Archive for November, 2012

As an Author, it’s Not About You

Saturday, November 17th, 2012

I told you yesterday that I would talk about some of the reasons why I recommend writing a book proposal before writing the book.

The thing is, just sitting down and writing the book YOU want to write may result in failure for you and your book. Think about it. If you consider your desires rather than the desires and needs of potential readers, you could wind up with a book that won’t sell. This happens to more people that you can even imagine. Or perhaps you decide to spend the next eight months or year writing the book of your dreams and eventually discover that the market is inundated with books like this—there is no room for another book on this subject, written in this way. Maybe there is a glaring need for a book on a topic you could cover. If you don’t write a book proposal, you may miss this opportunity.

If you’ve been following my blog, you’ve “read” me say that a book proposal is a business plan for your book. And one of the first things you need to think about when you decide you want to write for publication is, “Is there a market for this book?” The book proposal will help you to answer this question and even tell you who your audience is, how many of them there are and how to reach them.

If you go to the trouble of developing a business plan for your book (write a book proposal) before you write the book, you will be more apt to write the write book for the write audience.

A book proposal will also help you to gear up for the monstrous task of book promotion. Through a well-devised book proposal, you will learn, as I said, where your audience is and how to reach them, but also what skills, connections and sources of exposure you have that you can use to promote your book and what you need to add to your book promoters’ toolkit.

Whether you want to write a novel, children’s book or nonfiction how-to, informational, self-help book or memoir, write a book proposal before you begin the writing and you will have a much greater understanding of how to proceed and what to expect.

Is there anyone reading this who can attest to this advice firsthand?

For those who write fiction, please do not tell me that by considering your audience first, you will lose your muse—that it is more important that you write from the heart. By all means, you can write from the heart—write what you want—to a point. But if you forget about your audience—discount the fact that you are writing this to be read—you may find that you are not communicating well with your audience. Especially if you are new to writing and you’ve never written a novel, you may tend to leave your readers behind. Your writing might lack clarity and continuity.

The writer has a huge responsibility toward his or her audience and taking the time to write a book proposal can help you to understand this responsibility more clearly and accurately.

Along with developing a book proposal, it is recommended that authors read books in the genre/topic he or she wants to write about. Dissect the contents and organization of nonfiction books. Consider what makes a cozy mystery or a thriller work. What is it about a memoir that makes it popular with readers?

Authors it’s not about you—not when you decide to start writing for publication. It’s about your audience. Take steps to understand your particular audience and exactly what they respond to.

For more of this type of wisdom, information, knowledge and resources, please order my latest books: “Publish Your Book,” “Promote Your Book” and “Talk Up Your Book.” They are available at Amazon.com and most other online and downtown bookstores as well as my website: http://www.matilijapress.com

Sign up for my online book proposal course and I will walk you through the process. At the end of the course, you could have a completed book proposal. Sign up here: http://www.matilijapress.com/course_bookproposal.htm

Your Author’s Library

Friday, November 16th, 2012

What does your author’s library consist of? Do you purchase books using a system—you seek out books on certain aspects of writing, publishing and book promotion? Or do you pick up books as you see them. Most authors have multiple books on these topics. And this makes sense, since different authors have varied expertise and have had different experiences. Not only that, there are books for beginners and others that might be more suited to the seasoned author.

Most novelists’ libraries have several, if not dozens of books on writing fiction. And this is good—there are many theories and methods of presenting techniques. Every author, at any stage of the process, should have books on publishing. If you plan to publish the book you are writing, you need to be studying the publishing industry. This is usually number one on my to-do list for any author who decides he or she wants to write a book on any topic or in any genre. Of course, I recommend “Publish Your Book, Proven Strategies and Resources for the Enterprising Author,” (Allworth Press, 2011). This is the revised and updated version of my “Right Way to Write, Publish and Sell Your Book,” (2007 and 2008).

I review books for authors, and I have not come across any other book that covers the industry and the author’s participation in it as completely and thoroughly as this one. (My reviews appear in SPAWNews each month. Subscribe FREE here: http://www.spawn.org and get a FREE ebooklet, “Promote Yourself! 25 Ways to Promote Your Book Whether You Are an Author, Artists or Small Publisher.”)

You need books on book promotion. I recommend that you delve into several books on book promotion throughout the course of writing the book and after–for as long as you want that book to sell. Certainly purchase three or four books on basic book promotion, plus books that specialize on Internet promotion, personal appearances, getting radio interviews and so forth. Those specialty books in areas you want to pursue or that you are a bit timid to pursue can be most valuable. Consider my book, “Promote Your Book, Over 250 Proven, Low-Cost Tips and Techniques for the Enterprising Author,” (Allworth Press, 2012). This is an amazing basic book on book promotion. It is a revised, updated version of a book I wrote in 2000, “Over 75 Good Ideas for Promoting Your Book.”

For a specialty book on using your personality to promote your book, you must consider my latest book—the one-of-a-kind book—”Talk Up Your Book, How to Sell Your Book Through Public Speaking, Interviews, Signings, Festivals, Conferences and More,” (Allworth Press, 2012).

You might also purchase a book on writing a book proposal, if you feel you need one. I recommend writing a book proposal first—yes, before you write the book—in order to get your bearings within the publishing industry. (I will go into the reasons why—how you can expect a book proposal to increase your chances for publishing success in tomorrow’s blog.) I recommend, “Write the Perfect Book Proposal” by Jeff Herman and Deborah Levine Herman and “How to Write a Successful Book Proposal” by Patricia Fry. There are numerous others.

I also offer an online course on writing a book proposal. http://www.matilijapress.com/courses.htm

Authors should have a good style and grammar book at their elbow while writing and self-editing their books. For authors, it should be the “Chicago Manual of Style.” It is pricey, but worth the money.

All of these books are available at Amazon.com and most other online and downtown bookstores. Patricia Fry’s books can also be purchased at http://www.matilijapress.com

Resources for Getting Your Book Reviewed

Thursday, November 15th, 2012

BookBaby has posted my blog on selling books through conferences. Link below. This post is actually partially excerpted from my latest book, Talk Up Your Book, How to Sell Your Book Through Public Speaking, Interviews, Signings, Festivals, Conferences and More.
http://blog.bookbaby.com/2012/11/how-to-sell-books-through-conferences

Did you notice there are three reviews for this book at Amazon.com now?

Have you ever wondered how to get reviews for your book? You ask for them. Who should you ask?
• Those who contributed to your nonfiction book.
• Colleagues and experts that you consulted while writing the book.
• Professionals within your field or writers in your genre.
• Program directors for some of the events where you’ve spoken.
• Friends and readers of your previous fiction or nonfiction works.
• Reviewers for publications related to the topic/genre of your book.

There are also many book review sites online. Most of them do NOT charge. You should not have to pay for a book review. If you are doing your job to become known by your readers, you should be able to call on many of them to give you a testimonial and/or write a review. If your book is decent, you should be able to get some of the online book reviewers to review your book.
Here are a few book review directories:

http://acqweb.org/bookrev.html
http://diryahoo.com/arts/humanities/literature/reviews
http://www.stepbystepselfpublishing.net/free-book-reviews.html
http://hampton-networks.com

Here’s another tip: If you write reviews, testimonials or blog posts for other authors, they are more apt to do the same for you.

http://www.matilijapress.com
http://www.patriciafry.com

Speaking Glitches and Hitches

Wednesday, November 14th, 2012

Yesterday we talked about speaking outside the club and using speakers bureaus. I want to tell you about a strange situation I got involved in some time back related to someone arranging speaking gigs for me.

I have a couple of people who act as minor players in finding speaking and interview opportunities for authors. One gave my name to a gentleman who does teleseminars and he contacted me via email. He asked if I’d be available to sit on a panel of other experts for a teleseminar on a certain date. He also gave a few other possible dates. I immediately replied that the first date was bad—I’d be traveling that day. And I let him know which of the other dates would work for me.

I never heard a word from him.

The day before the original date he had given me—as I prepared to pack for my trip—I received an email from him saying that we were on for the following day and he gave me the instructions for calling in, told me what the subject was, etc. Yikes! I replied to his email saying, “NO, I told you that I was not available that day and I chose one of the other dates you offered to do this. I can’t participate tomorrow, I’ll be in the air on my way to San Antonio.”

I never heard another word from him. I was stunned. I felt bad because I do not leave interviewers or program directors in the lurch. I contacted one of the other people listed for the panel—someone I know. She said she had the same problem. She, too, had replied to his original email telling him she could not do the gig on that date. She never heard from him and then, all of a sudden, here was this email asking her to prepare for the teleseminar scheduled for the next day.

Still, I have never heard anything from this person. I did let the woman who told this guy about me know what had happened. Wanted her to know I wasn’t letting her down—but there had been a giant lack of communication with this guy. Her response was, “What do you want me to do?” Nothing—just thought she should be (and would want to be) aware.

Strange situation. But then, I have been in this business long enough that I have had many of them. If there is an exception to a rule related to writing and publishing, I’ve probably experienced it.

Sales for Talk Up Your Book are zooming. The ranking for this brand new book at Amazon is improving markedly. Thank you to those who have bought it. Did you notice we now have 3 reviews posted at the book page at Amazon. Talk Up Your Book is available at my website as well as amazon and most other online and downtown bookstores.

http://www.matilijapress.com/TalkUpYourBook.html

Have You Joined a Speakers Bureau Lately?

Tuesday, November 13th, 2012

There are speakers bureaus with many different agendas, purposes and programs. But the main focus of a speakers bureau is to provide opportunities for speakers as well as to provide speakers for various activities and events. Corporation and organization program directors often turn to speakers bureaus to locate appropriate speakers for their conferences, conventions and other events.

Most of us think of speakers bureaus as providing big name entertainers and accredited speakers who can attract large audiences and big bucks. And some do. But there are also many speakers bureaus that accommodate speakers and entertainers who don’t charge or who charge minimal fees.

While some speakers bureaus have serious criteria for their members and promote only the most accomplished speakers, others may form strictly as a courtesy. Many speakers bureaus focus on a type of entertainment or a theme—comedy, motivational, inspirational/spiritual, for example. Or they promote a certain topic. A speakers bureau might place only speakers who have something to say about water issues in the community, historic preservation, aviation, politics, and so forth.

The National Coalition for the Homeless sponsors speakers to go out and educate the public on homelessness. The Maine State Bar Association has a speakers bureau as does the Professional Womens International Organization, Southeastern Guide Dog Association and the Colorado Society of CPAs. Publishers have speakers bureaus for their authors, some museums have speakers bureaus and many Toastmaster districts have speakers bureaus for their members.

So, while some speakers bureaus are formed as a courtesy to speakers and program directors, others are designed to get word out about their agenda

If you are interested in public speaking, entertaining audiences, promoting your book through speaking engagements or helping to promote a cause, you might seek out a speakers bureau to help you get gigs. Just use your old friend Google, typing in keywords, “speakers bureau” and then the theme or your presentations or your city name, for example.

Read more about speakers bureaus, how to locate them, how to work within them and specific bureaus you could contact in my latest book, Talk Up Your Book.

The thing is, personality should play a huge role in the promotion of your book and this book will show you how. It’s available at my website, http://www.matilijapress.com and at amazon.com and most other online and downtown bookstores.

Book Promotion: When is it Overkill?

Monday, November 12th, 2012

Many of you are published authors with books to promote. In the process of promoting your books, do you ever think about the various levels of promotion? Have you wondered when promotion becomes obnoxious? When is it promotion and when it is in-your-face-pushy, aggressive marketing?

We all complain about SPAM. But SPAM, after all, is simply advertising. It’s junk mail. Only instead of coming in your tin mailbox, it lands in your bulk email box. SPAM is a nuisance, for sure. For those of us with very busy email boxes, it can interfere with real work and the receipt of real email.

SPAM is so annoying that those of us with books to promote hesitate using email to spread the word about our books. We wonder, is it appropriate to promote our books through email? Should you promote through email only to people you know? What about people you’ve met in passing—those whose business cards you’ve kept? Is it still considered SPAM when you send your message individually to one email box at a time? If you send to multiple email addresses, should you use the blind copy function or is it best to reveal the other recipients? How many people can you email your promotional material to before it is considered SPAM?

Is it cool to sign up for message boards and chat rooms in order to promote your books? Is it okay to send your book announcement to the people whose websites you visit?

What about promoting outside of the computer—the old-fashioned way? As an author, you’re told to talk about your book everywhere you go. But when is enough, enough? How much is too much promotion among your family, friends and acquaintances?

If I decided to send my Christmas cards early along with a note suggesting some of my books as gifts, is this overkill? Will my efforts be well received?

I believe that it depends on the individual you’re approaching. While some people will lambaste you for sending them an email announcing your book, others will warmly thank you. While some will be insulted to find an advertisement in their Christmas card, others will be thrilled that you made the suggestion.

There’s no pleasing everyone and it’s futile to try. I believe that it is more important that you find your comfort level with promotion than to worry about what others are going to think. Once you’ve established and implemented a promotional plan, stretch some and strive to expand your level of comfort. It’s a process of setting a goal, reaching the goal and then raising the bar. And don’t try to second-guess potential customers to the point that you talk yourself out of some valuable promotion.

Last year, I received an email notice from a SPAWN member telling about her newly revised book. I placed an order that day. When the author received my order, she emailed me and said, “I almost didn’t send you my announcement because I knew that you were already aware of my book.” What she didn’t know was that the first time I heard about her book, it sparked an interest. I saw it at a book festival and made a mental note to purchase it sometime in the future. When I received her announcement, the timing was right.

I think this is a good lesson for all of us.

http://www.matilijapress.com
http://www.patriciafry.com

Note: This blog was first posted here in November of 2005.

Book Promotion for the Brand New Book

Sunday, November 11th, 2012

I talk a lot about book promotion. And this is the activity I’m involved in right now—promoting my own new book, Talk Up Your Book. Well, I guess you’d say that I spend most of my time promoting my books, especially those books and ebooks related to publishing and book promotion. It’s a rather constant activity for me—continually bringing you worthwhile information and concepts through this daily blog, speaking and participating in conferences, seeking and setting up new speaking gigs, writing articles for appropriate publications, maintaining a useful website, showcasing my books, updating my Amazon Author Page, using social media, making myself visible at book festivals and so forth. This is ongoing for me.

Currently, however, I have stepped up my promotional activities. I’m still doing all of the above, plus I am talking about my book wherever I go, soliciting reviews and announcing the new book to my email list and in member newsletters.

Yes, I do practice what I preach. Announcements about Talk Up Your Book have gone out to around 1,500 people on the lists of names and email addresses I have collected over the years. And I have around 500-800 more business cards I need to sort through.

I did a teleseminar with around 200 people in attendance last week. I’ve had three reviews, so far. I will contact all of those who participated in the book next week and find out what they are doing to promote this book. I know that some are featuring it in their newsletters and at their websites. Two have written reviews.

I will check to see what my publicist at the publishing company is doing. So far, there are few results, but often it takes time to get the promotions ball rolling. I’ll probably be bombarded with requests for interviews and such around the holidays. Yikes!

Do you have a new book out? Are you preparing to launch a book soon? Start now planning your marketing strategy and keep adding ideas to your plan. Here’s something that will surely help, subscribe to and read newsletters related to book promotion. You will pick up new ideas and become privy to new resources to help you along the very difficult book promotion road. Join SPAWN (Small Publishers, Artists and Writers Network) and connect with other authors to learn what promotional ploys are working for them. You’ll also have access to the monthly SPAWN Market Update which has a strong focus toward book promotion ideas and resources. http://www.spawn.org Membership is only $65/year.

If you have a book to promote, watch our FREE enewsletter for an announcement about opportunities to display or sell your book in the SPAWN booth at the Los Angeles Times Festival of Books at a dramatically reduced rate. Did you know that a single booth space costs nearly a thousand dollars if you do it on your own? And this event attracts around 140,000 people. Subscribe to SPAWNews here: http://www.spawn.org

I’ve turned comments back on here. Would love to hear from you about the book promotion tactics you are pursuing or that you plan and how this is working out for you. And be sure to order your copy of Talk Up Your Book, How to Sell Your Book Through Public Speaking, Interviews, Signings, Festivals, Conferences and More. You will learn volumes about using your personality to sell books. And, folks, more and more authors are attesting to the fact that the most effective way to sell your book is through your personality. Order your copy of Talk Up Your Book at amazon.com at my website (url below) or at any other online or downtown bookstore.
http://www.matilijapress.com

Need a book editor? Learn more here:
http://www.patriciafry.com

What is the Best Way to Promote a Book?

Saturday, November 10th, 2012

Wasn’t that a great series we had going all week? If you missed it, go back and read the blog posts from November 5-9 and you’ll be treated to some fascinating stories from interesting novelists. You’ll meet bestselling author Margaret Brownley; author of a charming humor mystery series, Wendy Dager; long-time writer turned novelist, Hope Clark; budding novelist and award recipient, Kathleen Ewing and a novelist with some interesting titles and stories to match, Raven West.

Today, I’d like to talk about book promotion. I hear from authors often who say, “I can’t get out to promote in person,” “I can’t afford to travel and speak at conferences,” “I hate social media and don’t understand how to promote that way,” or “I don’t know how to go about getting book reviews.”

You know, as an author, you should pursue many avenues of promotion. In one week, for example, you might talk to a few people you meet about your book, post two or three blogs related to the theme or genre of your book, ask someone to post a review of your book at Amazon, leave comments on a couple of related blog sites and set up a book signing at an appropriate specialty store.

There are hundreds more ways to promote your book. However, you don’t have to do it all and you shouldn’t try to do it all. But it is important to tap into the opportunities that arise at any given moment. And I urge you to train yourself to recognize the opportunities.

It is also important to have a plan. You hear people tell you and you read in books and articles how important it is to identify your target audience and know where they are and how to reach them. When you follow this advice, you will have a much better idea of which promotional activities to pursue. Choose a couple to start with. If they are working for you, expand on them, if not, change your technique or move on to another promotional activity.

Give each activity time. I’ve had people ask, “How do I know my efforts are working?” This can be a valid concern, especially if your book is with a publisher. Then you are not receiving orders. The best measure of sales in this case is your royalty statement. You can also go to amazon.com and check on your book’s rank and sales at Author Central. But if you are the publisher, you know exactly how many books are going out. And this is the case with most pay-to-publish contracts, as well because you are responsible for placing and selling your books.

Okay, so what about this confusing, complex thing called book marketing and how does one successfully engage in it? My best advice is, as I said, know your target audience, their shopping/reading habits and so forth. Do your best to address them in your promotion. And also try a few (not too many at a time) promotional activities and see how they go. Continue those that are working and discontinue those that are not. Don’t try too many intense things at once. You’ll wear yourself out. But you do want to have several avenues for promotion and sales.

If I were to help a novelist set up his or her marketing plan, I might suggest that they include the following: (And these activities might be pursued all at the same time or staggered—depending on how much time you have and the response.)

• Build a website.
• Blog at least a couple of times per week.
• Submit stories to publications your audience reads.
• Solicit book reviews.
• Get out and speak to your readers—maybe once a month to start.
• Send announcements about your book out to your massive email list.
• Sign up for a book festival in or near your community.
• Establish a few social media accounts and use them.
• Place books in appropriate bookstores, gift shops and specialty stores

To learn more about the publishing industry and your role within it, order my book, Publish Your Book. For a complete guide to book promotion, order my book, Promote Your Book. If you need help or want more information/guidance in public speaking and communication for authors, you must read Talk Up Your Book. All available at http://www.matilijapress.com and, of course at amazon.com and most other online and downtown bookstores.

Secrets of a Novelist–Raven West

Friday, November 9th, 2012

This is the last in my weeklong series featuring novelists and how they approach their writing.

I’ve been writing as Raven West since 2001 when First Class Male was published by Lighthouse Press. The publisher also took over the publication of my first novel; Red Wine for Breakfast and also published Journey to Dimension Nine, my collection of erotica short stories under my pen name FireBird. Unfortunately, the publisher went out of business about three years ago, so I’ve re-published the titles in ebook format with Smashwords. Because I wanted control over the rights and publication, I published my latest novel Undercover Reunion with CreateSpace.

I guess my type of writing could be classified as Contemporary Fiction. My stories involve relationships, but aren’t typical “romance” novels. There is a mysterious death in Red Wine for Breakfast, but it’s not your typical murder mystery, and there’s plenty of adventure and intrigue in Undercover Reunion.

I started writing Red Wine for Breakfast in 1985 after the accidental death of my best friend Mary Ellen Grable, I wrote the story as an emotional release because I needed a way to deal with the tragedy.

Raven’s Writing Process
The process varies. Red Wine for Breakfast took me eight years to complete and I really didn’t have much of a plot when I started. I wrote a chapter here and there, and then put it all together. First Class Male was a bit different. I wrote, edited and completed each chapter, one at a time. I wrote the first 50,000 word draft of Undercover Reunion from start to finish in 2010 for the National Novel Writing Month (NaNoWriMo) challenge, then spent the next year doing the edits and re-writes before it was published in November of 2011. I plan on taking the challenge again this year writing Bourbon for Brunch, the sequel to Red Wine for Breakfast.

Raven Talks About Her Technique
I use a very loose outline at first with broad ideas, but I never force the story to stay within the boundaries of the outline. I definitely “color outside of the lines” when it comes to writing fiction. It is so exciting to not know exactly what is going to happen! Even though I have a solid idea of the story line, sometimes the characters take the story to places I never even imagined. Even with an outline, or a deadline, you just can’t force a story. I usually know the ending of the books and write the story backwards! The best technique is to relax and go with the flow!

Naming Characters
When I’m using a character sketch of an actual person, I’ll invert the letters of their first and last name, use a middle name as the first or last or just use some variation of the name. For instance, the postmaster Alex in First Class Male was actually Alan. Don-Donald in Undercover Reunion came from my husband’s middle name, Ronald. Sometimes names are just given to the character for no reason at all.

Unlike my own name, I never change a character’s name once I start writing the story. I may use a nickname. Mel for Melanie, Katie for Kathleen in Undercover Reunion, but once a character is named, they are created to be that person and there is no turning back.

Other than a physical description and brief paragraph on the characters’ personality, I really don’t stick to any pre-conceived details. My characters will “tell me” who they are as I’m writing the story. More than a few times, they’ll also argue with me! For example, Mark in First Class Male was originally written as a throw-away ex boyfriend of Rachel, but “he” insisted on being in the book, so he became a much more involved character than I originally planned.

There is a bit of “magic” in the process of writing fiction. The Muse can hit anyplace and anytime and the well planned story suddenly takes on a life of its own and ends up going in directions I never thought of, which can be both frustrating and exciting. When I originally ended First Class Male I realized that there wasn’t any connection between the ending and the beginning, so I had to write Part IV to what had originally been a three part novel! I hadn’t planned on one of my main characters in Undercover Reunion meeting an untimely death or being a double agent, but one thing leads to another and it’s up to the creative writer to stay true to the MUSE, wherever she leads! As long as everything makes sense in the end!

Learn more about Raven West here: http://ravenwest.net

Writing Awards Spurs on This Writer of Westerns

Thursday, November 8th, 2012

I’d like to introduce Kathleen Ewing, freelance and fiction writer, Prescott Valley, AZ

The novel bug bit hard when the first chapter of my novel Hang the Moon won the 2008 CNW/FFWA Writing Competition, Fiction—Novel Chapter. I admitted to some self-doubt. One entry, one win could be a fluke. Four more submissions, four more awards. Apparently the novel about a rodeo cowboy on the brink of retirement possessed a broader appeal than I suspected. I dug the manuscript out of the garage to rewrite it.

Kathleen’s Technique
While outlines and detailed character sketches appeal to the manufacturing engineer I was, they suffocate the writer in me. So I start simply, with an interesting character doing something striking—in this case, a world champion saddlebronc rider getting bucked off onto his head. I visualize my character vividly. Shoot, I live in his hip pocket. I decide where the character is headed, what he wants most and what he’s prepared to do to get it. And what or who threatens to stop him.

At this point, out comes a large poster board from my closet. With a sticky notepad and a red marker, I begin writing down titles for scenes where this character might find himself in his quest to fulfill that want. No details. Just three or four words per note. I try to have twenty-five or thirty of these scene notes stuck on the board before I proceed to the next step.

The test I use to determine if I have a viable scene? Either it moves my character toward his goal or throws a barrier in his way. If it does neither, I trash it or set it aside for revamping. Now I begin arranging the notes in what feels like a logical order, subject to future change, of course.

Once I’m comfortable with where those scenes take the story, I transpose them to my novel’s workbook, a large loose-leaf binder. With one page per scene, I make brief notes on what I expect the scene to accomplish, which characters are present to interact and a snippet of action or dialog to serve as a springboard when I write the scene. For each scene page, there is a pocket page where I can capture notes, photos and bits of research that pertain to that scene.

Working backward from page one, I add a timeline to the workbook so I can keep track of critical milestones in the backstory. I know how my cowboy looks, how he thinks and what he drinks. By now he’s an old family friend. But I need to keep track of years he won championships, when he missed the PRCA Finals due to serious injuries, what he scored on his best ride, the name of the horse and where that ride occurred. Rodeo cowboys remember these things. I can’t.

Now that I know where my cowboy’s been, where he’s going and why, I add one crucial element. How is he going to change through the course of the novel?

Finally. I am prepared to narrate the story of rodeo legend Gib McCasland.