Archive for March, 2014

Your Love/Hate Relationship with Your Writing Career

Wednesday, March 12th, 2014

I suppose every profession has its joys and frustrations. Whether you’re in a job you adore or dislike, there are moments you enjoy and those you’d rather avoid. An accountant, for example, may like working with figures, but not people. A policeman might love going out on calls, but struggle with the paperwork. And a secretary or administrative assistant might like the organizational aspect of his/her work, but resist handling phone calls.

It’s the same for the career writer. We may breeze through the writing phase of a project, but balk when it comes to learning a new technological tool. We may actually look forward to going out and meeting our readers, but hate, hate, hate the work involved with setting up book signings, presentations and so forth. We might enjoy writing articles, but cringe when it comes to submitting them.

What most non-authors and new authors don’t realize is that successful authorship involves much more than writing a good book. You don’t just write a story, get it published, then sit back and watch royalties roll in. Just as there’s more to police work than catching bad guys and more to being a bus driver than knowing your stops, there’s also more to being an author than most people realize.

Authors must have knowledge and a knack for writing clearly and concisely. They should know how to engage readers; teach and/or entertain them through their writing. Successful authors generally do a lot of research and self-editing. Since it is the author who arranges to have his work published, he must also know something about the publishing industry, his options, his responsibilities as a published author and how to navigate the fiercely competitive publishing industry.

An author must be patient, diligent and have a propensity toward stick-to-itiveness. There are a lot of choices when it comes to publishing and it’s important to make the right one for your project.

Once the book is published, the author must become a marketing manager—promotional expert. A book does not sell itself. Publishers don’t do much to promote the books they produce. It is up to the author to promote his/her books, which means that he or she must understand book promotion, which promotional activities work best for their particular book, etc. And the author must understand that book promotion is not a one-time event, or something you pursue for a few months. Stop promoting your book, and it will die.

If you are an author or plan to be, keep in mind that you, too, will probably love parts of authorship and vehemently dislike others. But it you want a successful book, you cannot sign up for some of the tasks and not others.

Here’s a keen and complete guide to the publishing industry. It should be required reading for all authors. Publish Your Book, Proven Strategies and Resources for the Enterprising Author by Patricia Fry. Order your copy now here: http://www.matilijapress.comPublishYourBook.html or order a print, audio or Kindle version at amazon.com.

Download a FREE copy of my ebook, 50 Ways to Establish Your Author Platform here: http://www.patriciafry.com

When is Your Book Ready for Publication?

Monday, March 10th, 2014

How many times should you self-edit your manuscript? When can you consider it finished? I’ve learned that there is no exact answer. As with many projects, it takes as long as it takes. But you’d better be sure that it’s ready before you go to publication.

A book manuscript is a large and complex body of work. It involves many, many words, punctuation and nuances. There are emotions tied to those words—emotions designed to evoke thought, memories, inspiration, ideas, tears, laughter and so forth. And it is important that you, the author, give the reader the best experience possible.

When you present your book to the public, you are taking on a huge responsibility. I urge you to take that responsibility seriously. Before rushing out to publish that book, scrutinize it from all angles. Make sure your readers don’t have to stumble through a plethora of errors, muddy writing, unnecessary rhetoric and unbelievable scenarios. Be true to your profession and be true to your readers.

How many times should you edit your manuscript? Five, fifteen or twenty-five? Edit until you can leave the manuscript alone for a week or more, pick it up and read through it WITHOUT making more than a handful of changes. THEN turn it over to a professional editor.

Promotional Tips for Multi-book Authors

Saturday, March 8th, 2014

When I started my writing career, I spent most of my time and energy writing articles for magazines. I eventually took a few of my articles a step further and produced books on these topics—a variety of topics.  I wrote a book on caring for the backyard horse, a few related to local history, one on how to present a luau on the mainland, one on grandparenting, a book on youth mentoring, one on journal-keeping. I was all over the board with my topics. Consequently, I found it difficult to promote my books.

The individual who was interested in local history, may not care much about horses, or Hawaiian luaus. Someone wanting to know more about long-distance grandparenting, probably doesn’t also want a book on journal-keeping.

I learned the hard way that it is easier to promote and sell theme books. When I began writing books for authors, in order to sell them, all I had to do was to go where authors hang out (either in person or online) and talk about the books I have available on publishing and book promotion. I could promote this entire line at one event or website, as opposed to being scattered trying to sell several books on very different topics.

Novelists often create series for this very reason. Readers who enjoy horror stories, graphic novels, historical novels set in England, romance or animal stories, for example, will continue buying books with these themes. If you can entice a readership for your first novel, many of the same readers will buy your second and third, etc. in the same genre, with the same case of characters, etc.  Once you learn where your readers for your particular series of books are and how to approach them, you can use this information to promote subsequent books.

So keep this in mind when you are writing fiction or nonfiction books. If you want to write more books, you’ll be wise to stay within the same topic or genre. You’ll sell more copies because you’re promoting to only one group of readers instead of scattering your efforts and energies in two or more different directions.

Klepto Cat Mystery update

Cat-Eye Witness, the second in the Klepto Cat Mystery series is now available in print here: http://amzn.to/1kAI8I2 You can also purchase my first novel, Catnapped in either print or for your Kindle.

 

How to Rebound From the Negative Book Review

Wednesday, March 5th, 2014

So you’ve written a book. You worked long and hard on the story, theme or educational value of your book, and you’ve edited it over and over again. Your one expectation is that readers will appreciate all of the thought and effort you poured into this book. You want your message to resonate with readers in a meaningful way whether it is informational/educational or pure entertainment. You want your book to make a difference. What you don’t want is criticism.

But I have to tell you, you cannot put yourself out there in any way, shape or form without attracting some criticism. Your job is to identify the source and intent of the criticism. Not always easy. It’s important, however, that you listen and learn when there’s definite value to your project and disregard those comments that appear to be sour grapes.

How do you determine when a seriously negative review is from a delusional knucklehead or an astute critic? The wrong approach is to disregard all bad reviews. Another wrong approach is to believe all bad reviews or all good reviews, for that matter. Here’s my rule-of-thumb:

  • If the reviewer gives reasons for disliking your book, take a look at these issues and determine whether they are valid. Consider making changes. If the negative comment or suggestion is made by more than one reviewer, this could be a beautiful gift in disguise. Pay attention.
  • If the reviewer rambles on negatively about one scene or one resource or fact, and no one else mentions this, you probably touched a personal nerve with this individual. I’d disregard it.
  • If the reviewer is obviously somewhat illiterate, you probably can’t take his or her opinion too seriously.
  • If the reviewer admits he or she doesn’t generally read books in this genre, they may not be the best reviewer for your book as they may not understand the genre.

Remember that the majority of people filter the material or stories they read through their own personal life experiences and belief system. So, when you promote your book to the masses, even within a particular theme or genre, you will generate a wide variety of opinions. The more reviews you get, the wider the scope of opinions.

One area of critique that I highly recommend you heed is when it comes to typos and other errors. I’ve reviewed books that were riddled with errors. When I notice that the main character’s name changes throughout the book, the author misspells words, punctuation is messed up, there are words missing or extra words and typos throughout, for example, I will not write a review. I will contact the author and strongly urge them to pull the book immediately and hire a proofreader and/or editor.

So that’s another way to encourage positive reviews or to cut down on negative ones. Produce the best product you possibly can by making sure you have dotted all of your i’s and crossed all of your t’s.

Upcoming Newsletter for Authors

The next issue of Patricia Fry’s Publishing/Marketing News and Views is scheduled for publication in early April. Sign up now to receive your copy: http://www.patriciafry.com. Read back issues of this informative enewsletter here: http://www.matilijapress.com/publishingblog/?page_id=3081

Contact Patricia Fry here: PLFry620@yahoo.com

 

Pets and Books–a Comparison

Saturday, March 1st, 2014

A published book is like having a pet. It might survive without your full attention, but will it thrive? Anyone who has invited a cat, dog or other pet into their home has learned that the animal responds more easily and more positively when you spend time with it. And, when you’re involved with your pet, you enjoy it more, too. There are benefits for both the animal and you when you pay attention to it, care for it at a physical and emotional level, understand more about what it needs and wants and take care of those requirements and desires.

How does a published book differ? While it is not a living breathing life form, as the author, you may feel an emotional attachment to the book you have created. And you will get out of authorship whatever you are willing to put into it.

If you spread the word about your book, it will sell. If a high sales record is your goal, you will meet with success only if you do the work—put in the time and energy. As with a pet, you will get out of the relationship (or experience) whatever you are willing to put into it. The benefits or rewards will be in direct alignment with your efforts.