Archive for November, 2012

Hope Clark Writes Novels From Experience

Wednesday, November 7th, 2012

My name is C. Hope Clark and I have a Jekyll and Hyde persona in the writing world. By day I’m founder of FundsforWriters, a resource for writers which includes a website that’s been designated on the 101 Best Websites for Writers list by Writer’s Digest for 12 years, and newsletters that reach 40,000 readers. By night, I’m author of The Carolina Slade Mystery Series, published by Bell Bridge Books. The debut of the series, Lowcountry Bribe, came out in February 2012. Book Two, Tidewater Murder, comes out in early 2013. I speak across the US at writing conferences, writers’ clubs and book clubs about both FundsforWriters and mystery fiction.

I’ve written mysteries for 15 years, but it took 14 years to write the first one, find an agent, contract a publisher, and receive the book in my hands. I started writing mystery to exorcise a demon, so to speak. In my prior life, I worked for the federal government, with US Dept of Agriculture. A client offered me a bribe. The case went awry and left a very unpleasant taste in my mouth about the meaning of whistle-blowing, so I wrote a story about it. Unable to sell it as a quasi-memoir, I rewrote it as pure fiction, with many more twists and turns, recalling my case and adding a lot of “what if’s” until I found I LOVED writing mystery.

I inserted a love interest in the story, as most stories today must have, because in reality, I married the federal agent who arrived on the scene to investigate my bribery case. I get a lot of awwwwww’s when I tell audiences that story. Funny. It wasn’t all fun and games at the time!

I wanted to traditionally publish my fiction, as an item on my bucket list. It took 72 individually written queries to land the agent, and 18 months of pitching through her to find the contract. And I wouldn’t have done it any other way, because my writing grew phenomenally in that interim period. The delay in publishing made my writing stronger…much stronger. As a result, Lowcountry Bribe has garnered several awards.

Hope’s Writing Technique
My novels, and I’ve written three in the series, come partially from experiences of myself and my husband. I handled minor investigations with USDA and my husband was a federal agent, the real gun-totin’, badge sportin’ type. Between us, we had ample experience with those types of people that cross the line. I have a ball taking what I know and embellishing, mixing up, and making up layers of mystery for Carolina Slade.

Her name, by the way, was strategically selected. Carolina reminds the readers the story is in the Carolinas. Slade is a family name traced back to the late 1600s on my mother’s side. I combined my home and my family in this character, and I imagine my friends and family see glimpses of themselves in the stories. But for all the other character names, since they must be Southern in origin, I research two main places: 1) cemetery listings, and 2) websites of Southern cities where very Southern names appear on town councils and in various government positions. Old South usually has a hand in politics.

As for creating the stories, since I write a series, my characters come first, then a location, then a crime. In Lowcountry Bribe, the crime came first, obviously, with the characters close behind. But in the others, to maintain the theme of placing crimes in rural communities, I select venues with intriguing histories or agricultural backgrounds that could add flair to the story.

Lowcountry Bribe takes place in Charleston County, but specifically Edisto Island, an area not commonly seen in novels. Tidewater Murder takes place on St Helena Island, in Gullah country, full of intensely rich history.

In the actual writing of the story, I’m a pantser with a hint of outlining in my system. I outline three chapters, write them, edit them once, then outline three more. My characters have been known to take off on crazy tangents, so I don’t dare outline 33 chapters only to have the story take on a new flavor in chapter 5. And to edit, I park my behind usually on the back porch, if the weather is right, and pour my husband and I a bourbon as he grabs a cigar, and I read aloud to him. He’s a great technical advisor, and he hears mistakes pretty darn well for a guy who hates to read. He keeps my guns and legal matters correct, too.

Keeping Characters Straight
I don’t keep a file on characters. I feel I have to know them intimately to even start writing about them, so the info needs to be inherent in my head. When I first started writing I did some of what gurus suggest: writing biographies for characters. But today, I have a very large dry erase board on my wall divided in three categories. 1) one-line descriptions of each chapter as they evolve. 2) character names and 3-4 words about them. 3) Loose ends, which changes constantly as I identify red herrings and tie them up, as I drop clues and find ways to make them fit. That way I don’t forget what happened in Chapter 3 needs to be explained by the end of Chapter 33.

Other than that, I have no real formula. I hate it when formulas and organization get in the way of creativity. I organize heavily with FundsforWriters, but I free-wheel it with my fiction. If I wind up like Sue Grafton or Janet Evanovich, with a series that reaches 15 and 20 books, I’m sure I’ll have to create a monitoring system of some sort, but for now, it’s fun and games as I go.

Contact Hope Clark at http://www.chopeclark.com

Wendy Dager’s Novel-Writing Secrets

Tuesday, November 6th, 2012

This is my second interview with novelists this week. I’d like to introduce Wendy Dager.

I’m professional freelance writer Wendy Dager. I’ve written and sold button slogans, greeting card copy, press releases, articles, advertorials, short stories, a biweekly newspaper opinion column, two novels and more. My humorous mystery novel I Murdered the PTA was a top five finalist in Court TV’s Search for the Next Great Crime Writer, and was published by Zumaya Publications under its Enigma imprint June 2011. I Murdered the Spelling Bee, the second book in the series of Daphne Lee-Lee Misadventures, was published by Zumaya May 2012. I also wrote a very dark and kitschy thriller, the novella Thrift Me Deadly, which was a Fabri Literary Prize finalist and is now available on Amazon and Smashwords.

I’ve been a writer for as long as I can remember, but started getting paid for my work when I was in my early twenties—just a few decades or so ago! I primarily write nonfiction, so fiction has always been very difficult for me. I once won the top prize of $500 in a short story contest, and I believe it’s because I wrote the story the same way I write my nonfiction—in a non-literary, realistic, what-you-see-is-what-you-get style. That’s what I decided to do when I wrote the first draft of my first novel back in 2000.

Murdered the PTA is about a rock-and-roll mom trying to live as inconspicuously as possible in suburbia, when her kid’s elementary school PTA blows up and she becomes the prime suspect. It’s basically a cozy mystery, but the point of view is first person—something I do with my opinion column—which made it much easier for me to write. It was somewhat based on my experience sitting on an elementary school PTA board for seven long years—but it’s entirely fictional. I had lots of fun writing it, because I didn’t have any expectations. I knew I wasn’t writing the Great American Novel. My books are purely for entertainment.

A common phrase is “write what you know,” which a lot of people don’t do, but which happens to work for me. That is, I write fiction, but it’s based on real life, not zombie ghost vampire werewolves wearing fifty shades of grey. The problem with writing about everyday things and putting a spin on them is that people sometimes think I’m writing about stuff that’s really happened. When my book I Murdered the PTA came out, a lot of folks in my town were trying to figure out if it was a who’s-who and if they were in it! So, it’s kind of a compliment that readers—not just where I live—could identify with the characters, the setting and the plot.

The first book was fairly easy to write—and rewrite—but the second book, a sequel, was a little harder because it was more like work than playtime.

Wendy’s Approach
I don’t really outline anything I write, whether it’s fiction or nonfiction. I kind of already know where I’m going, and then I start writing and see where it takes me. With my novels, my biggest goal is to make it hard for the reader to figure out whodunit, but not insult them by making the ending totally implausible.

Naming characters is like naming children. It’s an awesome responsibility, but also a terrible one if you mess up. I had to change some names in the years between my first novel being represented by an agent, becoming a Court TV finalist and publication, because several of my characters’ names were that of people who’d become famous in the interim, including one “celebutante,” and two that were character names in a popular sitcom.

Another interesting incident: I went to a local book club meeting—the club members had read my book as their selection of the month—and learned that the name of my first novel’s PTA president was similar to that of a real PTA president who happened to preside over my children’s school’s PTA many years before I got there. It was a crazy coincidence, but I was mortified when I found out.

Creating and Developing Characters
My characters, like my plot, mostly develop as the book is written. I like to think of spontaneous character development as another way to move along the action. Even though fictional characters—just like real, living, breathing people—have specific ways of speaking and behaving, they sometimes react oddly or unexpectedly to unforeseen circumstances. Or, perhaps, they have a dark side we don’t know about until something awful happens. When one of my book’s readers told me she was very surprised by something one of my characters did, I said, “Me, too!” It probably sounds weird, but I get a kick out of surprising myself.

Story Development Wendy Style

I may be unusual in that I sort of go with whatever my imagination tells me to do at the moment. I don’t have anything entirely plotted out in my head or on 3” x 5” cards or in a detailed journal. Occasionally, I’ll scribble down some ideas for plot twists—usually illegibly, in the middle of the night, on a notepad on the nightstand, with a pen that’s nearly run out of ink—and you can imagine how that looks in the morning. After I decipher what may or may not be a brilliant idea, those twists and turns may change once I get to that chapter. Instead, I defer to my imagination, which tends to dominate my fingers on the keyboard. I guess you can call me a “seat of your pants” kind of writer. Which is not so bad. At least I get to love what I do.

For more about Wendy Dager, visit http://www.wendydager.com

Novelist, Margaret Brownley

Monday, November 5th, 2012

This is the first in my series of interviews with novelists. Every day this week, I’ll feature a different writer of fiction. Today, I’d like to introduce Margaret Brownley.

Hi everyone,
First, I want to thank Patricia for kindly inviting me to visit today.

My writing career began, and ended, early. I wrote my first book in fifth grade—a mystery without an ending. I was on a roll until I reached eighth grade. Unimpressed with my essay on why I wanted to be a writer, my English teacher flunked me and told me not to even think about becoming a writer.

Discouraged, I put my dream aside until years later when I volunteered to write the church newsletter. After making the church picnic read like a Grisham novel, my former pastor said, “Maybe God’s calling you to write fiction.”

I don’t know if that’s what God had in mind, but I wasn’t about to take any chances. I immediately began work on a novel. Five years and four books later I received what is known in the business as the “call.”

I’ve since made the N.Y. Times bestseller list and am currently writing historical romance. Waiting for Morning will be released January 2013 and A Bride for All Seasons will be published June 2013, followed by Gunpowder Tea in October. Not bad for someone who flunked eighth grade English. Just don’t ask me to diagram a sentence.

Margaret’s Approach to the Writing Process
I wouldn’t know how to begin outlining a book. I’m not much of a planner which makes dinner a nightly surprise. To me the fun of writing is the suspense of not knowing what’s going to happen next. That’s what keeps me jumping out of bed each morning and rushing to the computer.

I start with a short blurb—a paragraph or two—which includes the basic idea. I then write out a simple sentence and let my characters reword it. Once I’ve determined character “voice” I then look for frame of reference. A poor person has a different way of looking at things than a rich person. A gambler’s daughter has a different world view than one brought up in a strict Christian home. Once I have the voice and world view down, I’m ready to go.

With Regard to Fleshing Out Characters

I’m a big Post-it note fan and they’re all over my desk and screen. When the Post-its are gone I know my book is finished. What doesn’t fit on a Post-it stays in my head.

The Flow of the Story
It seems to me that the more books I write the harder it gets. You’d think it would be easier, but it’s not. I’m always trying to “grow” my work by finding more effective ways to tell a story.

Margaret can be reached through her website: http://margaretbrownley.com
She’s also on Facebook, Twitter and Pinterest.

Bloggers note: I have read a couple of Margaret’s books. I highly recommend them. You’ll enjoy the unique circumstances, twists and turns and excellent writing.

Author Activities and Author Interviews

Sunday, November 4th, 2012

I’ve been out of the office more than usual in these last four days. Thursday and Friday, I attended the Cat Writer’s Association Conference in Los Angeles and I’ve been hanging out at the Ventura County Writers Weekend since. I spoke on self-publishing in LA and yesterday, I talked to a group of about 30 on the topic of book promotion.

I have a booth at this event and will return this morning to talk to the Sunday attendees about SPAWN (Small Publishers, Artists and Writers Network) as well as my books and services.

It always fascinates me to attend an event with so many first-time authors—most of them in the beginning stages of writing their first book. Just when I think the tremendous surge in new authors is waning, I meet dozens and dozens more. And most of them are entering into the huge publishing arena completely clueless. Thankfully, they are out and about attending conferences and asking questions.

Some of them don’t like the answers, though. Publishing and book promotion are hard! And most authors are looking for a respite from the intense task of writing their books. There are a whole lot of people devoted to educating authors as to the challenges ahead. And there’s a lot of information for authors if only they would settle down and study it before rushing to publish.

Next week, as promised, I’m going to change the pace a bit and introduce five novelists. We’re going to find out how they got started writing fiction and how they approach the process of writing fiction. All but one of them are published; one has some bestselling novels. And you might find it interesting that an English teacher in eighth grade flunked her and told her, “Don’t even think about becoming a writer.”

Here are quotes from a couple of the novelists whose interviews I’ll be posting on this blog staring Monday.

“The test I use to determine if I have a viable scene? Either it moves my character toward his goal or throws a barrier in his way. If it does neither, I trash it or set it aside for revamping. Now I begin arranging the notes in what feels like a logical order, subject to future change, of course.”

“The fun of writing is the suspense of not knowing what’s going to happen next.”

“Naming characters is like naming children. It’s an awesome responsibility.”

Be sure to tune in all next week to learn how other novelists approach their projects. I’ll start with bestselling novelist, Margaret Brownley. Monday, November 5, 2012.

13 Reasons Why You Should Join SPAWN

Saturday, November 3rd, 2012

I’m wo-maning a booth this weekend and will be introducing visitors to SPAWN. I’ll hand out our SPAWN Catalog of Members’ Books and Services. But I decided to also create a “take away” to give authors and freelance writers some good reasons for joining SPAWN (Small Publishers, Artists and Writers Network). I’m sharing them with you today.

1: Being a member of SPAWN will afford you the opportunity to network with others in the publishing business, such as fellow authors, publishers, freelance writers, working artists and so forth. We have an email discussion group where you can bring your questions, make announcements, share resources and so forth.

2: You will have access to not one, but two enewsletters. SPAWNews contains organization news and updates, member news and announcements and articles on the topics relevant to you and your work. SPAWNews is free for all subscribers.

3: Sign up for SPAWNews at www.spawn.org and receive a free ebooklet, “Promote Yourself! 25 Ways to Promote Your Work Whether You’re an Artist, Author or Small Publisher.”

4: Members also have access to the monthly SPAWN Market Update, which is a more hard-hitting newsletter including industry news and opportunities, information and resources for authors. We focus on markets for freelance writers and artists, finding publishers for authors seeking publication and mainly we focus on book promotion ideas and opportunities for published authors.

5: As a member, you can share news of your books or services in SPAWNews which reaches around 2,000 subscribers.

6: You will have the opportunity to write articles for SPAWNews that will bring additional attention to your writing projects and give you exposure among your peers.

7: You can have your book included in the SPAWN Catalog of Members’ Books and Services for a year at a low rate of $35. The catalog is online all year. Once a year, we print it out and distribute it at many events throughout the year, including the major Los Angeles Times Festival of Books. In 2013, it will also travel to the large Tucson Festival of Books.

8: You have the opportunity to have your book displayed at the Los Angeles Times Festival of Books for $55 or you can participate in selling your book from the SPAWN booth at this event.

9: Being a member of an established, international organization such as SPAWN is prestigious. It looks good on your resume, at your website, when you are seeking speaking engagements or on your book proposal.

10: As a member of SPAWN, you have access to audio recordings featuring interviews with 22 professionals and experts in the publishing field.

11: When you join SPAWN or renew your membership, you will receive a free ebook of your choice, including Mark Levine’s “The Fine Print of Self-Publishing,” and Patricia Fry’s “The Successful Author’s Handbook.”

12: No matter when you join SPAWN, you won’t miss a thing. You still have access to our archives of SPAWNews and the SPAWN Market Update, which includes years of information and resources.

13: The fee to join is only $65/year ($55 if you belong to one of our affiliates—see list at our website). Most members receive many times their membership fee back after using some of the resources we list, following an opportunity we mention or heeding a warning we issue, for example.

Join SPAWN here: http://www.spawn.org Click on “Join/Renew”
Question? Contact Patricia Fry at Patricia@spawn.org.

Casual Marketing Tips for Authors

Friday, November 2nd, 2012

How often do you have an opportunity to promote your book or your upcoming book and you don’t take it? Last night I had the pleasure of working with two dozen or so writers and authors under most unusual circumstances. I’m at the Cat Writers Association conference in Los Angeles today. This organization receives a whole lot of support and attention from companies that sell items for and about cats—nutritional products, toys, treats, magazines, calendars and so forth. Not only do they support this organization financially, but they send boxes and boxes and boxes of their product samples to be given away at the conference.

So on the night before the conference, volunteers (that is speakers, attendees, organizers) gather and fill goodie bags with all of these items for conference attendees.

Generally, I travel to New York for this event and I arrive too late to participate. This year, the conference is in my backyard, so I arrived early enough to join in. What great fun! I met friends from past years and many new cat writers. They refer to members who are attending for the first time as, “kittens.” Cute!

After the work was completed last night, we sat in a circle, shared some veggies, fruits and cheeses and introduced ourselves to the group—talking about our work and, of course, our cats. What a nice moment. And it was a great opportunity—one of those unexpected marketing moments. How cool is that?

As authors, we must be prepared for such moments. I don’t suggest that you necessarily always have the hard-sell thing going on. Not everyone can pull it off well. I’ve met people who can. Most who do it annoy me. But you certainly can mention that you are an author and introduce your latest book. Only one woman, last night—and it wasn’t me—had the foresight to bring a copy of her latest book to hold up during introductions. I guess she’s been involved in the goodie bag stuffing party before.

After the introduction session, came socializing and networking. I noticed people gravitating toward those with interesting stories—backgrounds or work they wanted to know more about. I heard, “Oh, congratulations on your new book, can I see it?” “I write about black cats, too—have you heard of such and such magazine?” “I’d like to know more about that resource you mentioned.”

You’ve heard/read me suggest that you carry your book with you everywhere you go—that you collect business cards—that you have interesting materials of your own to hand out. In other words, always be prepared when one of these great opportunities arise.

Secrets From Novelists

I’m excited about my planned series of blog posts for all next week, where I interview novelists at various stages of publishing and success about their techniques and approach to their stories. I’ve received most of the interviews back and I can tell you, these are going to energize and inspire you in ways you can’t even imagine, yet.

To give you a sneak peek into who will be featured—Wendy Dager, Raven West, Hope Clark, Margaret Brownley and Kathleen Ewing.

The interviews run all next week—November 5-9, 2012.

The Novelist’s Approach to Writing Fiction

Thursday, November 1st, 2012

I have five novelists lined up to talk about their approach to writing fiction, why they write fiction—how they got started and so forth. Next week, November 5-9, I will post an interview with one author per day. I have three of the interviews in and boy are you in for a treat. You’re going to learn how novelists keep track of their characters—the techniques are creative and varied.

Ever wonder what inspires an author to write a novel and where his or her ideas come from? These five novelists will give us a peek into their inspiration and what keeps them going.
How do they name their characters? How do they get to know them? How is the story formed? You will be surprised by some of the methods these novelist use and where their ideas come from. One author tried to write a true story of something that happened in her life. No one was interested in publishing it, so she created a work of fiction and found a publisher.
Some authors design characters after real people.

How do you get the courage to write fiction and then present it to the public? One of my participating novelists wrote fiction rather secretly, entering a chapter here or a story there in contests. She kept winning contests and this gave her the courage and enticement to finally write seriously for publication.

I am new to writing fiction. I wrote my first novel over the summer. It is with a publisher as we speak and I am working on the second one. It wasn’t until after I had written my first few drafts that I began to recognize character traits of real people in some of my characters. I guess we can’t help but be influenced by what we know, have experienced and who we know in our stories. So, perhaps you can learn a lot about someone by reading their fiction.

If you write fiction or are thinking about starting, don’t miss my fascinating interviews with five novelists all next week. You’ll meet quite a variety of authors with a wide range of techniques. The interviews will run Monday through Friday, November 5-9, 2012. Stop in. You are bound to learn something that will inspire you to move forward with your fiction project, that will bolster your confidence in your approach to fiction, that will help you to improve your methods. And you’ll be learning about some wonderful fiction novels along the way.

Good news! My latest book now shows up on your screen at amazon.com when you type in the title—Talk Up Your Book. There is just one book ahead of it and it is called, “The Boy’s Body Book, Everything You Need to Know for Growing Up You.” Hmmm. And this book relates how? Oh well, at least you can easily find the book you are seeking when you are ready to order the book that could change your life as an author. Talk Up Your Book by Patricia Fry (that’s me) is your key to selling more copies of your book through your personality. And personality is the best way to sell books. Order your copy today. This is the official publication date. So Happy Birthday Talk Up Your Book! And many happy sales!

The book is also available at http://www.matilijapress.com

Looking for a good book editor for your manuscript or help with your book proposal? Learn more about Patricia Fry here: http://www.patriciafry.com

Don’t try to publish without hiring an editor to fine-tune your manuscript. Don’t rely on the self-publishing company’s editing package. Hire your own independent editor with experience.