Archive for September, 2012

Open Up to Experiences and Enhance Your Writing

Sunday, September 30th, 2012

I’m back from my vacation feeling more worn out than when I left. I’ve come to the conclusion that travel exhaustion is just different from work exhaustion. And it’s good to get vacation tired occasionally as a break from work-related tired. Does this make sense or am I losing it?

When I left for San Antonio last week, I was seeking relief from the mental stress of my day-to-day work and life-sustaining activities—you know, eating healthy, walking daily, keeping up with obligations, enjoying friends/family, etc. Now, I am eager to return to the life I’ve carved out for myself and leave the stress of travel behind. It is refreshing to leave the house in the morning and know where you are going—no more maps to figure out, no discussions about the days plans, no more decisions about where to eat, no concerns about what to wear and what to carry for a day of sightseeing in a strange place.

All I can say is that I had a great time doing the San Antonio river walk, and I am ready to dive back into my work—well, after a little adjustment to the time difference and the pace.

So did I come back renewed and with some new perspectives and information that I can use in my work—in my life? Certainly. Not sure what, yet. But you will be among the first to receive any tidbits of wisdom or perceptions I brought home as I often share such things in this blog.

One thing I know is that everyone else in the world carries on with their lives even when you are on holiday. So while you are traveling or sightseeing, there are hundreds of people doing their jobs and you have the opportunity to connect with many more skilled, service, helping, etc. people that you might not otherwise meet. And, whether you know it at the time or not, many of them make some sort of impression on you. And some of them can actually help you with your writing—either through what they taught you or shared with you or how they affected you or touched you. The experiences we have, no matter where we are or what we’re doing, have an impact on us as people as well as writers. Sometimes this is obvious to us and other times we may not even know (or remember) that it was the waiter in the hotel dining room or the tour boat guide or the gardener at the zoo who gave us something of value we can use in our lives or in our writing.

My message today—as weary as I am on my first day at home—is go after the experience. Open up to people and situations and relish the jewels that may result.

In the meantime, I know that some of you are still struggling within the publishing or writing realm You are trying to write a book or you are ready to publish and do not know where to start. Please stop—step back and educate yourself before diving into this highly competitive field. You will be so glad you did.

You’ve already started the process by reading this blog—be sure to spend some time in my archives. Oh my, you will find some amazing information and resources. Then order and read my book, Publish Your Book, Proven Strategies and Resources for the Enterprising Author. It should be your first responder and your most trusted guide through the tangled publishing maze. Order it at Amazon.com in print or Kindle or at most any online or downtown bookstore. You can also order it at my website: http://www.matilijapress.com

Contact me personally: PLFry620@yahoo.com

3 More Tips for Starting Your Writing Career

Saturday, September 29th, 2012

I hope that those of you with a desire to write for a living or to supplement your income, studied the three tips I offered a couple of days ago. They may seem simplistic, but if you want to be a writer and it is not happening for you, perhaps you need to pay serious attention to those three tips. And here are three more:

4: Use your time wisely. Becoming a successful freelance writer takes discipline and realistic scheduling. Failure comes to those who procrastinate, who have trouble prioritizing tasks and who are easily distracted. Those who succeed in this business have found a way to organize their lives and discipline themselves.

5: Just start. It isn’t easy to transition from full-time office worker to full-time writer. Most of us don’t have the funds to support us while we build a new business. I didn’t always have 12 or even 8 hours each day to spend working my freelance writing business. I built it over time. For any of you who are interested, here is my story:

I started writing articles for magazines from a corner of my bedroom using a manual typewriter in 1973. Thirteen years later, however, it became necessary for me to take a full-time job. I’d just spent 5 years researching and writing a comprehensive local history book and self-publishing it. So funds were low and my lifestyle was in transition.

How I missed writing. While I had a good job with lovely people around me, I hated working for someone else—on someone else’s agenda. And it looked as if this would be my future. I became despondent. That’s when I realized that I had to find a way to write no matter what else was going on in my life.

I started getting up at 4 every morning and writing before I went to work. Then I would write on weekends. I completed an entire book in 8 months on that schedule. I can’t even begin to describe how happy and fulfilled I felt. But I wanted more. I wanted to come home and establish a writing business that supported me spiritually as well as financially. So I began using that time in the wee hours of the morning to submit articles to magazines—remember, this was before the ease of the Internet. Within a year, I was able to quit my job and come home to write. And I’ve never looked back.

6: Write what they want. You have to go where the paying work is and accept the jobs that are available. While I never compromised my values in order to get paying work, I have certainly had to take some challenging and sometimes not very interesting jobs in order to keep the flow of money coming my way.

I’ve seen too many writers so bent on making their own personal statement or doing things their way that they get nowhere in this business. If you want to make a living or even earn some part-time money as a writer, you have to go where the work is and write what is needed/wanted. Write about things that are current, popular or even a bit provocative or controversial.

It takes more to become a full-time writer than just dreaming about it. If writing full-time is your dream, read and reread the six points I’ve offered and use them to finally fulfill your passion.

Read my book, A Writer’s Guide to Magazine Articles. Available here for $6.50
http://www.matilijapress.com

PLFry620@yahoo.com
http://www.matilijapress.com
http://www.patriciafry.com

3 Tips That Will Jumpstart Your Writing Career

Thursday, September 27th, 2012

Would you like to establish a career as a freelance writer? Do you dream of writing full-time? Follow the suggestions below and your dream could become a reality. Here are three tips to help you break through the barriers that are keeping you from pursuing your dream. (I’ll post 3 additional tips within the next few days.)

1: Spend time writing whether it is convenient to do so or not. Your routine is important to you. In fact, it probably represents your comfort zone. To step outside of this zone, even to pursue something you want to do, often causes some discomfort. You have choices. You can give up your dream of writing or try easing into the writing realm. How? Make writing a priority and you will find the time.

2: Make time to write. Usually this means making some sacrifices. What are you willing to give up in order to write? Sleep, TV, Internet surfing or perhaps overtime at work?
Get up an hour earlier or stay up an hour later and spend this time writing. Turn off the TV more often. What may feel like a sacrifice at first, will become part of your new writing routine. If writing is your passion, you will soon feel blessed to have the time to write rather than feeling deprived of time in front of the TV.

3: Be realistic about your writing choices. Perhaps your true dream is to support yourself by writing stories for your favorite romance magazines. Or maybe you’d like to become a novelist. It is extremely difficult to break in as a career writer of fiction. If fiction is your writing bag, I strongly urge you to set that dream aside for now and pursue a mode of writing that is more likely to produce the monetary results you are seeking.

Here’s what I recommend: start writing articles for magazines, seek freelance writing work in corporate offices or on the Internet or produce some how-to booklets on topics related to your expertise, for example.

PLFry620@yahoo.com
http://www.matilijapress.com
http://www.patriciafry.com

A Respite From Writing

Tuesday, September 25th, 2012

I’m traveling this week with my junior high girlfriend—yes, we’ve been friends since 8th grade and we’ve had many adventures together. We’ve shared the passages of our lives. And I’ve used some of our stories in my writings—probably not so she would recognize them, however, because generally I just extract various attitudes, perspectives, impressions and lessons from them.

I’m sure that you do this in your writing. You have learned a lot over the years from some of your experiences. Whether you know it or not, you use phrases, points, ideas and even entire storylines from your life events and activities and lessons.

The next time you balk at taking time off from your writing or you feel neglectful because you do, consider all that you could ultimately bring back to your writing.

• A fresh outlook—renewed energy.
• New ideas and storylines for your fiction or nonfiction work.
• Unique phrases and points of view from those you meet.

If I discuss writing or publishing with a stranger, for example, I often walk away with a new blog post, article or even book in mind. When I’m doing a book festival or I’m out speaking to authors, I carry a pen and pad to jot down all of the ideas that occur to me from audience questions, discussions with authors, etc.

I have several more days of travel and adventure here in San Antonio and I’m eager to see what might inspire new writings when I get home.

PLFry620@yahoo.com
http://www.matilijapress.com
http://www.patriciafry.com

Is it Ever Too Early to Start Promoting Your Book?

Monday, September 24th, 2012

Some people try to keep their book a secret until after it’s published. Authors do this because they may be embarrassed to tell anyone they are writing a book. What if they can’t actually finish it? What if the book doesn’t turn out as they envision? What if they never get it published?

Others are afraid someone might steal their idea and produce a book on their subject or the theme of their novel or children’s book. They want to be the first (and only) to publish a book like this.

I can see where these authors are coming from. But I also believe that these attitudes can get in the way of a successful book project. We need to be talking about our books in progress—letting friends, family, acquaintances, colleagues, coworkers, strangers know that we’re coming out with a book that will help them get a better night’s sleep, decorate on a budget, or get along better with employers, for example. We should be priming readers for our amazing romantic mystery, adventure novel or children’s activity book.

Don’t you know that your job as a book promoter will be easier if your audience already knows something about your book when you approach them with your promo material? If they’ve been waiting for it, they may buy it as soon as it comes out. It’s those people who never heard of you or your book who will need to be convinced to even consider buying it. The thing is, if you wait until your book is a book to start talking about it, promotion will be much harder and take much more effort and time.

So there’s a lot to be said for taking a risk and talking about your book, even though you fear that someone might try to copy it (which is pretty far-fetched). And it makes sense to risk embarrassment and shame in case you don’t ever finish your book if it means that you have a large following ready to purchase your book when it does debut.

That’s why I’m going to share this with you.

I finished the first draft of my first novel yesterday. There’s more work to be done on it. I have left it for someone to read and I will finish the writing sometime this fall. I’m already thinking about sequels. I have also been working on my description. Here’s my first attempt at that:

The Klepto Cat Mystery
When Savannah Jordan agrees to help her aunt recover from a broken foot, she doesn’t expect to walk into a mystery, become part of a surveillance team, be kidnapped by a deranged stranger and fall in love with the local veterinarian. Beloved neighborhood cats are missing—the community can only guess at their fate—and Aunt Margaret’s life is being threatened. Is it because she has the clue to the missing cats or is it something more sinister?

If you like light mysteries with only a little terror, if you’re infatuated with interesting cats and if you love a love story, you may want to read this book.

Let me know if you’d like to be put on my mailing list to be notified when this book is published: PLFry620@yahoo.com

For Patricia Fry’s showcase of books
http://www.matilijapress.com

For more about Patricia Fry
http://www.patriciafry.com

Visualization Can Be Useful in Writing Fiction

Sunday, September 23rd, 2012

Can you visualize your characters? Not everyone has the ability to picture things in their minds. But this is a good skill for a novelist to develop. Why? You’re more apt to develop a realistic character. And your characters will be more likely to remain in characters throughout your story.

I’ve edited novels wherein two or more characters used the same terminology—often starting their sentences with “Well…” or using a pet phrase such as, “My point is…” (which you hear often on the TV show, 2 and a Half Men). As authors, we have to be careful not to bring too much of ourselves into our stories—at least when we’re fleshing out several characters. In other words, make sure each character is as different as you are from your sister, neighbor, friends, coworkers and former classmates, for example.

It helps some authors to create character boards or cards. List the traits, description, idiosyncrasies, habits, speech patterns, favorite terms, etc. of each main character and refer to this chart or list often as you refine your story.

Once you have created your key characters, visualize them—their way of speaking, mannerisms, dress style, etc. and bring these differences to mind each time you use them to move your story forward—that is each time you have that character speak, respond or take some sort of action.

PLFry620@yahoo.com
http://www.matilijapress.com
http://www.patriciafry.com

Your Reader Reviews

Saturday, September 22nd, 2012

How do you go after book reviews? Do you hope that reviewers will find you? Do you know how to locate book reviewers and contact them? There are numerous book review directories, for example, and you’ll find individual reviewers’ websites online. Also, you can locate book reviewers by studying the amazon.com pages for books similar to yours as well as these authors’ website pages, to find out who is reviewing their books.

Most book reviewers do not charge for reviewing your book. I’ve had probably over a hundred reviews over the years and I’ve never paid for one.

There are also peer/reader reviews. Amazon.com invites readers to review the books they’ve read. I just wrote such a review this morning for a novel I read. Sometimes I just remember on my own to write a review for a book I particularly liked. But this time, the author posted a plea for reader reviewers at a discussion group I belong to. I’d read the book and liked it, so I wrote a brief review and posted it at Amazon and shared it with our mutual list.

Why did I go to the trouble and take the time to do this? Sure I am busy like the rest of you. But I did this for a fellow author—to help and encourage her. I also did it for myself. I am working on a novel and I hope that other authors who read it will review it.

What do reader reviews do for you? Some readers are swayed to purchase a book because of a review. More of them are swayed by many positive reviews. So if your book happens to have dozens of peer reviews posted at Amazon.com, it is featured in several magazines read by your audience, colleagues post it at their sites as recommended reading, etc. you are definitely going to make more sales. How do I know that? Because the more people who know about your book, the more sale you will make. Doesn’t that make sense?

So if you have been timid about soliciting reviews for your book and if sales are weak, maybe it is time to step up and start asking readers, friends, colleagues, appropriate organization leaders, appropriate magazine editors, etc. to write a brief (or elaborate) review of your book and post it where your potential readers will find it.

For more about how to solicit book reviews, be sure to read Promote Your Book, Over 250 Proven Tips and Techniques for the Enterprising Author. It’s at amazon.com and most other online and downtown bookstores. You’ll also find it here:
http://www.matilijapress.com

The Writer’s Obligation

Friday, September 21st, 2012

How often have you heard this advice: Write about what you know? And most people, I think, heed it. Some of us write about what we want to know. Well, if you’re writing articles for a living, for example, you will run out of topics and will have to seek out new ones. Right?

I’ve had people tell me it is stupid to write about what you know because anyone can do research. But I can tell you that I’ve done a whole lot of research even related to things I know well. Research is not just for those who are writing about something quite foreign to them. There are always aspects of topics we are familiar with that we need to look up or refresh our memory about.

Since I started dabbling in fiction, I’ve discovered how important it is to write about what you know in this medium, as well. Even though you are making up a story, it has to ring true to your readers. You can’t just go into a fantasy mode and create a world that doesn’t make sense—unless, of course, you are writing fantasy. Still, if there isn’t a thread of truth—logic—to it, readers will lose interest.

A romance should develop at some sort of believable pace. The killer needs to have a good motive for doing the bad deed. The emotions expressed by a character should be in proportion to the incident supposedly perpetuating them. Sure some people overreact to things—it’s okay to write a drama queen into your story. And there are situations where bizarre behavior is believable. But when we are creating a whole world full of characters, places and situations, readers need to feel that they are a part of it and they won’t if they can’t buy into this world emotionally or aren’t curious enough about it to keep reading.

There has to be a buy-in benefit for your readers. They keep reading either because they can relate, they’re hooked by the unfolding of events—the storyline, they want to know more about this sort of lifestyle or the nonfiction theme of the book or they are simply enjoying the reading experience you’re giving them.

I read through an entire book on my Kindle this week simply because I thought the beginning was so magnificently constructed. I re-read the opening page a couple of times because it was so clever. I did not enjoy the characters or the story beyond that. But kept reading in hopes that the story would fulfill me based on that great beginning. It never did. I was glad to be finished with it. I will note this author’s name and make sure not to order anymore of his books. So his clever opening did not do him any favors as an author, as far as I am concerned. If I were his publishing consultant, I would say, “GREAT job with your initial hook. Now, let’s work on your way of telling a story.” I would suggest that he pay closer attention to the reader’s experience and the writer’s obligation to the reader.

Do you take your obligation as a writer seriously? We all should. If we write fiction, we must cordially invite the reader into the story. For nonfiction, the reader must be able to navigate your how-to, informational or self-help book (for example) with ease.

Send comments to me at: PLFry620@yahoo.com

Check out my showroom of books:
http://www.matilijapress.com

Learn more about me and my work
http://www.patriciafry.com

The Shift from Fiction to Nonfiction

Thursday, September 20th, 2012

I think most of you know I am writing my first novel. What a very different exercise in writing. I am so enjoying the journey and am learning a lot. I must say, I am also gaining tremendous admiration for those of you who write fiction so eloquently and seemingly easy.

There are fiction writers who, at some point in their career, decide they want to write a how-to, self-help or informational book related to an interest or special knowledge they have. You might realize, after years of writing fiction, that you have something to teach or share. Or you have been seeking a book on a topic of your interest and can’t find one, so you’ve decided to write one.

It looks easy. But, for someone who is accustomed to writing fiction or children’s stories, nonfiction can be a challenge. What should know before attempting a nonfiction book?

• You must consider your audience just as you do when developing a novel. Give your reader what they need/want. What is missing out there? What information is not currently covered in books? For example, you might be well-versed in vegetarian cooking for a family and you want to share some of your recipes and tips for cooking vegetarian. Your recipes might be unique. But is there an angle you could take with your book that isn’t being covered—something that would make it stand out from the others? Maybe it would be vegetarian cooking for preschoolers or easy vegetarian meals with plenty of nutrition for seniors. The point is, make sure there is an audience for your nonfiction book before you go to work on it.

• Just as plot and the flow of the story are important to a novel, organization is vital to a nonfiction book. Make sure you present the various aspects, steps, information in the most organized manner so that your reader can easily absorb and learn from the material. If you are writing a book on how to bathe a cat, you might start by discussing why you would bathe a cat—what you would hope to achieve—how often it should be done, the types of problems that might occur when bathing a cat, for example. And then list the supplies you’ll need, the type of tub that you would recommend and then the technique. You could follow up with a trouble-shooting section. Strive for logical organization of your nonfiction book or article.

• While listing instructions can be second nature to someone who is used to writing how-to material, it isn’t always easy for the novelist or children’s book author to manage. This is why I suggest hiring an editor who is accustomed to editing and writing nonfiction. But first, you might ask friends to read some of your lists of instructions for their comments and suggestions. It’s especially helpful to run a how-to book on the subject of gardening, for example, or horseback riding by someone who does not garden and who has never ridden a horse. If they can make sense of your instructions, you are probably on the right track.

I encourage writers to work within their area of expertise as much as possible. But if you desire the experience of stepping outside your comfort zone and writing in a new genre or category, be smart. Take with you, the basic skills, but be willing to learn and use new (to you) techniques in order to make your writing experiments work well.

Contact me with your comments and your editorial questions:
PLFry620@yahoo.com

Visit my showcase of books
http://www.matilijapress.com

Check out my services and download my FREE ebook
50 Ways to Promote Your Ebook
http://www.patriciafry.com

Meetings With Clients

Wednesday, September 19th, 2012

Do you work with clients? More writers and authors do than ever before. But then there are more authors and would be authors than ever before. If you’ve worked with authors—as a book shepherd, editor, consultant or what-have-you—for very long, you’ve no doubt met all types of them with many different needs, projects, expectations and quirks.

While some want validation and handholding, others may desire information and all the tips you can share. Some need direction, others hope to get secrets to success. Some of them don’t know what they need. They may ask for a manuscript evaluation—they want you to tell them they’ve written a good story. But their manuscript might truly need serious editing—something they don’t want to pay for. Editing doesn’t come cheap, but the value can be well worth the expenditure.

Some potential clients don’t want to hear about book promotion or any other foreign or time-consuming endeavors. It’s up to the consultant to help the client understand the whole picture, but some of them simply don’t want to look at it.

I had someone call me a few weeks ago. He wondered how he got my business card. He didn’t know if someone gave it to him or if he picked it up somewhere. He wanted me to tell him how he got my card. I didn’t have a clue, especially since he said he’d had the card for a long time.

He asked if he could meet with me. He was in town for an hour or so—could we meet? I asked what he had in mind—how I could help him? He said, “Well, I think I want to start writing. I’d like to hear what you have to say about that.”

I explained to him that most of the time I can respond to questions via email and that I don’t generally meet with someone without knowing what they hope to gain from a meeting with me.

He said that he was just interested in maybe starting to write, that’s all. And he thought that if he saw me he would remember where he got my card. He asked me how I am with faces—if I might recognize him if I gave him my card. I mean, really????

I told him I wasn’t going to be able to meet with him that day. He said that next time he’s in town, he’ll call me.

Can you imagine? He was so curious about where he got my card that he wanted to meet with me to see if he recognized me and would then remember whether I handed it to him. Maybe he picked it up off of a public restroom floor, for all I know. I wonder if it occurred to him to follow the link on the card, go to my website and look at my photograph.

I generally screen people pretty carefully before I meet them and that is mainly in an attempt to save both of us time. Sometimes people are reluctant to tell me why they want to meet with me. I think that often they don’t know. They just hope that I will have some words of wisdom for them—something they actually want to hear (which isn’t always the truth). Sometimes they just want to tell me their ideas—talk to me about their project. I have one client who pays me an hourly fee to speak to me for exactly an hour by phone and he always uses that time to tell me what he’s been doing. When he lets me know the time is up, he is in exactly the same position he was when he called because he didn’t ask me for any advice or suggestions. He just talked.

Sometimes people want to talk to me about something I can’t really help them with. If they are upfront in their emails about what they want to discuss, I can let them know whether this is something I can help them with or not.

I love helping authors with their projects. And there is much I can offer in the form of editing their fiction or nonfiction manuscript, helping them with their query letters or book proposals, advising them with regard to promoting their book, for example. But there are some things I won’t discuss with them. I especially won’t meet with you just so you can see what I look like.

I have turned off my comments, but would still love to hear from you. Contact me here:

PLFry620@yahoo.com
http://www.patriciafry.com
http://www.matilijapress.com