.shawguides.com
http://www.allconferences.com
http://www.newpages.com/writing-conferences

• Follow blogs posted by publishing professionals and successful authors in your genre. Here are a couple of directories that might help you locate blogs that are meaningful to you: And be sure to frequent this blog, as my whole focus is to inform, educate and teach authors and writers.
http://www.blogs-collection.com/directory/writing.php
http://blogs.botw.org
http://www.blogdirectory.net

• Listen to/watch webinars, teleseminars, blog talk radio, podcasts on various aspects of writing, publishing and book promotion. They are all over the Internet.
http://podcastdirectory.com
http://metamosis.com
http://webinarexplorer.com

As you can see, there is no reason why any author should go into the business of publishing without ample knowledge, resources and a healthy understanding of the industry. Sure, it’s going to take time. Definitely, research and study are not the most creative things you could be doing. But if you desire some measure of success as a published author, it is your duty to educate and inform yourself about the industry and your responsibilities as a published author before you take the plunge.

Does Your Book Proposal Represent Your Project? Really?

Wednesday, August 22nd, 2012

I see quite a few book proposals from new authors . And I have to tell you that some of them are spectacular, some are pretty good—just need a little tweaking—and others… Well, some authors just don’t quite get the purpose and intent of the various aspects of a book proposal. This is a shame, because they are probably not addressing the aspects the publisher requires in order to successfully and honestly assess their book project. Nor, in some cases, are they addressing the desires and/or needs of their readers. Does this really matter? Oh yes! It is crucial to your publishing success.

A weak or off base book proposal often indicates that the author does not have a grip on the scope of his or her book. It means that the author may not understand the make-up of his or her audience. And many book proposals I see show that the author doesn’t grasp the concept of book promotion.

What would I advise to these authors? Go back to the drawing board. If I saw the proposal, I would offer suggestions for making it stronger in the eyes of the publisher they hope to attract, of course. But also so that the author him/herself knows more of the basics of writing a book proposal. For example:

• The author needs to know the importance of (and how to) succinctly describing the book.

• She must understand her audience base—exactly who they are and why they would be attracted to this particular book.

• The author has to be able to show what makes his book better or more useful than others on this topic. And this does not mean criticizing the other books or describing them as if you are giving a review. It means simply explaining how your book is different, what it brings to the table that, perhaps, the other book doesn’t and how this will benefit your readers.

• It is vital that authors know something about the publishing industry and how it operates. This includes the fact that the author is the major marketing agent for his/her book. Through your book proposal, you must convince the publisher (as well as yourself) that you have what it takes physically and intellectually to successfully and skillfully promote a book on a particular topic or in a particular genre. If the author does not understand or accept that promotion is his or her responsibility and truly comprehend the full extent of this task, he or she will likely fail.
Over three-quarters of authors today do fail—they sell fewer than 100 copies of their books. The reason is that they were ill-prepared to enter into the vast and excessive competition as a
published author.

So what can you do to better prepare?
1: Study the publishing industry.

2: Turn your book proposal over to a professional before you start showing it around. If you wrote the proposal just for your own purposes—highly recommended—still solicit the assistance of a professional to make sure you are on the right track.

Remember that a book proposal is only useful when it is written with at least a pretty good understanding of publishing and the world of book distribution.

Tomorrow, we’ll go over steps to studying the publishing industry. How does an eager author go about this very important step?

A good place to start, by the way, is with a book I wrote expressly for new and struggling authors: Publish Your Book, Proven Strategies and Resources for the Enterprising Author. It’s at Amazon.com and most other online and downtown bookstores. You’ll also find it and my other books on publishing/book promotion, etc. at
http://www.matilijapress.com

Opportunities and Help for Authors

Tuesday, August 21st, 2012

I got some new cover design samples from my publisher yesterday for my latest upcoming book, Talk Up Your Book, How to Sell Your Book Through Public Speaking, Interviews, Signings, Festivals, Conferences and More. I did not like the cover they had planned for this book and I argued hard against it. They heard me and went back to the drawing board. There’s one design among the three they sent yesterday that I really like. It is unique and attractive—appealing. Can’t wait to show it off to you. They’re telling me the book will be released sometime in the fall. You can be sure I will announce it far and wide. So stay tuned.

This blog site is also the place where you can get advice, guidance, information and resources on the subjects of writing, publishing and book promotion. If there’s anything you want to see discussed here, just let me know: PLFry620@yahoo.com.

If you have a manuscript that needs editing or you’d like an editorial evaluation, contact me. I give free sample edits and free estimates. PLFry620@yahoo.com

Download my FREE ebooklet, 50 Ways to Promote Your Ebook at http://www.patriciafry.com

Order one of my many books for authors. Among them are, 50 Reasons Why You Should Write That Book; Promote Your Book, Over 250 Proven, Low-Cost Tips and Techniques for the Enterprising Author; Publish Your Book, Proven Strategies and Resources for the Enterprising Author; The Authors Repair Kit, Heal Your Publishing Mistakes and Breathe New Life Into Your Book and others.
http://www.matilijapress.com

Also, check out the resources and articles at this website.

Spend some time at the SPAWN website and consider joining SPAWN (Small Publishers, Artists and Writers Network) http://www.spawn.org SPAWN is a networking organization for anyone who wants to publish their works. SPAWN is about the business of writing. Sign up for our FREE monthly enewsletter, SPAWNews.

Email me your publishing and book promotion questions: PLFry620@yahoo.com

If you’d like to know more about me and my work, read my recent interview at the Dabbling Mum website:
http://thedabblingmum.blogspot.com/2012/08/interview-with-patricia-fry.html

How Do You Write Fiction?

Monday, August 20th, 2012

How do you go about writing a story? Do you have a technique for writing a short story or a book that works for you?

Do you have a plot and characters in mind when you start to write? Or does the plot develop as you write and do the characters emerge over time?

Do you know timelines and ages, etc. before you start writing or do you figure these things out as you proceed?

Do you outline the book and then write it? Or do you just start writing and watch the story take shape?

Do you think about your plot and characters a lot when you are away from the computer? Does this help or hinder your progress with your story?

When you recognize that something in your story isn’t ringing true, do you fix it then or wait until you’ve finished fleshing out a scene.

Do you stop to research small questions while writing or do you make notes to conduct this research later.

How important is the flow of the story? In other words, is it important that you keep writing and worry about questions and problems later?

How do you keep characters and the progress of the storyline organized? Do you have pages of notes, note cards, a wall chart?

A whole lot of fiction writers would like to know. Would love to have you share.